How to practice voiceover

Contents Mandarin Professional Vocal Training 1 Part I Vocal System Training 1 First, Mouth Training 2 Second, Breath Control Training 2 Third, **** Sounding Control Training 3 Part IV, Vocal Flexibility 5<. br> Fifth, spit word homing training 5 Sixth, with the voice and voice protection 6 Second part of the vocalization of the sub-training 8 First, the voice training 9 Second, the tone of voice training 9 Third, read aloud training 11 Third part of the vocalization skills 11 1. Techniques for standardizing speech 12 2. Techniques for choosing intonation 12 3. Techniques for regulating speed 13 4. Techniques for varying tempo 14 5. Techniques for grasping intonation 16 <. br>Part I Vocalization System Training How exactly should you sound when reading aloud? There is no definitive answer to this one. However, if a good reader, pronunciation is not clear, accurate, voice tone is not very appropriate, and even with a local accent, the effect of reading aloud will inevitably have an impact, can be large or small. Not to mention the unscientific use of the voice, easy to cause hoarseness, throat redness and swelling, and even vocal cord lesions, are not good for you. Systematic and scientific improvement of vocal ability (breath and ****ing control, spitting and homing and correct use of the voice) is something that every read aloud should know about, and ideally be able to master. On the other hand, regarding Mandarin, I would like to say this: although sometimes dialect is used for reading aloud, it is still necessary to train the correct pronunciation of Mandarin as the standard language of Chinese people as well. This chapter is divided into 7 parts, they are mouth training, breath control training, **** sound control training, voice elasticity, spitting and homing training, vocalization and voice protection, other notes. First, mouth training oral flexibility, speak only sharp. There is no feeling in the morning to get up and speak in the afternoon or evening so smooth? Of course, the mouth muscles have rested for the night, of course not so flexible. So do oral gymnastics to help us better use of the mouth 1, the mouth of the opening and closing exercises open your mouth like a yawn, shut up as gnawing on an apple. Open mouth movement should be soft, the two corners of the mouth to the diagonal up, upper and lower lips slightly relaxed, the tongue naturally flattened. Do this exercise to overcome the problem of mouth opening. 2, chewing exercises open mouth chewing and closed mouth chewing combined, the tongue naturally flat. 3, lip exercises (this exercise also helps girls beautiful lips ah, huh) Lips closed forward, back, left, right, up, down, as well as left and right circles lips up to the sound of the 4, tongue exercise tongue tip top of the lower teeth, the tongue surface gradually upward! The tip of the tongue in the mouth around the top of the mouth wall, in the incisors up and down the circle The tip of the tongue out of the mouth forward to the left and right, up and down the stretch Tongue in the mouth around the stand up The tongue's popping practice, popping the hard palate, popping the lips The tip of the tongue and the upper gums in contact with the ringing Tongue root With the soft palate contact ringing Second, breath control training Without breath, the vocal cords can not be trembling sound. But just the vocal cords to make a sound is not enough. If you want your voice to be rich in elasticity and durability, what you need is a constant supply of airflow to the vocal cords. I'd like to introduce you to some breath control methods to help you control the airflow and thus the voice. a, chest and abdomen joint breathing method inhalation after the expansion of the two ribs, the diaphragm down, the abdomen slightly closed. Chest and abdomen joint breathing method is a method that should be mastered when reading aloud. This kind of breathing has a wide range of activities, strong scalability, and can make the breath even and balanced. Ideal state is to do "inhale a large, exhale a line; gas breaks love, sound breaks meaning constantly. practice methods: 1, slow inhalation and slow exhalation the overall requirements - stand firm, eyes flat in front, the head is, shoulder relaxation, like in the wilderness breathing flowers, slowly inhale enough air. To feel the waist and abdomen between the inflatable expansion, gas into the dantian, but to close the abdomen. Hold for a few seconds and then exhale gently. You can add the following exercises to your exhalation: practicing xiao lan (pinyin xiaolan) as you exhale, with a single sound that fades away; or counting 1, 2, 3, 4 ......, and exerting force on your mouth between pronouncements. Don't close the sound gate, don't run out of breath and change your breath, and count as many as you can. 2, fast inhalation and slow exhalation fast and short inhalation, and keep the breath; exhalation slowly exhale, with the sound, smooth and even. Training lecture process is often used in this method. Exhalation, you can through the following vocal exercises: Ba 拔把爸低答底大 夸大上声练习: 好美满想仰场...... 