Just as the poem "The Peach Blossom" shows, the peach blossom escapes and burns with splendor. The whole work completely shows the shyness of the woman to be married and the beautiful hope for the future. The poem is divided into three chapters. The first chapter uses the brightly colored peach blossom as a metaphor for the bride's youthfulness. It is often said that the first person who compares beauty with flowers is a genius, the second one is a mediocrity, and the third one is a fool. The Book of Songs is the first collection of poems in China, so it is not too much to say that here is the first flower to compare the beauty of people. Since then, the use of flowers, especially the peach blossom to compare the beauty of the endless, such as Wei Ruan Ji "Wing Huai Poetry" of the thirteenth: "Every day, peach and plum flowers, burning with glory." Tang Cui Gu's "Du Cheng Nan Zhuang": "Last year today, in this door, the peach blossoms of human faces reflected each other." Song Chen Shidao's "Bodhisattva Barbarians": "Jade wrists pillow fragrant cheeks, peach blossoms blossom on the face." All of them have their own characteristics, naturally, can not be reduced to mediocrity, stupidity, but they are all influenced by the poem "Poetry", only the influence of the size, the use of ingenuity. What is written here is that the fresh peach blossoms are blooming one after another, and the bride who has been dressed up is both excited and shy at the moment, with her cheeks flushed red, which really has the flavor of peach blossoms on the face, reflecting the two sides of each other. In the poem, both the scenery and the people are written, and the scene is blended together, creating a joyful and warm atmosphere. This kind of scene, even today we can still see in the rural wedding. The second chapter expresses wishes for the marriage. When the peach blossom blooms, it naturally bears fruit. The poet says that its fruits are fat and big, which symbolizes that the bride will give birth early and raise a white and fat doll. The third chapter wishes for the prosperity of the bride's family with the lushness of the peach leaves. Peach tree branches of the fruit and peach tree branches and leaves of the dense shade, to symbolize the bride's post-wedding life of happiness, is really the most beautiful metaphor, the best ode! Zhu Xi, "Poetry Biography" that each chapter is used "Xing", certainly reasonable, but play carefully with the poem, it is really Xing than, than Xing both. The poem's three chapters, each chapter of the first peach, followed by flowers, fruits and leaves as a metaphor, very hierarchical: from flowers to fruit, and then from the fruit to the leaves in full bloom; the metaphorical meaning of the poem is also gradual change, and the growth of peach blossoms to adapt to the natural mingled into a single entity.
With the Han and Tang classical dance "Peach Premature", which is full of the dreamy atmosphere of the maiden to be married, from the "Poetry □ Zhou Nan □ Peach Premature", the whole dance is full of youthfulness, and the dancers' delicate posture shapes the image of the maiden for the audience like a small peach tree in general. The girls jumped lightly, like the elves of peaches, and the whole dance was filled with a joyful and happy atmosphere. Taken from the "Poetry", the dance song "Peach Premature" in which the face of the maiden to be married is as colorful as peach and plum makes the audience feel as if they were in the peach forest in full bloom in April, and the wonderful girls are playing around, and the clear laughter of the girls is accompanied by the fragrance of peach blossom, and the dance full of vigor and vitality is just like peach blossom in the branches of the peach tree, which is in the blossom of this beautiful world.
Pink silk and white and pink makeup, to be married to the shy eyes of the girl, cover the face of the shyness of the daughter's family ...... was the dancers with the perfect dance interpretation, accompanied by tunes such as clouds and water like a clean and elegant, followed by the fast but the performance of the girls unique mischievous and lively, bright eyes, With the bright eyes and the red face of the young girl in the peach-colored silk dress, the viewers are attracted to the peach tree elves.
The dancers waved the peach-colored transparent sleeves, the pink veil fluttering, in a piece of peach flower petals is hidden in the maidens for a better and happy life of longing and hope: "The peach is premature, burning its splendor. The son of a peach is a good choice for a family. Peaches are very delicate and abundant in fact. The son of a peach is a good choice for a family. The peach's leaves are abundant. The son of a peach is suitable for his family." Beautiful as a peach blossom girl for the future of a better life, has the most beautiful imagination.
As the head of the Foreign Language and Recreation Department, I chose "The Peach is Young" as the performance program to meet the 50th anniversary of the college. During the rehearsal process I, as the person in charge of this dance, have a deeper understanding of "Peach Premature".
As the Han and Tang classical dance iconic movements - throwing sleeves and cocking the head and folding the waist in the "Peach Premature" frequently appear in the dancers cocking the head and folding the waist of the action, the girls knit their brows and smiles were portrayed in the most vivid, and let people feel that belongs to the girl's kind of charming, just like the peach blossom in full bloom in April, in the dance, let a person smell the breath of spring. The girl's smile was portrayed in the best way possible.
The movement of "head and waist folding" is shown in the artistic dance with sleeve dance and waist folding as the theme movement, focusing on the change of waist and sleeve style, and showing the charm of the dance with the soft waist. At any time, there are fast-paced skills to perform the high momentum, but the tone is soft and light, bright colors, and rarely depressed, decadent mood. The Han Dynasty dances represented by the "Peach" and "Treading Song" have the above stylistic characteristics, which on the one hand reflects the upward trend of the Han Dynasty, and on the other hand expresses the main audience of this kind of dances - royalty, literati and scribe's appreciation of the interest and aesthetic requirements.
In the production of costumes, we used the original costume as a template, spent 1300 yuan to make the clothes, can be said to be almost the same as in the original version of the clothes, one hand is a water sleeve, one hand is a handkerchief, but rehearsal dance, the water sleeve and the handkerchief is not very easy to fling up, but in fact, also requires the dancers to arm strength and skills. And this dance rehearsal up to the formation and the front and back of the spacing of the control requirements are very high, a little carelessness will appear off-stage and stand in the wrong position phenomenon. And in terms of personal skills is also very demanding, especially for the main dance is very high, whether it is on the body, or flexibility and personal skills are very high requirements.
In terms of music, the accompaniment and melody are full of characteristics of the Tang Dynasty period. It is very much characterized by the court of the Han and Tang dynasties.