Li Bai
Remembering the old trip to Luoyang, Dong Leiqiu, who built a restaurant in the south of the Tianjin Bridge for the rest of his life, he said, "I'm not sure if this is a good idea.
Gold and white jewelry were bought to buy songs and smiles, and I was drunk for months and lighter than the king and his vassals.
The most important thing to remember is that I was a great friend to you, and I was a great friend to you, and I was a great friend to you.
It is not difficult to go back to the mountain and turn to the sea, and I have no regrets about pouring out my love.
I'm going to Huainan to climb the osmanthus branch, and you stay in Luobei to worry about your dreams.
It's not hard to say goodbye, but I'm still with you.
When we visit the city of immortality, we will be surrounded by 36 curves of water.
The first time a stream enters a thousand flowers, ten thousand ravines are filled with the sound of the pine wind.
Silver saddles and golden lassoes reached the flat land, and the Handong governor came to welcome us.
The real man of Ziyang invited me to play the jade pianoforte.
The music of the immortals on the roof of the Dining Cloud is as loud as the sound of the luan and the phoenix.
The long sleeves and pipes are urged to be lifted up, and the Eastern Han Shoushu dances drunkenly.
The brocade robe covered my body, and I slept drunkenly on its pillow.
When I was at the banquet, my spirit was in the sky, but the stars and the rain did not end, so I flew to the mountains and the waters of the Chu Pass.
When I returned to the mountains to search for my old nest, you also returned home to cross the Weiqiao Bridge.
Jun's family was so brave and courageous that he was able to curb the military and the captives in Yin and Jinzhou.
In May, we called each other to cross the Taihang River, and the destroying wheels did not know the pain of the sheep's intestines.
Beijing is a place of great depths, and I am grateful to you for your kindness.
This is the first time I've ever been to Beijing, and I've never been back.
When I go out to the west of the city, the water of the Jinzi Temple is like jasper.
The pontoon boat is a piping drum, and the microwave dragon's scales are green.
It's like a poplar flower like snow!
Red make-up to get drunk on the slanting sun, a hundred feet of clear pool to write Cui'e.
The first moonlight of Cui'e's moon is shining brightly, and the beauty of the world is singing and dancing.
The wind is blowing the song into the air, and the song is flying around the clouds.
This is the time when we can't meet again, so we are going to the west to present the "Chang Yang Fugue".
North Queqing Yun can not be expected, East Mountain white head still return.
We met you at the south end of the Weiqiao Bridge. I'm not sure if I'll be able to get a good look at you, but I'm sure I can.
If you want to know how much I hate you, I'd like to ask you, "How much do you hate me?"
Fallen flowers in the springtime and the evening.
The words are not enough, the feelings are not reachable.
This is the first time I've ever seen a person who has been in love with me for a long time.
This poem "Remembering the Old Journey" was written by the author and sent to his friend Yuan Yan, who was a senator in Bozhou (i.e., Qiao County, with the state capital in present-day Bo County, Anhui Province). The poem was included in the Hanyue yingling ji (Collection of the Heroic Spirits of the River Yue), in which he mentions his disappointment in Chang'an, so it was written between the third and twelfth centuries of the Tianbao reign (744) and 753. It is an important work for understanding the author's life and thought, as it recounts his four reunions and separations with Yuan Yan, and his travels before entering the capital are the most detailed. At first glance, it seems that this poem is only about the youthful life of the author, and it does not seem to have much positive ideological significance because it involves indulgence in alcohol, holding prostitutes, and socializing with Taoist priests, etc. In fact, this is not the case. In fact, it is not. It must be known that it was written in the author's "train the king's door does not call love" political encounter disillusionment, for the social reality and the world have in-depth experience of human feelings after. Therefore, "remembering the old tour" will not only have nostalgia for the old but also has the meaning of the present. The poet writes that the life of wanton pleasure, is as "make me not happy face" of the dirty official life of the antithesis to write; his character of the sketch of the characters, but also as the upper class hypocrisy and snobbery of the antithesis to write, has its own meaning in the words.
The organization of the poem is divided into four sections, taking the separation from Yuan as the warp and woof. The first three paragraphs in turn show the reader many beautiful love affairs.
