The main characteristics of Tibetan dance:
1, rich in content, a wide range of subjects
In the white-faced Tibetan theater on the basis of the development of the "blue-faced Tibetan opera", not only rich in content, a wide range of subjects, but also inherited and retained in the Gugu dynasty already had the "Bumar" and other folk dance forms. Make folk square dance into the programmed Tibetan drama, but also cited the Tibetan people's favorite folk music, so that the Tibetan opera circulated in the Tibetan folk long lasting.
2, beliefs
In order to conform to the beliefs of the Tibetan "worship of many gods", people in the sacrificial rituals, created the use of a variety of gods masks, and contains a large number of Tibetan folk dance components of the program dance. This ritual dance was later adopted by the prevalent Yellow Sect of Tibetan Buddhism, which called it Qiangm.
Popular in Tibet, Inner Mongolia, Gansu, Qinghai, Sichuan and other provinces and districts believe in the Yellow Religion of the vast areas. The dance of Qiangm is mostly mixed by the Animal Dance and the Dance of the Dharma Vessel. During the performance, there is little singing, and the atmosphere is solemn and solemn.
3, "jumping god" activities
Every major religious festivals, lama temple will be held "jumping god" activities. In the suona, python, trombone, drums and cymbals, performers wearing masks, holding weapons or weapons, dressed as the gods lined up around the field for a week, the opening ceremony.
Then they perform the Dance of the Fierce God, the Skeleton Dance, the Dance of the Ox God, the Dance of the Deer God, the Dance of the God of Joy, and the Dance of the God of the Protection of the Law, etc., and each of these dances has a certain religious content.
Between the various dances, but also interspersed with lamas performing wrestling, jousting, etc., to entertain the audience. Sometimes they also perform Buddhist stories such as "Sacrificing oneself to feed a tiger" and "Longevity Dance" and "Crane Dance", which show goodness and charity and longevity and wealth.
Expanded InformationThe characteristics of Tibetan dance: "trembling", "open", "smooth", "left", "around", "around", "around", "around", "around", "around", "around", "around", "around", "around", "around", "around" and "around".
Characteristics of Tibetan dance: "trembling", "open", "smooth", "left", "around" is a variety of different types of Tibetan dance *** with the same characteristics, or known as the five elements of Tibetan dance, which constitutes the aesthetic concept that distinguishes it from other fraternal dances. The pace of Tibetan dance is very rich, from the foot movements can be summarized as
"rubbing", "dragging", "stepping", "erratic", "pointing", "moving", "moving", "moving", "moving", "moving", "moving", "moving", "moving", "moving", "moving", "moving", "moving" and "moving". "kick", "suck", "cross", "twist" and other 12 kinds of basic steps.
The gestures of Tibetan dance can be summarized as "pull", "leisurely", "fling", "around", "push", "push", "push", "push", "push", "push", "push", "push", "push", "push", "push", "push", "push" and "push". The Tibetan dance gestures can be summarized as "pull", "leisurely", "fling", "around", "push", "rise", "Yang" seven kinds of changes. String: It is a slow tempo belonging to the Tibetan ethnic group. The rhythm is like on, the body slowly up and down.
Basic movement requirements and practices:
1, Qi Mei shaking hands
Specifications and essentials: both hands hanging down, action curved wrists, bent elbows, driven by the wrists, the two hands in front of the chest alternately shaking. The right hand draws a circle clockwise and the left hand draws a circle counterclockwise. This action is divided into large, medium and small. Smaller than the front of the abdomen and chest; the height of the middle shake at the height of the eyebrow; larger than the top of the front.
2, shaking cover hand
Specifications and essentials: one hand shaking, the other hand bent arm standing wrist, palm wipe, through the upper arc from the side and inside, forming the flow of the upper arc. One-handed shaking cover is also commonly found around the waist and in front of the abdomen.
3, before the hip paddle
Specifications and essentials: hands down, left and right hand in front of the hip from the inside out to the side of the circle. Right hand clockwise, left hand counterclockwise in the plane of the circle. Hip front rowing hand and flush eyebrow shaking hand is regular connection.
4, front and back swinging hands
Specifications and key points: both hands hanging down by the side, swinging forward and backward at 45°, with the wrists active.
5, lateral swing
Specifications and key points: both hands hanging down at the side, mostly one-handed lateral swing, wrist active drive small arm, big arm attached.
6, plane swing
Specifications and essentials: both hands hanging down by the side of the body, one hand up to the side, from the outside to the inside of the chest level swing, wrist driven, arm attached.
Baidu Encyclopedia - Tibetan Dance