Dynasty: Tang Dynasty
Author: Li Bai
Original text:
Beautiful people who see the bright clouds, think of their clothes and see flowers come to see them.
If Yushan didn't see her, it would be Yaochi meeting under the moon.
Clouds are her clothes, flowers are her looks;
The opening sentence of "clouds want clothes, flowers want capacity" appears with heavy words, which is not common in quatrains, but it is a method worth emulating in writing seven-character poems, and also shows the poet's effortless brushwork. The use of intertextuality in this sentence shows the poet's skill and ability to compare the beauty Yang Yuhuan. No wonder Tang Xuanzong and Yang Guifei, two people with high cultural literacy, appreciate it. Song Dynasty music history "The Legend of the True" records that Xuanzong was happy to play the flute and personally accompany him, and Yang was moved to "gather embroidered towels and worship"; All this, of course, is caused by the sense of existence under the guidance of the charm of the great poet Li Bai's successful poems!
Question 2: What does the cloud mean by thinking about clothes, flowers and capacity? This sentence comes from Li Bai's Qing Ping Diao. The sentence "Cloud Thinking" is about the beauty of the imperial concubine. Even the colorful clouds in the sky want to become her clothes, and the peony flowers want to become her appearance. It is meaningful to think and do as a word. Tang Ruxun's interpretation of Tang poetry: "It can be seen that the emperor thinks of beauty when he sees clouds, clothes when he sees flowers, and looks when he sees flowers."
Question 3: What does it mean to let the spring breeze blow over the threshold? Yang Fei's clothes are written like a dress and feathers, surrounding her plump jade capacity. The word "Xiang" has both positive and negative understandings. It can be said that when you see clouds, you think of clothes, and when you see flowers, you think of looks. It can also be said that clothes are clouds and looks are flowers, so the interaction is uneven. These seven words give people a feeling of flowers. Next, "the spring breeze blows the threshold to dazzle the flowers", and then "Revlon" is used to stain the painted face, so that the beautiful peony flowers appear more gorgeous in the crystal dew, which makes the above sentences more full, and at the same time, the wind dew symbolizes the grace of the king and makes the painted face more spiritual.
Question 4: What do you mean by "the clouds miss the flowers and let the spring breeze blow over the threshold"? Write Yang Fei's clothes as if they were really like a dress and feathers, surrounding her plump jade capacity. The word "Xiang" has both positive and negative understandings. It can be said that she thinks of clothes and flowers when she sees clouds.
When you think of looks, you can also imagine clothes as clouds and looks as flowers, so the interaction is uneven, and the seven characters give people a feeling of flowers. Next, "the spring breeze blows the threshold to show Revlon", further pointing to "Revlon"
Dyed face, beautiful peony flowers appear more gorgeous in the crystal dew, which makes the above sentence more full. At the same time, the wind dew also symbolizes the demeanor of the king, making the painted face more spiritual.
Question 5: What is the positive solution of cloud thinking about clothes, flowers and capacity? Is the name Shang Yun good? The positive solution of Yunsi Yihua is: Xia Yun is her clothes, and flowers are her looks;
Yi Yun sounds better and looks better.
Question 6: clouds need clothes and flowers, and spring breeze blows the threshold. What does Revlon mean?
Lipper
Beautiful people who see the bright clouds, think of their clothes and see flowers come to see them.
If Yushan didn't see her, it would be Yaochi meeting under the moon.
A red dew is fragrant, and the rain is heartbroken.
Excuse me, who looks like Han Palace? The poor swallow leans against her new makeup.
Famous flowers fall in love and laugh like kings.
Explain that the spring breeze is infinitely hateful, and the agarwood pavilion is northward.
These three poems were written by Li Bai when he dedicated them to Hanlin in Chang 'an. One day, Xuanzong and Yang Fei were watching peony flowers in the palace, and Li Bai was ordered to write a new movement, which was written by Li Bai's imperial edict. Among the three poems, Mu Shaoyao (Peony) and Fei Yang co-wrote that flowers are people, and people are flowers, which makes people's faces smooth and harmonious and benefits Tang Xuanzong. From the perspective of text structure, the first one was written from space and introduced Yuan Long on the Moon to readers. The second song was written at that time, introducing the balcony of King Xiang of Chu and the court of Emperor Cheng of Han Dynasty to readers. The third song returns to the present reality, pointing out that the Tang Palace is north of Chenxiang Temple. Poetry and pen are not only easy to write, but also interlinked. The spring breeze in "The First" echoes the spring breeze in "The Third".
