A long shot is a shot with no cuts in the middle, that is, like your human eye looking at it, sweeping all the way through.
A short shot is a clip, with lots of cuts.
What does a long shot in a movie mean?Long shot in film and television: a shot of long duration
Long shot in photography: a shot of long distance
What is the definition of a long shot in a movieIn terms of the concept of time, it refers to the continuous and uninterrupted expression of a moving picture over a long period of time, maintaining the wholeness of the moving picture.
In terms of time, it refers to the continuous expression of a moving picture over a long period of time, maintaining the integrity of the picture in motion. In fact, it is a shot that is shot over a long period of time, does not cut into space, and maintains the integrity of time and space. This lens in the same screen image to maintain the space, time continuity, unity, can give people a sense of affinity, a sense of reality; in the rhythm of the slower, so the lyrical atmosphere is thicker.
What is the pseudo-long shot in the movie
Special effects + editing to create a "pseudo-long shot"
Long shot, because it is difficult to shoot, the classic long shot in the history of cinema is invaluable. But today, pervasive digital technology is offending it, subverting it ......
The long shot in a movie is professionally interpreted as a long, uninterrupted shot, the so-called "one shot to the end".
However, I'm afraid that definition has to be changed now. The process of filming a pseudo-long shot is, to be precise, a process of "filming + production". For the first time, many people knew that this "long take" had been processed with a number of special effects, and that it was made up of a number of cuts.
This is another affront to art. Andre Bazin, the spiritual father of the New Wave of French cinema, famously asserted the significance of the long shot: the realism of space and time is used to reflect the realism of the movie. But today, omnipotent technology is turning that on its head. Some industry insiders say that when the long shot can be manufactured by borrowing from technology, it also means the end of it.
Those precious classic long shots
Once upon a time, the long shot was seen as the high point of the artistic means of the movie - and by means of this, it was the realization of the "one shot to the end". Director Hu Xuehua said, a short three to five minutes of long shots, *** the actor performance, character scheduling, camera movement, lighting control, scene conversion and line of travel and other links, the need to mobilize the camera car, stabilizers, slides, jibs, and other equipment, shooting on a day or two is common. As can not be cut, long shots have to be strictly calculated, perfect control, a careless, full plate is lost. Because it is difficult to shoot, so can not shoot a good long shot, it has become an important test paper to measure the director's ability.
In 2004, Johnnie To won the Best Director award at the 41st Taiwan Film Golden Horse Awards for the opening long take of The Big Event. This nearly seven-minute-long shot contains two camera lifts and a 360-degree pirouette, with police, bandits and journalists crisscrossing a street in an orderly fashion, and the entire firefight scene is complex and dazzling, but not cluttered. In order to shoot this long shot, the crew first spent 1 day to rehearse, the official shooting took 2 days.
A pseudo-long shot is a long shot that is transformed from an artistic device into a special effect, and the connotation is then completely changed.
When digitalization can create all the illusion, this is the progress of film technology, but the art of film regression. Why do we need long takes? Yes, you can understand the movie as the art of dreaming, but even dreaming needs realism, and the long shot exists precisely to create realism. According to André Bazin's theory, the long shot is different from montage because it maintains the authenticity of time, space, process, atmosphere, and performance in filming, eliminating the possibility of fakery and stunt doubling; it emphasizes the elimination of the director's ego, avoids the subjectivity brought about by the switching of lenses, and impresses the audience with the primal power inherent in the picture, handing over to the viewer the right of interpretation of things and events. Now, on the other hand, pervasive digital technology is trying to dissolve the significance of the long shot.
Finally, I'd like to introduce you to a film that just won the Academy Award for Best Picture, Birdman, which has a lot of pseudo-long shots, giving people a great sense of a mirror in the end, but all of them are the result of post-processing, and the film won the crown because it gave people a sense of accomplishment.
