Youth Dance Song Structure Analysis is a Uyghur folk song, the song 4/4 beat, the tune is minor key mode, a section of the body structure.
Specific introduction:
The song uses the image of the sun, flowers and birds to express the joyful emotions of the Uyghur youth who praise their youth and cherish their youthfulness. The song has a beautiful melody, distinctive rhythm, simple structure and dynamic feeling. It is a very educational national song.
The creation of the chorus takes into account the fact that the tune is cheerful and jumping to glorify the youth, so first of all, the first half of the song is sung in unison, which clearly shows the beautiful melody of the song. The second half of the chorus is composed in the form of "Canon", which creates a hot youthful scene of catching up with each other. The first half of the second chorus is accompanied by rhythmic and dynamic backing vocals.
Introduction of Youth Dance:
It is a short and concise song from Xinjiang, which was collected by Wang Luobin, the king of western China, in 1939 when he was organizing the music of the west, and then adapted into a Chinese song, which was recorded in the song "Lift up your cover - Wang Luobin, the king of western China, and his song" (Songs of Songs for China 2).
In 1919, the Chinese government published a new version of the song.
When Wang Luobin collected this Xinjiang folk song in 1939, he made a big change in the lyrics. In the original lyrics, the phrase "Beyond that Yo Yo, Beyond that Yo Yo" is ten syllables, and "Beyond that" is the Uyghur word for "little bird," which translates to It translates as "little bird, little bird, little bird, little bird", but has only six syllables.
If you fill in the music directly according to the translated Chinese, it will not meet the requirements of the tune and lose the flavor of the folk song. What to do? The language must be processed artistically! Wang Luobin had the bright idea of turning "other that yoyo" into the song's auxiliary liner, which preserved all ten syllables and added an exotic style that didn't make the overall style seem fragmented.
The song was originally a dance tune, with each phrase repeated and the endings of the top and bottom phrases always "3" and "6". Wang Luobin removed the continuous repetition of the end notes and unappealing trills, breaking through the inertia of repetition in the score and sweetening the tone, which conformed to the national style without distorting the Chinese image, and made the song a new one.