The first song, with seven words added: "Clouds need clothes, flowers need capacity", makes Yang Fei's clothes look like clothes and feathers, surrounded by her plump jade capacity. The word "Xiang" has both positive and negative understandings. It can be said that when you see clouds, you think of clothes, and when you see flowers, you think of looks. It can also be said that you think of clothes as clouds and looks as flowers, so the interaction is uneven, and the seven words give people a feeling of flowers. Next, "the spring breeze blows the threshold to show off the flowers", and then the painted face is stained with flowers. Beautiful peony flowers are more colorful in the dew on the crystal ridge, which makes the above sentences fuller. At the same time, the wind dew symbolizes the grace of the king and makes the painted face more spiritual. Below, the poet's imagination suddenly rose to the Yushan and Yaotai groups where the Queen Mother of the West lived in heaven. If it weren't for "meeting" and "meeting", the poet pretended to choose, and he would surely see such a beautiful face only in fairyland! Yushan, Yaotai and moonlight, with simple words, set off a beautiful face, which naturally reminds people of a person as white as jade and a warm white peony flower. At the same time, the poet did not show any trace, and compared Yang Fei to a fairy, which was really exquisite.
The second song begins with the sentence "a piece of red dew condenses fragrance", which writes both color and fragrance; Not only the natural beauty, but also the dew beauty, which is a step further than the previous Revlon. With the story of the King of Chu, "The Nature of Wushan Rain Wasted Heartbroken" humanized the flowers in the previous sentence, pointing out that the King of Chu was a goddess heartbroken, but in fact, the goddess in the dream could not get the present beauty! After that, Zhao, the queen of Emperor Han Chengdi, was a peerless beauty, but Zhao still had to rely on new makeup. Those who looked like beauties in front of her eyes did not need makeup, which was naturally amazing. This song also respects the topic by depressing the goddess and the flying swallow and raising Yang Fei. According to legend, Zhao is light and can dance in the crystal plate held by imperial secretary, while he is relatively fat, with the inherent saying that "the ring is fat and thin" (Yang Guifei's real name is Yuhuan). Later generations fabricated the facts accordingly, saying that Yang Fei liked these three poems very much and often recited them. Gao Lishi thought it was a great insult, because Li Bai had ordered him to take off his boots. He called Yang Fei a great shame, saying that Li Bai had despised Fei Yang's fat with the thinness of swallows and her fornication with swallows, and her palace was a mess. If there is such a meaning in Li Bai's poems, first of all, he can't escape from Xuanzong, who has knowledge and culture, and Yang Fei is not a man without cultural accomplishment. According to the original poem, it is obviously impossible to suppress the ancient and respect the present and forcibly misinterpret it.
The third song returns to reality from the fairyland ancients. The first two sentences, "Famous flowers pour over the country and care for each other, which makes the king smile." The beauty in "Pour Out the Country" refers to Yang Fei, of course. The poem only points out here that the peony and "dumping the country" and "dumping the country" are combined into one, and the words "smiling and looking" are unified, so that the peony, Yang Fei and Xuanzong are integrated. Because of the "laugh" in the second sentence, the "show infinite hatred for the spring breeze" in the third sentence was aroused. The word "spring breeze" is synonymous with the king. This sentence makes the moving beauty of peony full of interest, and the king laughs. Of course, there is no hate, and the hate is relieved. At the end of last year, the place where Yang Fei enjoyed flowers was "Chenxiang Temple North". How elegant and romantic it is for people to lean on the flowers outside the diaphragm.
These three poems are rich in language and words, and the most prominent thing is to write flowers and people together, such as "the cloud wants clothes and flowers to look good", as if writing flowers and faces. "A red dew condenses fragrance" is also a mixture of people and things, referring to this and that. After reading these three poems, if you feel that the spring breeze is full of paper, the flowers are full of eyes, and the face is blurred, you don't need to portray it. Naturally, people think it is an oyster ... >>