换气练习: Square, the red flag fluttering, see how many flags you can count, one flag, two flags, three flags, four flags. Five flags ...... Comic sketches in the "counting treasure" often use this form, you can observe the actor's breathing. Second, strong control exercises Requirements for the gas to inhale deep and maintain a certain amount, exhale to be uniform, smooth, flexible. Strong control exercises require a little vocal practice knowledge, here is not good introduction. You can think back: "Wisdom to take the tiger mountain" in Yang Zirong drinking and singing that paragraph, the end of the last end has a "ah - ha, ha, ha, ha, ha ha ha ha ......" the basic feeling is this. To appreciate the role of the spacer muscles and abdominal muscles, the breath is supposed to sink when you vocalize. reference to practice poems: Yue Fei "Full River Red", Mao Zedong "Yi Qin E? Loushanguan", Chen Ran "my" confession "book" news broadcast announcer in the broadcast of the newsletter, generally use strong control. Third, weak control exercises 1, inhale y exhale evenly. Slowly and continuously emit ai uai uang iang four sounds. 2. Exaggerate the tone of voice, prolong the pronunciation, and control the breath. Blossom red willow green H--ua H-ong L-iu L-v (When pronouncing, the breath is lengthened between the vowel and the rhyme, and it should be even and without breaking the breath.) 3. Extend the range of the sound by exaggerating the continuity and controlling the breath. Reference to practice poems: Li Bai "Silent Night Thoughts", Meng Haoran "Spring Dawn" and so on. Breath control training can grasp the "deep, through, even, live" four-word policy, pay attention to the combination of breath and content. Simple voice, breath training effect is not good, we need to read aloud in the actual process of continuous experience, use. Third, **** song control training We have this experience: the more in the noisy place, the louder we speak, the result is hissing and exhaustion, their voices exhausted to death. In fact, there are training, such as in order to let others hear, especially when there are many people, we unconsciously raise the pitch of the voice, and soon there will be a "loss of voice" feeling. In fact, a good vocalist, the use of energy in the vocal folds on the energy accounted for only 1/5 of the total energy, and 4/5 of the power used in the control of the shape of the articulatory organs and the movement of the above. In the process of producing *** sound, *** sound organ from the vocal folds of the original sound in the timbre of the embellishment, so that the sound round, beautiful. Scientific regulation of *** sound organ can enrich or change the color of the sound, and at the same time play a role in protecting the vocal cords, extend the life of the vocal cords. read aloud in the vocalization, more than the use of the middle voice area, and the middle voice area is mainly formed in the oral cavity above and below, which determines the use of voice **** sounding center of gravity above and below the oral cavity to the oral cavity **** sounding mainly. Here I mention a little *** sound cavity. Generally mentioned *** sound cavity has the head cavity, nasal cavity, oral cavity, chest cavity, these four *** sound cavity is the most basic. There is also a reference to abdominal ****ing in vocal studies, although some people disagree with this reference. In addition to the oral cavity *** sound is the main, chest cavity *** sound is the foundation, you can add a little more, if there is a high pitch, increase the amount of breathing, play a little nasal cavity, head cavity role is better. To sound rounded and concentrated, you need to change the oral cavity *** sound conditions. Pronunciation of lips concentrated force, jaw relaxation, open teeth, throat relaxation, lift zygomatic, buccal muscles, smile muscles, in *** with the movement, the corners of the mouth up. You can experience the relaxation of the throat, tongue and jaw by opening the mouth and inhaling or using the "half yawn" feeling, and the oral **** sound will increase at this time. When opening the mouth, pay attention to the closing of the lips at the same time. 1, oral *** sound training oral *** sounding the most important point, is to sound when the nasopharynx should be closed, do not produce nasal leakage. Through the following exercises we can experience, basically to open the vowel-based exercises: ba dagapataka pengpapipupai Mandarin four tones, the accurate call is the first sound Yinping; second sound Yangping; third sound on the sound; fourth sound to the sound. When we do voice training, we use the yinping tones more often, which is good for experiencing the sound and breath. Phrase practice: surging hailstones taking pictures calming slamming criticizing ...... clattering crackling bam bam flopping tom-tom hullo ...... happy rice paper frustration Chrysanthemum donations touting crows ...... Tongue twister: Five trees on the hill, five pots of vinegar on the shelf, five deer in the forest, five pairs of pants in the cupboard, felled the trees on the hill, took down the vinegar on the shelf, caught the deer in the forest, and took out the pants in the cupboard. 