Thirty is Just a Thirty, which sets up three main characters, who happen to be women with different values and have become "bosom friends" sooner or later. Wang Manni, played by Jiang Shujing, is a small city born in Shanghai to work in the "sea drift", her image should be able to respond to most of the people working in Shanghai.
Tong Yao as Gu Jia is a study in the twenties with her husband to fight for a career, after a small success, retired to the back, became a full-time mom, but is the enviable upper pyramid.
Mao Xiaotong as Zhong Xiaoqin is a native Shanghai girl, grew up under the protection of her family as a "mama's girl", although thirty years old, but still not grown up, relying on her parents for everything, no opinion and is a colleague in the "good old boy". The first thing you need to do is to get your hands on a new pair of shoes or boots.
Let's start with Gu Jia, the successful woman at the top of the pyramid, especially the part where she fights for her children. Yes, the crew is using this hot and bloody plot to make many women go crazy and shout.
Because a lot of women can't do it, they envy the success of the women in the drama, but at the same time, they just know to stay at home, and can't give any action. So what's wrong with Gu Jia's values?
Desire makes her feel that everything can be reached by pointing her toes a little bit, but after reaching it, there will be a bigger desire - desire makes herself tired, but also makes her partner tired, because all this desire is not her and her partner's ****same desire, but what she imposes on her partner. Many people will talk about how respectful and considerate she is to her husband, but what we need to know more is how much pressure she puts on her other half.
On the values of hobbies, let me talk about the awkwardness of the cast's values. Through fish farming to imply that Chen Yu as the establishment of the employee's routine, do not think of progress, early old age at a glance can see the head of the life.
It's also implied that the two will eventually go their separate ways through him raising fish and Zhong Xiaoqin raising cats. (Zhong Xiaoqin can't even raise a cat well, how can she raise a child well?) So why did the writers arrange Mr. Chen's hobbies in such a way?
Because in the writer's mind, fish, flowers, fishing, chess, these hobbies should be the hobbies of the retired old man, you see the thirty-year-old women did not go to the square square dance, right? But what should be the hobbies of a male in his thirties? Is it gaming or scuba diving? Is it fitness or surfing? It's too hard to take a hobby and talk about it, and it's too hard for the males in the drama, isn't it? But with the writers' portrayal, netizens (presumably mostly women) spoke up and asked Zhong Xiaoqin why she hasn't gotten divorced yet.
Finally, on Wang Manni, this one's values are even more bizarre.
From Who Says I Can't Get Married to Just Thirty, the trope of all the screenwriters is to portray male blind dates as exceptionally bad. So the unsuccessful blind dates are basically men's mistakes summarized as follows: bragging, poor clothing, cheap treats, materialistic to the point that all women are explicitly priced out, etc.
In the screenwriter's portrayal, blind dates are an extremely awkward thing to do, and there are a lot of extreme men to meet. Let's not talk about how malicious the writers are about the blind date, let's take a look first, Wang Manni look at the male blind date of the point of view ~ the first is to dress up, Wang Manni's evaluation is to hate to put all the family when all the body; the second is to say that he borrowed blind date to see what she can get out of it and then go to work, so that Wang Manni as a photographic tool people; the third monstrous blow blowing the financial predator plus show off their own in Shanghai has two suites.
The cast's malice I really can't watch, international double standard! First of all, the matchmaking market is only more strange women than strange men ~ in big cities there are far more older leftover women than older leftover men (rural older leftover men than older leftover women, the specific reasons can be thought of in detail).
Let's take a look at three women, three thirty-year-old heroines, all of whom have unfortunate families, unfortunate marriages, and difficult marriages.
And the overall feedback from the audience is that it's too well-written, the marriages are horrible, and the men are too scummy.
I'm sorry, I speak for all the good and ordinary men, the men in the drama don't represent us, and those who have ulterior motives don't make a gender dichotomy here, and don't vilify men for the sake of promoting independent women, it's really a bad smell.
The writers' portrayal of men is realistic, but it's true that there is malice in it, but I don't agree with the part about Gu Jia, it's necessary to be evil in order to protect oneself, and it can't be considered as a distortion of value, right?
And the play also has a clear expression of the value of the broad wife of the criticism. Now the network environment, the social environment is that men and women have their own views to degrade each other, and this situation will continue, I can only hope that the common world will come soon.