A lot of explanations are from the Internet you are interested in if you can do their own research, the source [tieba.baidu]
Tags:Essay Classics Previous article What does it mean to be stubborn and faithful? Believe in what it means? Next：Poems about white flowers Poems about white flowersWhich is the movie that was filmed from beginning to end with only one long shot?
The entire 96-minute "Russian Ark" by the great Russian director Sokurov (AexanderSokurov) was shot in only one take, which became a legend at all the major film festivals in the world in 2002, and also set two records in the history of cinema: one, the longest long take; and two, the first feature-length film shot in only one take.
How many seconds in the movie counts as a long shot
Our teacher said: there is no fixed standard
If it is a lyrical, throughout the lens editing is very slow average can be about 10 seconds (this is a little bit extreme), then this is 10 seconds is not considered a long shot, it is estimated that thirty or forty seconds to be counted;
However, if it is an eloquent style of the average length of the lens is very little, then it should be more than ten seconds.
But in terms of watching a movie, 10 seconds isn't very long, and even if there is a dividing line, it shouldn't be 10 seconds, but the 120 seconds upstairs is a bit too long, so maybe 30 seconds or so would be more appropriate... Now a lot of movies like to use a long shot at the beginning or end, such as the beginning of the "cloud water Yao" did not remember the wrong words to do a 3, 4 minutes of footage, I personally feel that if the director really intends to leave a long shot to the audience to see, will inevitably allow the careful audience to see out, or better recognized ~ ~ ~ O (∩_∩)O ~
Top ten classic long shot of the world's cinemaFirst, the world of the two of the "Platform": As far as I'm concerned, The Platform is one of Jia Zhangke's best movies so far. The movie conveys too many complex emotions through the change of times, and Jia Zhangke's aesthetics of long-shot movies are also perfectly presented in the movie. In that most enjoyable passage, the long shot records everything calmly, and the world of two people on the city wall is no longer cozy and sweet.
Second, the fight of "Winter Shade": Long shot is not the patent of realist films or literary films, in Thailand's commercial blockbuster "Winter Shade", director Bachai Pingqiao surprisingly created a four-minute long shot of the fight, so that action superstar Tony Jaa from the downstairs all the way to the upper floors, and often use different ways to knock down the opponent. This does require quite deep directing skills, and all aspects of preparation have to be well thought out, because the slightest slip-up is going to result in an NG, and that series of previous filming efforts will all go down the drain!
Third, the beginning of the "big event": from a gangster to go upstairs to meet with the gang, downstairs on the street, the police officers of the Major Crimes Unit waiting for rabbits; from the gangster with the patrol's small disputes, to the Major Crimes Unit intentionally create strife to lead away from the patrol ...... From the small dispute between the criminals and the police, to the deliberate disputes created by the Crime Unit to distract the police, to the final *** street firefight, the 7-minute long shot at the beginning of "The Big Event" utilizes a flexible and unusual in-camera scheduling to record a series of events occurring in the same time period for us. There are no spectacle-style action displays, just the respective activities of the two groups, the bandits and the police, and the final intersection of the action. By ditching the obligatory frame cuts, the long shots of screen time look more natural!
Fourth, "Long Live Love" cries: Cry! Crying again! Still crying! Crying again, crying again, crying again, crying again! I'm not sure if I'm going to be able to do that! How to cry again! It's time to cry for fun! I think this is probably how the audience felt when they watched the end of "Long Live Love" without any mental preparation. Tsai Ming-liang's seven-minute-long, motionless long shot brutally records the woman's emotional outpouring. The endless tears lure us into her world, following her with heartbreak and sadness
V. Surrealism of "Tale of the Rainy Moon": Kenji Mizoguchi's "Tale of the Rainy Moon" has a long shot that shocks the world of cinema: the hero, Genjiro, walks into his home from the front door, finds it empty, and walks out from the side door while shouting his wife's name. The camera pans from the side door back to the front door, and we can see the anxiously searching Genjuro between the cracks in the windows as he turns around and re-enters through the front door. And by this time, to our surprise, we realize that Miyagi has quietly sat in the middle of the room around a wood fire cooking his dinner. The long shot incorporates surrealistic colors into a masterful scene-setting technique, showing the charm of oriental cinema!
