The Way
Original song: Han Hong, 83 Li.
Lyrics: Qu Yuan
Music: Yin Qing
Early in the morning, I stood on the green pasture and saw the vulture covered with the glow.
Like an auspicious cloud flying over the blue sky, it brings good luck to collectors' children.
At dusk, I stood on a high hill, hoping that the railway would reach my hometown.
Dragons leap over mountains and mountains, sending happiness to the snowy plateau.
It is a magical heaven that sends the warmth of the world to the frontier.
Since then, the mountains are no longer high and the roads are no longer long, and children of all ethnic groups gather together.
At dusk, I stood on a high mountain and watched the railway extend to my hometown.
Dragons leap over mountains and mountains, sending happiness to the snowy plateau.
This is a magical heaven, which takes us into the paradise on earth.
Barley butter tea will be sweeter, and joyful songs will spread all over the country.
This is a magical heaven, which takes us into the paradise on earth.
Barley butter tea will be sweeter, and joyful songs will spread all over the country.
Happy songs spread all over the place.
Extended data:
The Way is a lyric song with distinctive melody, typical Tibetan style and simple music material. The composer did not copy the melody of Tibetan folk songs, but rearranged the length of the main tone to make people sound novel and unique. In the first section of "Pilgrim's Road Prelude", the pure fifth degree jumps to the mode. However, after a short delay in the third tone above the pinnate tonic and the second tone below, the rain or shine suddenly jumps five degrees to eight degrees lower, and then goes up and down to the tonic, which is more open, bright and moving.
The setting of this commanding height has broken through the routine of song creation, and Yin Qing's handling is like a mountain rising from the ground. In the lyrics, "swing words" are also carefully designed, and the same beat is skillfully used to form different rhythms and language sense changes. The use of repetition between phrases and the arrangement of the first and last sounds at the end of a sentence all reflect the composer's individual language. "From then on, the mountain is no longer high and the road is no longer long, and children of all ethnic groups gather together", which is thought-provoking. The first half of the sentence opened the distance from Tibetan ballads, while the second half left no trace.