Movie Review Reference

Chariots of Fire The quintessential inspirational movie, winner of four Oscars in 1981, and the best movie about the Olympics, Chariots of Fire is based on the screenplay of the twenties by two young sprinters, Eric Liddell and Harold Liddell. Liddell and Harold Abrahams. The screenplay for Chariots of Fire is based on the true story of two young sprinters of the 1920s, Eric Liddell and Harold Abrahams, who worked hard to win the German Olympic Games in Paris in 1924. Vangelis's famous song is featured in this movie.

The Man with the Wind If you're not afraid to look at old movies, then I recommend this one, the 1946 classic, which, in the eyes of the American Film Institute (afi), is the best inspirational movie in history.

Forrest Gump This movie is a classic that needs no introduction and feels like a story about a quintessentially American struggle.

A Beautiful Mind is also based on a true story about the life of a Nobel Prize-winning economist.

Rocky, the story of a boxer, is one of the most iconic, greatest, and unmissable films in the genre.

Raging Bull Also about boxers, Martin Scorsese made a classic of similar caliber just a few short years after Rocky. There's also Million Dollar Baby, which is about boxers, but of course I think it's a step down from the two previously mentioned.

"Farewell to Yesterday" This movie is less mentioned, but it is indeed a classic inspirational movie about a cyclist, one of the top inspirational movies by afi.

My Left Foot An Irish inspirational movie based on the true story of Christie, an Irish painter who suffered spasms due to congenital cerebral palsy, which tells us that any success will not be smooth sailing, but that hard work will pay off.

Other good ones are: The Miracle of Bernier, The Running of the Bulls, Paths of Glory (an inspirational movie about basketball), The Mindhunter, Hot Fuzz, One for the Money, Leap to the Top, The King of Comedy, The Sound of Music, and Miracle on 34th Street

"Kids Aren't Bad," "Beautiful Bigfoot," and "Not One Less."

1. The Shawshank Redemption

I love the part where Andy plays mozart's The Marriage of Figaro, and the saintly, soaring soprano voice pierces through the clouds as the people who have been confined to their homes are frozen in place. They may not know what kind of music this is, but the feeling of beauty, the desire for freedom, everyone is the same. People look up at the boundless blue sky, the beautiful sentiment with the wonderful sound floating around, the camera slowly rose, shaking over, the masses of people in the square looking up, so focused, so deep love, there is no criminals, there is no tyranny of the prison guards, people return to equality and harmony, people find the life of the extreme and the origin of life

Existence.

2. Forrest Gump

The epitome of modern American history. A classic that needs no introduction, and a strong rival to the Shawshank Redemption of that year. Life is like a box of chocolates ...... Classic lines.

3, "Braveheart"

Epic film, the theme is deep and grave but not too light, the scene is grand, the visual and musical effects are first-class, beautiful and smooth. Although the final ending is regrettable, but its degree of sadness is enough to infect all viewers. Freedom! The cry before the execution in the forest of Meljeopardy still rings in the ears.

4, "A Beautiful Mind"

Critics say that the 2000 Oscar for Best Picture was given to "A Beautiful Mind" rather than "The Lord of the Rings," proving that the Oscars have not yet fallen.

Anyone who has studied economics knows what a Nash equilibrium is. The show is based on the real-life story of economist Nash, a man who won the Nobel Prize in Economics at age 80 for his 20-year-old theory. A great scholar, a strong man in life, who struggled with his severe delusions of grandeur all his life.

5, "Million Dollar Baby"

For the whole movie, as director Eastwood said, this is not a story about boxing, but about hopes, dreams and love, have seen this movie, I believe you will know this year's Oscar ceremony. The big win was really well deserved.

6, "Mindhunter"

A good movie can always inadvertently move you, or that a good movie is the need to take time to appreciate and savor, "the sun is like me" and did not spend too much time in the display of how talented Will, but the ink is mainly placed on Professor Thorn and Will from the beginning of the slightly hostile to slowly understand, until to help him find the The movie covers a wide range of topics. The movie covers a wide range of topics, including love, friendship, and all of these, just like a cup of strong black coffee, which can only be enjoyed if you savor the flavor!

7, "Dancers in the Dark"

A shocking movie, with the general penetration of the abyss, the song and dance film in the rare classic.

Reality and ideals, obsession and faith, the theme of deep breathtaking.

dancerinthedark! A great hymn of beauty and simplicity!

8, "King of Comedy"

All of Stephen Chow's films, one of the favorite. The bitter journey of the little man, a true reflection of Stephen Chow himself. If people live without ideals, then what is the difference with salted fish?

9, "A Thousand Pounds"

Although some people have commented that the ending of "A Thousand Pounds" is ultimately a cliché, this has not affected

its ability to become a great mainstream inspirational movie. The movie teaches us that you can not know yourself, but you must believe in him/her, because anything is possible.