2, nasal **** sound training nasal **** sound is realized through the soft palate, the standard nasal consonants m, n and ng is such a sound. Some people feel that a heavy nasal sound appears to have a good, thick voice, but too much nasal sound is like a cold, which is not good. Pronounce a i u with a little nasal ****ing experience Add nasal consonants mami mu na ni ni nu Phrase practice: mom light awn central acceptance mind ...... blue blue sky White clouds drift, white clouds below the horse running, waving the whip ringing in all directions, hundreds of birds fly together. 3, thoracic cavity *** sound training thoracic cavity space and *** sound energy, issued by the depth and width of the sound, the sound is more mellow, broad. "a" vowel straight up, straight down, sliding exercises Phrase practice: Hundreds of refinement into steel turning over the river to catch up with regret ...... Small willow trees, planted all over the ground. The golden flower is gone, and the silver flower is blooming. 4, head cavity **** Ming, abdominal **** Ming basic in the process of speaking with these two **** Ming. For male voices, make high notes and experience the sound coming from your brow. Basically, a good chest, oral, and nasal **** sound is more than enough for speech and reading. Part IV, the sound of elasticity The sound has the scalability and variability, which is the sound of elasticity. With the elasticity of the voice to adapt to changes in thought and feeling, but also to adapt to the needs of the content of the lecture. voice elasticity training is relatively simple, you can use the following two methods: 1, expand the range, increase the volume, control breath. When practicing, pay attention to the sound of the high and low, strong and weak, solid and solid, rigid and soft, thick and thin, light and dark and other changes. A, a, i, u, slide upward from the bass, and then slide downward from the treble. B, /a/, /i/ around the tone, spiral up around, down around the practice; C, long-distance conversation practice, practice at any time to change the distance. A: Hey--, hey--, Xiaofang-- B: ay- - A: Come on - come on - ah - B: What's going on? --A: Let's go see a movie together! --But B: Good -- ah! 2. Exaggerate your voice, increase your range of motion, and vocalize with Dantian Qi. fast board is the most obvious example, imagine that the actor said fast board vocal state, find yourself a fast board to try, experience the sound of the elasticity. Fifth, spit word sound training Mandarin syllables are divided into consonants, rhymes and tones, which can also be called the word head, the word neck, the word belly, the word tail, the word God. Here, I do not make an elaboration of these specific syllables vocal requirements, we can see from these words, to say the voice with "big pearl small pearl fall jade disk" effect, spit word to sound is to open the mouth, luck, spit, sound, keep, continue to the end of a series of control, so do not casually! So don't be casual, there is no need to be formal, the trainer to do the word clear enough, more advanced, we have to be diligent in practice. spit word return to the sound of the exercise, basically through the tongue-twister. From the method of systematic exercise, it through the different vowel, rhyme vocal position, breath and rhyme, can be divided into: bilabial sound, lip and teeth sound, tongue tip in the sound, tongue root sound, tongue sound, tongue face sound, tongue, tongue, flat, tongue; open mouth call, Qi teeth call, mouth call, handful of mouth call; there are thirteen rut training. Here we recommend some tongue twisters to give you reference to practice: white stone white and slippery, move the white stone with white tower. White stone tower, white stone tower, white stone tower, white stone tower, white tower, white stone tower. The white stone tower is built, the white tower is white and slippery. The white pagoda is white and smooth. Whoever says forty is "fine mat" has not used his tongue hard enough; whoever says fourteen is "timely" has not straightened his tongue. Learn carefully, practice often, fourteen, forty, forty-four. There is a boat in the river with white sails, the wind blows the sails and the boat moves forward, no sails fall and the boat stops. The old Tang was serving egg soup and stepped on a stool to climb the pagoda, but because the stool was too slippery, the soup spilled and scalded the pagoda. This is a silkworm, that is a cicada, silkworms often hide in the leaves, cicadas often sing in the forest. When practicing the thirteen rutting exercises, the ancient Chinese poems and songs are very good materials, which can be easily found and will not be laid out again. Conscious practice is certainly helpful to our voice spitting, we do not necessarily specialize in finding the time, place, material, very formal and serious training can be, anytime and anywhere we can take advantage of: such as commuting to and from the bus, listen to the radio, commercials, station; home to watch TV, watch the news, followed by the announcer together with the broadcasting; watch the cultural evenings, observing the actors of the comedy, commentaries, fast boards, and so on, and imitating the timely a little bit! ...... To make the audience accept themselves, in addition to the necessary knowledge, some vivid language, expression, performance, etc., is also a factor to attract them. These trainings can also be practiced through the above mentioned exercises to achieve integration.