The first stanza goes from "remembering the old days of Luoyang," to "remembering the sorrowful dreams of the gentleman who stayed in Luobei", recalling the poet's freewheeling life in Luoyang, and his first reunion with Yuanyan. What is most striking here is the poet's distinctive self-image. Beginning with a restaurant in Luoyang ("Dong Lek Qiu"), this introduction is an expression of Li Bai's personality traits. What a subjective exaggeration it is to "build a restaurant south of the Tianjin Bridge (on the Luo River southwest of Luoyang) for Yu"! In front of the poet who called himself the "Immortal in Wine", there is simply no one who is worthy to be called able to drink wine. Junior Li Bai life is bold and indulgent, full of enterprising spirit, drinking is the pursuit of a spiritual liberation: "gold and white jewelry to buy song and laughter, a drunken light of the month, the king and his majesty." "A drunk" and to "months", is a surprising, stunning exaggeration, in front of such a person is really "ten thousand vassals is not enough"! As for his travels, all are "the sea of wise and heroic Qing Yun guest", and among them, the most known as the "MuoYi" friendship and who is it? The following naturally brings out Yuan Senjun. Then only two short sentences to describe their friendship: each other "love to fall in love" to the point that you can sacrifice everything for each other ("nothing to spare"), so that "back to the mountains to turn the sea" is not a big deal ("not difficult"). "It's not difficult to go back to the mountain and turn to the sea". The narrative is both elegant and clean, but also contains a deep sense of sincerity. Just opened such a head, the following is said to break up, when Li Bai rotated to Huainan ("climbed the laurel branch" refers to the hermitage to visit the Taoist affairs, language from Huainan Xiaoshan "hermit", and the Yuan "to stay in Luobei". But this beginning has left a deep impression on the reader.
There are two transitional sentences between the first and second paragraphs. The first one is "I can't bear to part with you", which means "you stay in Luobei", and writes about the reluctance of the two of them to part with each other; the second one is "still with you", which leads to the following second meeting. The two sentences are extremely natural.
The second paragraph goes from "We followed each other a long way to visit Xiancheng" to "You also returned home across the Weiqiao Bridge", recalling the time when we traveled together with Yuanyan to Handong County, that is, Suizhou (the state capital of Suizhou County, Hubei Province, nowadays), and had fun with the governor of Handong County and the Taoist priest Hu Ziyang. First, they visited Xiancheng Mountain and enjoyed the scenery by boat, and then they changed horses and traveled to Handong. "Follow each other" six lines write the scenery, write the trip, concise into the wonderful, the road "a long way", "the water back to haunt", "the first into the The road is "long", "the water is haunted", "the first entry", "the degree of exhaustion", which makes people overwhelmed. Then, with a long way to welcome the Handong Taishou met. Handong Taishou's image in this paragraph is the most vivid and lovely, he did not have half a bit of the official position of specializing in the city and living in the city. He is certainly an old friend of Ziyang Zhenzhen, and he is also as fond of Li Bai as he is of his old friends. These several ungrateful friends in Suizhou Bitter Bamboo Courtyard - "dining Xia Lou" drinking and enjoying, Taoist priests and poets with the accompaniment, Handong Taishou is dancing and playing the shadow. There is no respect, no constraints, was already free of the poet's initiative more casually, not only drunk, and even forgetfulness to "I am drunk horizontal sleep pillow its stock". However, the governor was not disobedient, but also took off his brocade robe to cover him. This scene of "undressing me" is a touching scene. The environment and atmosphere of this paragraph is also wonderful, and the Taoist temple is appropriate. The name of the building, "Eating Xia", and the immortal music of "Feng Ming" create a feeling of floating away from the human world. The meeting was so happy ("the mood of the banquet was soaring above the sky"), and how easy it was to part ("the stars and the rain did not end up in the morning"). The poet and Yuan Yan made another labor swallow fly apart, "Yu both return to the mountain to find the old nest, you also return home across the Weiqiao", really there is no feast that will not be broken up.