10, "Leapfrog"

Plus Stallone's film seems to be a bit strange, in fact, I have always been very favor Stallone this actor, always feel that he is different from the general Hollywood action stars, there are always some people in the film to let people advance things, like "First Blood", "Rocky" and so on. One of the more overlooked films is "The Upside Down," in which Stallone plays a long-distance truck driver who fights hard to regain his son and accidentally wins the arm wrestling championship. Personally, I think this is his personal performance is the most

successful movie, not only an inspirational action movie, but also a touching affection for the film, far beyond the usual scope of action movies, especially his and the young actor Henry with the tacit understanding of the father and son feelings of the sincerity of the countless fans shed a tear.

1, "the rest of the desert island", one of my favorite movies, starring Tom Hanks, in my lowest point gave me great strength.

Part 3: A 1500-word movie review

I can start by being excited to say that I love Reed in it, because my grandfather looks like him, so affectionate, big love. Okay, can't be so subjective, back to the point. Many people have recommended this movie, and I downloaded it to my hard drive a long time ago, but, surprisingly, I never watched it. Fortunately, I accidentally turned it on later. I rewatched it for the purpose of writing my review, and I think I'll still be in tears no matter how many times I watch it again.

The whole movie doesn't really have a lot of dialog, and most of it is described in Reed's voice, who, like a wise man with insight into the world, tells it like it is.

The movie pays a lot of attention to the use of light, opening with the main character sitting in a car, and featuring a front light so that the audience can see his expression. Both the details of him fetching a robbery and holding a bottle of wine set the stage for the later stated factors of drunkenness and shooting to come into play. Also more impressive is the prison cell, where almost all of the characters filmed are sidelighted with heavy projections, and the oppressive prison environment can be appreciated through the lens.

The scene of Reed and his companions drinking cold beer on the roof is warm, all warm colors, and although the content says the time is 10:00 a.m., I'm guessing they shot it in the evening. Everyone's sitting position, angle, and expression are all just right, and in connection with the later, I think the composition and design of the images shot by the director are all spot on, making it comfortable to watch, and the light friendship between the cellmates is also conveyed.

In retrospect, I found a couple of shots ironic. One was the embroidery in Warden Norton's room: the Lord's judgment coming swiftly. It appears once at the beginning when Andy enters his room, making people mistakenly think that Norton is a just and upright man who upholds justice, but it turns out that these are all appearances, and that the interior is dark to the core, and that he has hidden such a big conspiracy behind the embroidery. The movie also appears once at the end, that is when Norton is about to be caught, it turns out that the Lord's judgment is really coming quickly as written on the embroidery. The other is the picture of Einstein in Andy's room making a weird face, it was taken when Norton searched Andy's room after Andy escaped, and it feels like it's telling Norton: goof off, it's you who's playing the trick.

Another thing I have to mention is that the word "institutionalized" is mentioned several times in the movie, and in fact, before Reed said it this time, the movie had already rendered this factor in many places, such as when we first entered the Shawshank, a criminal asked when we were going to eat and was beaten up by Haley, the little fat man was beaten to death because he couldn't stop crying, and the little fat man was beaten to death because he couldn't stop crying at once. crying and beaten to death, and the design of the prison cells, with two rows on the left and right, where you have to stand out and assemble at the end of the day, and so on. But this is best felt through the character of Boo, who has been in prison for 50 years and has long since become accustomed to the institutionalized model, and instead won't be able to live when he's out of prison, afraid every day, and finally choosing eternal peace. I think he should have been in a very peaceful mood when he carved his name and hung up the rope, and I hope he can reap peace and freedom in heaven. On a side note, the cross rail where he hangs the rope is as if it were the bars of a prison, is this design also suggesting that Boo's death was ultimately because of prison? When Reed sits on the bus after his release from prison, he shares Boo's insecurity, and he holds his handbag close to his chest. But Reed didn't choose death in the end, but walked bravely towards freedom because there was an Andy in front to guide him, these are two very different endings, if there is no Andy's appearance, I think a lot of people in the prison will end up with the same result as the old Boo, right?

Speaking of which, we have to mention Andy, our main character. He's a bit out of step with those around him, thinks differently, and ultimately runs to freedom. As Reed says about him, some birds can't be shut out. He always mentions the word hope, and every time he is called delusional by Reed, but he doesn't give up because he always understands that having hope is a beautiful thing, and beautiful things never go away. And he also knows that strong people help themselves, calm and wise, both to themselves and to others. In helping Tommy, he says he doesn't help invalids. Indeed, you can only go up if you want to go up inside, right? Once you choose to work hard, you can't back down, give 100% and charge to the end, that's a real kind of bravery.

Tommy in the appearance of the same as Andy, are riding in a white police car filled with prisoners, but he was accompanied by light music, visible Tommy's arrival is to bring joy to the Reed gang, he is simple, but tugging lovely, which is in sharp contrast to the ultimate tragic end, people can not help but sympathize with and feel sorry for the feelings of Norton's more highlighted the viciousness. Happily, though, he passes his test, and in that light, the screenwriters still have a bit of a human face.

The sea at the end of the movie, really beautiful, it represents hope and freedom. Every person who loves Shawshank's heart, there should be that piece of blue ocean.