1. Poems about fatness
2. Poems about fatness
Poems about fatness 1. Did the ancients have any poems, sentences or articles about fatness as beauty? Waiting for something?
From a very early age, Chinese people have stubbornly believed that the standard of beauty is to be tall and fat.
The beauties sung in "The Book of Songs", whether male or female, are all tall and plump: "Beifeng·Jianxi" praises a beautiful dancing star: "The majestic person is a mama, and the palace is full of people." "Wu", "Shuo" means "fat", "壣" means "tall", it can be seen that being tall and fat is the standard of beauty; "Wei Feng·Shuo Ren" praises a noble lady: "Shuo people are beautiful, and their clothes are rich and beautiful." He is tall and fat.
How fat is it? ——"The hands are like catkins, the skin is like gelatin. The collar is like a cricket grub, and the teeth are like gourd rhinoceros."
"Catkins" are the buds of the plant, and "cured fat" is the condensed lard. "Collar" refers to the neck; "蛤蛯", later the pronunciation was changed to "蛟螸", which is the larvae of the mole cricket, which is white and fat.
Think about it: He is covered in fat, his neck is like a bulging bug, and his fingers are like plump and bulging buds. This image is not worthy of what is now called "a basket of oil." A nickname? Later, when Cai Yong wrote about beauties in "Xiechu Fu", he used more elegant metaphors: "The face is like a full moon, the brightness is like the morning sun, the color is like a lotus flower, and the skin is like condensed honey." However, the whole image is different from "a basket of honey". Oil" still makes no difference. However, in ancient times, this "basket of oil" was like Madonna, an idol that was definitely admired and worshiped by people.
At that time, people not only worshiped women who were fat, but also the fatter they became, the more beautiful they became. "Tang Feng·Jiao Liao" praised women: "The other's son is huge and has no friends; the other's son is huge and strong." " Huge and without friends, that is, "Big Mac". In the eyes of the ancients, a woman of this size would be the most beautiful and the most beautiful woman in the world.
When we read "The Book of Songs", we can notice that almost all of the sentences praising beauties are inseparable from the word "shuo": such as "Chen Feng Zepi": "There is a beautiful person, huge and volume"; "Binfeng·Langba": "Gongsun's skin is so handsome, how many red skins"; "Qi Feng·Yi Si": "Yi Si is prosperous, big and long"; "Wei Feng·Shuo Ren": "Shuo Ren" Ao Ao" and so on are all examples. Some people may say that the "Book of Songs" cited above are all northern poems. Maybe the aesthetic standards of the south are different? Please read the description of beautiful women in "Chu Ci·Dazhao": "Plenty of flesh and bones, adjusted to entertain animals."
The so-called "rich flesh and small bones" means that the flesh is visible but the bone shape is not visible. This is exactly the opposite of the "skeletal texture" required in modern selection of beauties; look further down - "Zeng's cheeks lean against the ears, and their eyebrows are curved." This makes the beauty even more astonishing. The so-called "Zeng's cheeks" are "layer cheeks", which means double chins. The shape of the face and neck are not very clear, like a certain place in another place. A male host on satellite TV (sorry I forgot his name). This is exactly the same as the beauty sung in the Book of Songs, because "Weifeng" once used "huge and graceful" to praise beautiful women, and "Taiping Yulan" Volume 368 cited "huge and graceful".
Note: "娨, Chong Yi", "Chong Yi" is synonymous with "Zeng Che", which is also a double chin. She has one more chin than others, which was a rare beauty in ancient Wei and Chu lands.
This shows that in ancient times, the standard of beauty was not only men and women, but also north and south. Precisely because fatness was considered the norm in ancient times, the word "Shuo Ren" has also become a synonym for "beautiful person", such as "Xiaoya·Baihua": "I sing sadly, thinking of that Shuo Ren"; Cai Yong's "Shuo Ren" "Qingyi Fu": "Mysterious light is smooth, and my collar is like a caterpillar.
Slender and graceful, a tall man is handsome"; Chen Lin's "Zhiyu Fu": "The color is shining in spring, more beautiful than a tall man". Classes are all such use cases. "Zuo Zhuan" describes beautiful women as "beautiful and gorgeous", while "Shuowen" interprets "yan" as "good and long", which means beautiful and tall.
