Reba: Reba is a kind of Tibetan bell drum dance, including strings, pots and pans, tap, rap, and juggling, including the integrated performing arts. Legend has it that the 11th century wandering monk Mira Reba was the first to create, has a history of more than 900 years. Dance, male brass bells, female tambourine, dance from slow and fast, often "top drums turn over", "lying body bungee", "one-legged turn" and other stunts. Engaged in this kind of performance is also known as the artist "hotba".
Tap dance: Tibetan tap dance, initially for the court dance. When dancing, the feet wear hard-soled leather shoes, and express their inner feelings by stepping out with changing rhythms. The tap dance is accompanied by flute, yangqin, six-stringed zither, brass bells, moon zither, etc. The rhythm is slow and fast, and reaches a climax with a sudden ending step.
Le Xie: Le Xie is a kind of labor song and dance of the Tibetans. In the labor at the same time, the mouth of the song and the hands of the tools and the legs and feet rhythmic movements to match, so that the labor becomes a form of song and dance. In the shoveling, tamping, stacking wheat and other strong physical labor, the mouth of the song has a strong labor horn flavor.
Tibetan opera: widely popular in the Tibetan region in the form of song and dance to express the story of the comprehensive art. The Tibetan language called "Ajilam", meaning "fairy sister". Legend has it that it was created in the early 15th century by the Kagyu lama Tangdong Jiebu to raise funds for the construction of the Yarlung Tsangpo River iron bridge. Most of the traditional repertoire is based on folktales, historical biographies and historical events, such as Princess Wencheng and Prince Nuosang. They are performed on a continuous stage, interspersed with songs and dances, and sung with the help of other actors and actresses in chorus. There are many changes in the singing voice, and the dance movements are very graceful. A play is generally divided into three sections: ① the appearance ceremony, known as "dun" in Tibetan; ② the main play, known as "xiong" in Tibetan; ③ the end of the performance of the form of wishes, known as "zaxi" in Tibetan. The accompaniment is mainly drums and cymbals. Make-up and props are simple, and used to be performed in squares. After the democratic reform, the status of artists has been improved, the repertoire has also been reformed, get new development.