There is a jump in the poem, directly into the third paragraph from the "gentleman's home, the brave gentleman Pi Hu" to the "song from around the traveling clouds fly", recalling the poet's hospitality in the state by Yuan Yan and his father. From the sentence "May call each other", it seems that the poet was invited by Yuan Yan to leave Anlu and go to Taiyuan Prefecture via the Taihang Mountains. Cao Cao's poem reads: "The journey northward to the Taihang Mountains is arduous and lofty! The wheels are destroyed." (Bitter Cold Row) However, the poet was in high spirits, and the season was good, so "the destruction of the wheels does not mean the bitterness of the sheep's intestines". This paragraph is about people, with Yuan Senjun as the main character. By starting with his "Yanjun" (father), he not only introduces a supporting character, but also shows Yuan Yan's status as a general's son. Li Bai is really cozy and happy in Yuan Yan's place: "I have traveled to Beijing (Taiyuan) for many years, and I feel that your precious righteousness is lighter than gold. I was so drunk and full that I had no desire to return." They also often patronize the famous Jin Temple in the west of the city. The water of Jin originates from here, and the scenery is extremely beautiful. It was a real pleasure to float the boat and play the drums and blow the cock. The following six lines are devoted to the appreciation of the songs and dances of the female kabuki, and the sentence "If it is like the poplar flower like snow," has the feeling of "the line of music must be spring" ("Drinking Alone Under the Moon"). They do not want to go back until evening. The red light of the "slanting sun" and the red makeup of the girls drunken face mess, especially charming; beauty of the silhouette of the reflection of the clear water in the pool, beautiful scenery. At this time the beginning of the new month, the beauty of the face of the moon like bright, they take turns to sing, dance; singing melodious, with the wind away, chasing the clouds ....... Here, "gold and white jewelry to buy songs and smiles" has been transformed into a vivid and distinctive picture, can be described as the best state of extreme beauty.
The fourth paragraph from the "at this point in time, it is difficult to meet again" to the end of the article. The first paragraph of the article is a summary of the previous text, and then write to Chang'an disillusioned with the Yuan once again met. Unlike the first three paragraphs, there is no reminiscence of love affairs here, but only the phrase "I met you at the southern end of the Weiqiao Bridge," which means "I met you at the southern end of the Weiqiao Bridge". The poet's words "I met you at the southern end of the Weiqiao Bridge, and then I left you at the northern end of Qiao County," seem to indicate that Yuan went to Qiao County after a meeting in Guanzhong, and it seems that the handshake had already been broken. About that time, the poet's body was not free and his heart was not at ease! About the poet's situation in Chang'an, there are only two implicit sentences: "North Queqingyun can not be expected, the East Mountain white head still go back." However, it contains a lot of human feelings. Always open-minded poet, but also issued a "ask the rest of the parting hate today how much" sigh, and the late spring falling flowers added to the scene of this parting hate. This state of mind is "words can not be exhausted, feelings can not be reached", the poet can only through nostalgia ("distant memory") way to discharge. When he "called the child long kneeling to silence this speech" to send far away, the heart is what a kind of taste!
The poem mentions that "the blue clouds of the Northern Que cannot be expected", which is obviously a complaint.
This poem mentions that "the north que Qingyun can't be expected", obviously it contains grievances. However, it is different from the long and straightforward poems such as "Hard to Walk", "Answer to Wang XII's Wistfulness of Drinking Alone on a Cold Evening", "Gift to My Brother Nanping Taishou Zhiyao" and so on. It is almost no positive narrative of the reality of the indignation, but the old dream of the past to relive the old dream is written in a wanton and fast, the pen is full of ink. By idealizing and romanticizing the past of the deceased, it highlights the lack of hatred in reality. Therefore, it has all the usual advantages of Li Bai's songs and lines, as well as the characteristics of deepness and subtlety. This is one of the artistic merits of this poem.
About the structure of this poem, "Tang and Song Poetry" says: "This poem has the most discipline to follow. The poem is purely narrative in nature. The poem is organized in a way that it is a narrative, with the use of the transition as the warp and weft, and the twist and turn as the rhythm. The structure is very strict and the spirit is smooth. As for the strange feelings and triumphs, the viewer is overwhelmed, and his talent is the only one who is good at it." This is to say, this poem and Li Bai seven ancient usually the kind of "free", can not law style is different, but according to the actual experience of the actual writing, narrated, layered, structured, but also very rich in the writing method, quite a lot of the pen of the Xinghui. Throughout the poem, seven lines are mainly used, with three, five, and nine-word lines, and occasional odd-numbered lines (e.g., the following three lines of "when the feast is full of energy" become a group of lines), and the differences are seen in the neatness, which finally makes the poem "free from God's energy". This is another artistic merit of this poem.