Literally speaking, the word "Yan" comes from "Feng", and "Feng" itself means fat and plump. For example, Sima Xiangru's "Ode to Beauty", Ge Hong's "Miscellaneous Notes on Xijing", Cai Yong's "Ode to Xiechu", Xiao Yan's "Ode to Jingye", etc. all directly use "full muscles" to describe beauties.
This reflects the tendency to only focus on the quality of meat when measuring beauty. In addition, ancient women were also nicknamed "mother". The word "mother" is a common character, and its original character is "mother". According to "Shuowen", "mother" is said to be "fat."
"E" It is also a good name for beautiful girls, and the word "E" comes from "I", and all the words from "I" have the meaning of tallness.
In ancient times, women's beauty was also called "Yan" and "娙".
What are "Yan" and "娙"? "Shuowen" says: "Yan, looks good"; "娙, looks good"; the "fair lady" in "Poetry·Guan Ju" is The most classic name for beautiful women, the so-called "youyao", is the pronunciation of the adjective "Ao Ao" for "Shuo Ren" in "Wei Feng", and "Ao Ao" is interpreted as "long appearance" in "Mao Zhuan". In addition, the repeated pronunciation of "Ao Ao" was changed to the double-voiced "娥匌": "Liezi: King Mu of Zhou": "Zheng Wei's son, E匌miman", later changed to "娥匌", "Chu Ci· "Li Sao": "The girls are jealous of Yu'e's eyebrows."
The original meaning is that Ao'ao, Yaoyou, Esu, and Emei all mean tall. Later, the so-called "slender" also came from "slim." ", "E'u" comes from, and its correct meaning is only tall, and does not include the current meaning of "thin".
When it comes to beauty, the ancients only emphasized growing up as an important condition, "Erya" ": "Tuo Tuo is beautiful," Sun Yan said: "Tuo Tuo is beautiful. "Lunheng": "Dong people were the best in the previous world." "
"Historical Records·Biography of Su Qin": "There is a long and beautiful woman. ""Salt and Iron Theory: Thorn Quan": talks about the beauty of Zhongshan women, "also Changbai women. ”
There are many such examples. In ancient times, the word “beautiful and plump” was often used to describe men’s beauty, which shows that “fatness” is also the primary condition for male beauty.
< p> There were two famous handsome men in the pre-Qin Dynasty, one was named "Zi Du" and the other was named "Zichong". And Du, Da Ye; Chong, Chang Ye and Gao Ye.From their names, It can be seen that the reason why they are handsome is because of their size. Speaking of names, I also think of the naming of the ancients. Their choice of "name" and "character" also highlighted the concept of growing up as beauty at that time.
"Zuo Zhuan·Yin Gong Year" records that Zheng Gongzi's name is Lu, with the courtesy name "Lv", and also "Fu" in ancient Chinese ("Lv Xing" in "Shangshu", "Book of Rites"). "Xiao Jing" also quotes "Fu Xing" as evidence)
And "Erya" says: "Fu, big." "Huainanzi·Tianwen Chapter": "Zhonglu means Zhongchong Daye; Nanlu means Renbaodaye"; "Dialect": "Lu means Changye."
Song and Lu said that Lu means "long and big". And "feng" as his "character" also means big. "The Book of Songs·Shang Song·Yinwu Pian": "Feudalism brings blessings." "Mao Chuan said: "Feng is a big thing. "
"Zuo Zhuan, the 22nd year of Duke Xiang.
2. Do the ancients have any poems, sentences, articles, etc. about the beauty of fat?
"Wei "Wind·Shuoren" praises a noble lady, which is exactly the opposite of the "skeletal texture" required in modern beauty selection; look further down - "Zeng cheek leaned against the ear, and the eyebrows were straight", this is so beautiful Even more amazing, and "Ao Ao": "Fu, big."
"Chongshi" means beauty and greatness, so monarchs often choose tall women in beauty pageants, who are tall and long"; "Wei Feng·Shuo Ren": "Shuo Ren Ao Ao" and so on , "Also Changbai woman: "Man, Changye". In ancient times, there was "Wanwu", Wanwu was "Manwu", and all the dancers grew up, so it was called "Manwu" and Cai Yong's "Xiechu Fu". Yan Shigu noted: "Short is called sleep", which means Zhongchong is big; Those from Nanlu were appointed as Bao Daye"; "Dialect" later changed it to "Emei": "All the women are jealous of my Emei Xi", Gao (overseas Chinese, dressed in brocade and robes."
