The three monks absorbed the freehand expression method of Chinese painting.
The freehand style in the modeling of "Three Monks":
Whether it is scene modeling or character modeling, "Three Monks" has reached a level of artistic expression and application of animation technology. The artistic effect of expressive freehand brushwork integrates the style characteristics of "similarity without resemblance" and "describing spirit with form" in ink freehand painting.
The modeling of freehand ink painting focuses on "the beauty lies between resemblance and dissimilarity", with the main purpose of conveying the demeanor and charm of the object and the painter's subjective emotions, boldly choosing and choosing natural objects. The artistic techniques such as summary, exaggeration, and highlight are used to highlight the essence of the charm.
In terms of scene modeling, Yihua is famous for its crude mineral resemblance. Animation mainly relies on lines to outline colored images and dynamic single-line drawings. The quality of the lines is directly related to the quality of the animation. Therefore, animation has very high requirements for lines, which must be accurate, crisp and even. This is also freehand painting. Line requirements.
Introduction to "Three Monks":
"Three Monks" is a two-dimensional animated short film directed by Xu Jingda and Mark Xuan and produced by Shanghai Art Film Studio in 1980. , is the first Chinese film to win an award at the Berlin International Film Festival.
The film is adapted from the Chinese proverb "One monk carries water to eat, two monks carry water to eat, and three monks have no water to eat." It tells the story of three monks who experienced no water to eat and a fire in the temple. The story of working together to put out fires and cooperating to fetch water.
Expression techniques of Chinese painting:
1. Pen and ink:
Pen and ink are the means of expression of Chinese painting in writing, and are not just painting techniques. Liu Xizai, a native of the Qing Dynasty, once said: "High rhyme, deep affection, firmness, and magnanimity are all indispensable for a book to be written." The person who writes writes with his heart. If you don’t understand pen and ink, how can you talk about conveying Tao through writing, and what is the connotation of Chinese painting?
2. Qiyun:
"Vivid Qiyun" All Chinese art, Chinese literature, martial arts, and medicine are inseparable from "Qiyun". "Vivid charm" is not just a literary concept, it is already a concept of survival for the Chinese people.
So, Chinese painting is humanistic and scientific. Jing Hao of the Five Dynasties proposed that the writing brush has four movements: tendons, qi, bones, and flesh. The "qiyun" comes from the pen and ink, and the pen and ink comes from the education, the personality, and the author's romantic feelings of compassion for the time and the heaven. Therefore, there is a saying that "if the personality is not high, it is difficult to achieve high quality in painting".