The main content is: it introduces the formation of Tibetan opera and the unique art form of Tibetan opera, and feels the unique charm of Tibetan opera and the artistic enjoyment it brings to people who do as they wish and are not confined to any particular style.
The main features of Tibetan opera are summarized in three prose sentences: "they are performed in masks", "there is no stage when they are performed", and "a play can be performed for three or five days". The plot relies on narration, rap to describe; the opening, the main play, the end of the fixed program; singing, action colorful; performance time is long and so on. The last sentence summarizes the whole text, pointing out that the Tibetan opera is a national theatrical art passed down and developed by teachers.
The Tibetan opera is called "Aji Ram", meaning "fairy sisters". According to legend, Tibetan opera was first performed by the seven sisters, the content of the play is mostly a mythological story in the scriptures, so the name. The central idea is to show the strong, distinctive national characteristics of Tibetan opera, and irresistible artistic charm. It specifically describes the formation process of Tibetan opera with a long history and its distinctive features.
Next detailed writing of the founding father Tangdong Jiebu started the legendary story of Tibetan opera, "made a grand wish, vowed to build a bridge," "composed of Tibet's first Tibetan opera troupe," "on the Yarlung Zangbo River, leaving behind a 58-seat Iron rope bridge, at the same time, become the founder of Tibetan opera".
The plot relies on narration, rap to describe; the opening, the main play, the end of the fixed program; singing, summed up in a sentence the whole text, pointing out that the Tibetan opera, a national theatrical art by the teacher to pass on and develop.
Central Idea: The author of this text with vivid and evocative language, specific description of a long history of Tibetan opera formation process and distinctive features. Showed the Tibetan opera strong, distinctive national characteristics, and irresistible artistic charm.
The Tibetan opera originated in the 8th century as a religious art of the Tibetans, and in the 17th century, it was separated from the religious ceremonies of the monasteries, and gradually formed into a living performance with singing as the main feature, and the combination of singing, chanting, dancing, tableaux, white and techniques and other basic programs.
There are many kinds of Tibetan opera, but the mainstream is the blue-masked Tibetan opera. The performance is generally divided into three parts, the first part is "Dun", mainly the opening performance of the gods of song and dance; the second part of the "Xiong", the main performance of the main play legend; the third part is called "Zazhi The third part is called "Zhaxi", which means blessing and welcoming. Tibetan opera costumes from beginning to end only one set, the actors do not make up, mainly wearing masks.
Tibetan opera has white mask theater, blue mask theater. Blue mask theater in the process of circulation due to the different regions and the formation of Jomolong Tibetan opera, very Ba Tibetan opera, Shamba Tibetan opera, JiangGaer Tibetan opera four major genres.
Ma Chenming, born in 1977, female, Shandong Heze, master's degree. Support Tibet, People's Daily reporter. Currently a teacher.
Works: "Financial Times", "Tibet Interview Notes", "Tibetan Opera"
Works "Tibetan Opera" included in the elementary school People's Teaching Edition of the sixth grade language textbook in the second book of the seventh lesson, writing form novel, in the "Tibetan Opera" in the three rhetorical questions at the beginning, intriguing.