Chie person Changye. Another saying: "The big chime is called Qiao, the other is called "Zidu", and the big chime is called "chan", which means "qiao" and "chan" both mean growing up.
3. Poems about fat people
Ten reasons to like fat people: 1. Using his fat arms as pillows is very ergonomic, and his body is the best big one Pillows are very comfortable to sleep in your arms; 2. A generous chest is your best haven. You can find comfort in his chest when you are tired, exhausted or wronged; 3. Generally fat people have an optimistic and open-minded character , so such a man is your best pistachio; 4. When he kisses you with his soft lips, your heart will sink; 5. The flesh on his body tastes very good; 6. The meat is too cute His neck is just enough to bury your face, allowing you to smell his scent, soothing your mood and reducing stress; 7. His round belly is a good place for you to play with; 8. Because he is fat, his movements will be very gentle. But when his hand slides over your body, it will make your bones feel crisp; 9. Because he is fat, he has the characteristics of being warm in winter and cool in summer. It can be used as a quilt in winter and as an air conditioner in summer, which is environmentally friendly and energy-saving; 10. The feeling of having a warm and fragrant nephrite in your arms. Only a fat man can give you that feeling. Believe me, I have tried my best, but I still can’t find it.
4. Did the ancients have any poems, sentences, articles, etc. about fatness as beauty?
"Wei Feng·Shuo Ren" praises a noble lady, which is in line with the modern requirements for selecting beauties. The "bone texture" of "Ao Ao" is exactly the opposite; looking further down - "Zeng cheek leans against the ear, and the eyebrows are curved", this is even more amazing, and "Ao Ao": "Fu, big.
"Chongshi" means beauty and greatness, so monarchs often choose tall women in beauty pageants, who are tall and long"; "Wei Feng·Shuo Ren": "Shuo Ren Ao Ao" and so on, "also Changbai women also: "Man, long". In ancient times, there was "Wanwu", Wanwu means "Manwu", and the dancers all grow up, so they are called Man and Cai Yong's "Xiechu Fu", Yan Shigu notes: "Duanxiao means sleep", which means "Zhongchongda"; those from Nanlu, Renbaodaye"; "Dialect" later changed to "Emei": "All the girls are jealous of my Emeixi", Gao (qiao, dressed in brocade clothes) . "
The tall ones are also long. It is also said: "The big chime is called Qiao, the other is called "Zidu", and the big chi is called "Chen", both "Qiao" and "Chen" are grown up.
5. Sentences describing fatness
"Yi Dun": "Shangjiu: Fat escape, no disadvantages."
"Poetry· "Xiaoya · Cutting Woods": "Since there is fat and fat, I will speed up the fathers."
"Zuo Zhuan·Huan Gong Sixth Year": "I sacrificed the fat and fat, and the rice was abundant. Why don't you believe it? "
"The Analects of Confucius·Yong Ye": "Red is suitable for riding on fat horses and wearing light fur clothes."
"Mencius · King Hui of Liang": "It is fat and sweet. Not enough for the mouth? "Not enough for the body"
"Han Feizi Yang Quan": "The meat is fragrant and crispy, the wine is rich and the meat is sweet, but the taste is delicious."
"Han Feizi·Yu Lao": "Zixia met Zengzi, and Zengzi said: "What is fat?" He said to him: "Victory is fat." Zengzi said: "What is it?" Zixia said: "I came to see the former king. If you see the righteousness, you will be honored; if you see the joy of wealth and honor, you will be honored. The two are fighting in the heart, and the outcome is unknown, so the former king's righteousness wins, so he is fat."
"Huainan" "Zi Zhushu Xun": "The fat ferment is sweet and crispy, and it is not unattractive."
"Shuowen" Fat means fat in the abdomen (a gentleman does not eat fat. - "Book of Rites·Shao" "Yi"; the king of Jie and Zhou was plump for more than a foot - "Lunheng·Yuzeng")
"Huang Men Lang Xiang Zi Qi" by Wei Ji Kang of the Three Kingdoms: "Boshu and fat, God is. "
"Book of the Later Han Dynasty·Zhao Xiao Biography": During the reign of Wang Mang, the world was in chaos and people were eating each other. Zhao Xiao's brother Li was obtained by a hungry thief. When Xiao heard about it, he tied himself to the thief and said: "I have been hungry for a long time. Being thin is not as good as being filial and fat." The thief was shocked and explained.
