Concert is a high-tech large-scale music played by solo instruments and orchestras. There are generally three movements: the first movement allegro, sonata form; The second movement is Adagio, trilogy; The third movement is Allegro and Rondo. Liang Zhu is a concerto with only one movement, written in the form of sonata. The main structure is as follows:
A presentation part, an extension part and a copy part.
The main part of the introduction is connected with the auxiliary part (the auxiliary part is omitted)
(Trilogy) Connection (Rondo) Binding
Part A+B+A+C+A
Master Jiang Ai-cao has been crying all over the place since the British three dragons.
The title of Nanqing Bridge was read by Taiwan Province from Psylocke, the wedding platform of the Eight Pavilions.
Spring is the main knot, but it is a pity to compete with * * *.
Color topic, the color now, I want to see you off at the window.
The first part of love (statement)
(1) A few distant flicks seem to be the beginning of "storytelling": "Once upon a time, a long time ago ..." Then, on the soft string vibrato background, beautiful and melodious flutes and oboes intertwined with the band, showing a beautiful spring scenery in the south of the Yangtze River.
⑵ With the light accompaniment of the harp, the solo violin played a simple and beautiful love theme: this elegant and soft melody reminds people of the beautiful image of Zhu Yingtai;
(3) The rich and chic man's melody of the men's violin is compared with the question and answer of the violin. Liang and Zhu met on the way to Hangzhou and became brothers; Then, the band played the theme of "love" and seemed to praise them in unison;
(4) After a free cadenza, the music enters a lively Allegro, which is a Rondo alternately played by violin and band, describing two people who have been classmates for three years * * * reading * * *:
5. The change of love theme in Adagio and Regret indicates the change of plot. The dialogue between violin and cello tells the story of Farewell to the Pavilion:
Part II Anti-marriage (Development Department)
[6] gloomy bass instruments and continuous boring gongs play an ominous sign, and copper pipes blow out the theme of cruel feudal forces:
On one occasion, a solo violin played excitedly out of the mountain on a scattered board. Zhu Yingtai was in a state of anxiety and sadness when she learned that her father had betrothed her to the disciple of the giant. Then, she expressed her indignation and protest with strong syncopation chords.
The tone of anti-marriage and the theme of feudal forces appear alternately, showing the dramatic development process of the story and forming a fierce climax of the anti-marriage struggle in the gradually intensified contradictions;
⑼ adagio. Once again, I heard the answer between violin and cello, which was painful and sad, and described the touching scene of Liang Zhu's reunion "balcony meeting":
⑽ The music took a turn for the worse. Allegro and Allegro were used to express Liang Shanbo's painful complaint when he died of grief and Zhu Yingtai cried at the grave. Music has absorbed some special techniques of expression in Peking Opera and slow singing in Yue Opera, and gradually formed the second development climax:
⑾ Gong, drum and band are all ringing. In the music of the earth shaking, the grave cracked, and Zhu Yingtai resolutely jumped on the grave, and the whole song reached its climax.
The third part becomes a butterfly (reproductive department)
⑿ Flute and clarinet played light and ethereal fairyland-like music;
[13] The violin reproduces the love theme in silence, such as regret, meditation and sympathy;
[14] The band playing together is not only a love carol, but also people's beautiful hopes and wishes.
⒂ At the end of the violin and flute, it seems that two colorful butterflies are flying high, and thousands of years of legends and songs are still lingering.
"Never separate,
Liang Zhu. "