Jia Sixie of the Northern Wei Dynasty's "Qi Min Yaoshu·Miscellaneous Theory": "The method of making fake candles: cut the fat pine, "As big as a finger, I think it's the heart."
Volume 260 of "Taiping Guangji" quotes Sui Houbai's "Qi Yan Lu·Yin'an": "You are fat and big-faced, and you don't know the present and the past." "
"Book of Northern Qi·Biography of King Langxie": "King Langxie is young, has a fat intestine and a full brain, and takes action lightly. "
Tang Dynasty Han Yu's "On Conflicting Ministers": "Looking at the gains and losses of politics is like the people of Yue looking at the fatness of the people of Qin, but they suddenly feel happy and sad in their hearts. "
Tang Dynasty Li Shangyin's "Zanzhuan" Volume: "Don't pass: the fat man in the summer moon."
"
Volume 4 of Zhang Jue of the Tang Dynasty's "Chao Ye Qian Zai": "Zhu Qinming, the Minister of Rites of the Tang Dynasty, was involved in classics and history, not idle about current affairs, was erudite and fat, stubborn and suspicious. "
Li He's "Wild Song" of the Tang Dynasty: "Wearing linen and black fat, we rush into the north wind, bringing wine and singing in the fields at night. Wang Qihui explained: "It's black and fat, and it looks greasy." "
Song Dynasty Sun Zongjian's "Donggao Miscellaneous Records": "Gu Zidun was fat and powerful, and his nickname was Gu Tu, so Dongpo's "Farewell Poems" included the sentence "sharpening the knife to the pigs and sheep" to play with it. "
Song Ouyang Xiu's "Wang Ji Ridiculed Zhang Qixian": "Zhang Qixian is tall and fat, and he can eat and drink a lot of people. "
Zhuang Jiyu of the Song Dynasty wrote in the volume of "Chicken Ribs": "There are few honey locusts in central Zhejiang, and fat beads are used for bathing and washing clothes. The trees are also tall, with leaves as thin as locust trees and horns, no more than three inches long. The seeds are round, black and plump, with thick flesh, and the paste is moisturized by the acacia locust, hence the name soap. ”
In the Southern Song Dynasty, the customs of Wudi included multiple winter solstice and abbreviated new year festivals. During the winter solstice, families would give each other festive gifts, which is known as "fat in winter and thin in new year". See "Bao Yin Ji Tan" by Song Anonymous, Song Dynasty Fan Chengda "Wujun Chronicle·Customs"
Chapter 8 of "He Dian": "The daughter of Grand Master Shibao is called Miss Panfang. She has a fat head, fat ears, and thick hands and feet. ”
Words: plump, rich and approachable
I hope it can be helpful to you.
Verses about fatness 1. Do the ancients have any words about fatness as beauty? Poems, sentences, articles, etc.
From a very early age, Chinese people have stubbornly believed that the standard of beauty is to be tall and fat.
As sung in the Book of Songs. The beauties, whether they are men or women, are all tall and plump: "Beifeng·Jianxi" praises a beautiful dancing star: "Maamata is a majestic person, and thousands of dancers in the palace", Shuo means fat, and Yamata is tall. It can be seen that Tall and fat are the standards of beauty; "Wei Feng·Shuo Ren" praises a noble lady: "Shuo Ren has a beautiful face and beautiful clothes. "Slender people are long, tall and fat.
How fat is it? - "The hands are like catkins, and the skin is like gelatin. The collar is like a cricket grub, and the teeth are like a gourd rhinoceros."
"Catkin" refers to the buds of the plant, and "congealed fat" refers to condensed lard. "Collar" refers to the neck; "collar grub" is the pronunciation of later generations. Changed to "grub", it is the larvae of a mole cricket, which is white and fat.
Think about it: it is fat, its neck is like a swollen worm, and its fingers are like plump and swollen buds. Isn't the image worthy of the so-called "basket of oil" nickname? Later, in Cai Yong's "Xiechu Fu", the metaphor used to describe beauty was more elegant: "The face is like the full moon, and the brightness is like the rising sun." ", the color is like a lotus flower, and the skin is like honey", but the whole image is still no different from "a basket of oil". However, in ancient times, this "basket of oil" was like Madonna, which was definitely admired and worshiped by people.
At that time, people not only worshiped women who were fat, but also the fatter they were, the more beautiful they were. "Tang Feng·Jiao Liao" praised women: "The other's son is huge and has no friends; the other's son is huge and has no friends. And be sincere. " Huge and without friends, that is, "Big Mac". In the eyes of the ancients, a woman of this size would be the most beautiful and the most beautiful woman in the world.
When we read "The Book of Songs", we can notice that Sentences praising beauties are almost inseparable from the word "shuo": for example, "Chen Feng·Zepi": "There is a beautiful person, huge and curled"; "Binfeng·Langba": "Gongsun Shuo's skin is so red. "; "Qi Feng·Yi Si": "Yi Si is prosperous, huge and long"; "Wei Feng·Shuo Ren": "Shuo Ren Ao Ao" and so on are all examples. Some people may say that the above are The "Book of Songs" cited are all northern poems. Maybe the aesthetic standards of the South are different? Please see the description of beauties in "Chu Ci·Dazhao": "Plenty of flesh and bones, tempered to entertain."
The so-called "rich flesh and small bones" means that the flesh is visible but the bone shape is not visible. This is exactly the opposite of the "skeletal texture" required in modern selection of beauties; look further down - "Zeng cheek leaned against the ear, curved The beauty is even more astonishing. The so-called "Zeng cheek" means "layer cheek", that is, a double chin. The shape of the face and neck are not very clear, like a male host on a local satellite TV ( Sorry, I forgot the name). This is exactly the same as the beauty sung in the Book of Songs, because "Weifeng" once used "huge and graceful" to praise beautiful women, and "Taiping Yulan" Volume 368 quoted it as "huge and tall". "娨".
Note: "娨, Chong Yi", "Chong Yi" is synonymous with "Zeng Ji", and it is also a double chin. There is one more chin than others, which is a common phenomenon in ancient Wei and Chu land is a rare beauty.
This shows that in ancient times, the standard of beauty based on fatness did not distinguish between men and women, but also did not distinguish between north and south. Precisely because fatness was considered the norm in ancient times, the word "Shuo Ren" has also become a synonym for "beautiful woman", such as "Xiaoya·Baihua": "I sing sadly, thinking of the Shuo Ren"; Cai Yong's "Shuo Ren" "Qingyi Fu": "Mysterious light is smooth, and my collar is like a caterpillar.
Slender and graceful, a tall man is handsome"; Chen Lin's "Zhiyu Fu": "The color is shining in spring, more beautiful than a tall man". Classes are all such use cases. "Zuo Zhuan" describes beautiful women as "beautiful and gorgeous", while "Shuowen" interprets "yan" as "good and long", which means beautiful and tall.
Literally speaking, the word "Yan" comes from "Feng", and "Feng" itself means fat and plump. For example, Sima Xiangru's "Ode to Beauty", Ge Hong's "Miscellaneous Notes on Xijing", Cai Yong's "Ode to Xiechu", Xiao Yan's "Ode to Jingye", etc. all directly use "full muscles" to describe beauties.
This reflects the tendency to only focus on the quality of meat when measuring beauty. In addition, ancient women were also nicknamed "mother". The word "mother" is a common character, and its original character is "mother". According to "Shuowen", "mother" is said to be "fat."
"E" It is also a good name for beautiful girls, and the word "E" comes from "I", and all the words from "I" have the meaning of tallness. In ancient times, women's beauty was also called "Yan" and "娙".
What are "Yan" and "娙"? "Shuowen" says: "Yan, looks good"; "娙, looks good"; the "fair lady" in "Poetry·Guan Ju" is The most classic name for beautiful women, the so-called "youyao", is the pronunciation of the adjective "Ao Ao" for "Shuo Ren" in "Wei Feng", and "Ao Ao" is interpreted as "long appearance" in "Mao Zhuan". In addition, the repeated pronunciation of "Ao Ao" was changed to the double-voiced "娥匌": "Liezi: King Mu of Zhou": "Zheng Wei's son, E匌miman", later changed to "娥匌", "Chu Ci· "Li Sao": "The girls are jealous of Yu'e's eyebrows."
The original meaning is that Ao'ao, Yaoyou, Esu, and Emei all mean tall. Later, the so-called "slender" also came from "slim." ", "E'u" comes from, and its correct meaning is only tall, and does not include the current meaning of "thin".
When it comes to beauty, the ancients only emphasized growing up as an important condition, "Erya" ": "Tuo Tuo is beautiful," Sun Yan said: "Tuo Tuo is beautiful. "Lunheng": "Dong people were the best in the previous world." "
"Historical Records·Biography of Su Qin": "There is a long and beautiful woman. ""Salt and Iron Theory: Thorn Quan": talks about the beauty of Zhongshan women, "also Changbai women. ”
There are many such examples. In ancient times, the word “beautiful and plump” was often used to describe men’s beauty, which shows that “fatness” is also the primary condition for male beauty.
< p> There were two famous handsome men in the pre-Qin Dynasty, one was named "Zi Du" and the other was named "Zichong". And Du, Da Ye; Chong, Chang Ye and Gao Ye.From their names, It can be seen that the reason why they are handsome is because of their size. Speaking of names, I also think of the naming of the ancients. Their choice of "name" and "character" also highlighted the concept of growing up as beauty at that time.
"Zuo Zhuan·Yin Gong Year" records that Zheng Gongzi's name is Lu, with the courtesy name "Lv", and also "Fu" in ancient Chinese ("Lv Xing" in "Shangshu", "Book of Rites"). "Xiao Jing" also quotes "Fu Xing" as evidence)
And "Erya" says: "Fu, big." "Huainanzi·Tianwen Chapter": "Zhonglu means Zhongchong Daye; Nanlu means Renbaodaye"; "Dialect": "Lu means Changye."
Song and Lu said that Lu means "long and big". And "feng" as his "character" also means big. "The Book of Songs·Shang Song·Yinwu Pian": "Feudalism brings blessings." "Mao Chuan said: "Feng is a big thing. "
"Zuo Zhuan·Xiang Gong twenty-two years.
2. What are the poems with the word "fat" in their titles?
It should be "green, fat, red and thin" - Song Dynasty Li Qingzhao's "Like a Dream, Last Night's Rain and the Wind"
The Xiongnu grass and yellow horses are getting fat, smoke and dust are flying in the west of Jinshan Mountain, and the generals of the Han Dynasty are marching westward - Cen Shen of the Tang Dynasty "Zou Ma Chuan is sent to send the troops to the west for expedition / Zuo Ma Chuan is sent to send the army to the west for expedition"
< p> The autumn wind blows and the leaves fly, the water of Wujiang River is full of perch - "Thinking of Wujiang Song" by Zhang Han of Wei and Jin DynastiesThe newly ripened white wine comes back from the mountains, the yellow chickens peck at the millet, the autumn is full - Tang Dynasty · Li Bai's "Nanling Farewell Children Entering Beijing"
The plums are golden and the apricots are fat, the wheat flowers are snowy and the cauliflowers are sparse - Song Dynasty Fan Chengda's "Summer Pastoral Miscellany"
The rain is fat and the flowers are red. The evil east wind - "Recalling Qin E·Peach Blossom Calyx" by Zhang Yuanqian of the Song Dynasty
3. Poems about fat people
Ten reasons to like fat people 1. Use his fat arms as pillows, It is very ergonomic, and his body is the best big pillow, so it is very comfortable to sleep on; 2. His broad chest is your best haven. You can rest on his chest when you are tired, exhausted or wronged. Find comfort in it; 3. Generally fat people have optimistic and open-minded personalities, so such a man is your best pistachio; 4. When he kisses you with his soft lips, your heart will sink; 5. , The meat tastes very good; 6. The chubby neck can just bury your face, allowing you to smell its scent, soothe your mood, and have the effect of reducing stress; 7. The round belly is for you to play with A good place; 8. Because he is fat, his movements will be very gentle, but when his hands slide over your body, your bones will feel tender; 9. Because he is fat, he has the characteristics of being warm in winter and cool in summer. It can be used as a quilt in winter and as an air conditioner in summer, which is environmentally friendly and energy-saving; 10. Only a fat man can give you that feeling of warm and fragrant nephrite in your arms. Believe me, I have tried my best, but I still can't find it.