Six, "Paris, Texas" "monologue": Wenders' "Paris, Texas" shows the stretch of time, when the hero Tavis and his former wife Jane in the *** again met in a small room, he turned his back to Jane will be so many years of his inner feelings and suffering experience in a soothing tone of narration. The actor Harry Stanton's emotionally charged performance. Actor Harry Stanton's emotions flow naturally, no traces of sculpture, which also reflects a major advantage of the long shot, is to give the actor's performance to bring full freedom, to help the character's emotional coherence, so that the important dramatic action can be complete and rich layers of performance!
Seventh, the end of the "occupation: reporter": Antonioni's "occupation: reporter" presents the loss of modern human identity and a sense of unspeakable absurdity, the end of the subversion of the traditional narrative approach to the marvelous long shot is absolutely the essence of the whole film. Locke is seen lying on a bed in a small hotel, and the camera slowly pushes the camera out from a barred window, scanning the entire square and then peering into the house from the outside perspective (there are a number of seemingly illogical, but in fact, the development of the events of the dominant role), and then the scene of Locke's death, the arrival of the police and the wife's face of consternation!
Eight, "Irrevocable" full film: With the experimental nature of "Irrevocable", the whole 99 minutes of the total **** only 10 long shots, so each shot is a full 10 minutes so long. From the shaky, dark images in the gay club at the beginning to the famous 10-minute-long *** shot to the harmonious warmth of the sunny meadow at the end, director Gasparino is a bit daring, as he makes the progression of screen time completely defy the law of entropy in physics!
Nine, "Soul Snatchers" full film: "Soul Snatchers" based on the famous case, but in the image of Hitchcock's a bold experiment. The movie he played the long shot to the extreme, it looks almost no editing, completely breaking the rules of montage, no switching, no positive and negative play, a lens from beginning to end, a complete record of the whole process of events. But in fact, Hitchcock still used the actor's body gradually take up the whole picture and then pull away and other tricks, so that the link between the shots on the screen presents a seamless effect, so the whole photography feels like a one-shot mold!
Ten, "Russian Ark" full film: This is a really only one lens to complete the shooting of the feature film. The entire movie was shot in a single take at the St. Petersburg Museum of Fine Arts. Petersburg Museum of Fine Arts in a single uninterrupted shooting up to 96 minutes, Sokolov's camera through 35 exhibition halls and 850 people composed of space, walked more than two kilometers. From costumes to fashions, all the performances of the actors in a single, carefully crafted frame were precise and beautiful, based on pre-designed designs, and truly synchronized with the time of the shoot and the time of the film. Thus, a long shot skimmed over the vast history of Russia for 300 years, and also accomplished a monumental miracle in the history of cinema.
What is a long shot? What is the use of the long shot? What can be called a classic long shot in movie history?...A long shot is a filming technique, which is relative to the montage filming method.
I. Long Shot
(1) Long Shot, refers to a relatively long time (some as long as 10 minutes), a scene, a scene is shot continuously to form a relatively complete lens paragraph. As the name suggests, it is in a period of duration of continuous ingestion, occupying the film longer shots. Named this way it is mainly symmetrical in relation to the shorter shots. Camera from a time to turn on to this time off to shoot the content for a shot, generally a time more than 10 seconds of the shot is called a long shot. Long shot can contain more content or become a montage sentence (unlike a number of short shots switched from the montage sentence). There is no clear, standardized rule for its length. It is spoken of as opposed to 'short shots'.
(2) The "long shot" here refers not to the length of the physical appearance of the lens or focal length, or the distance of the camera lens from the subject, but the shooting of the start point and shutdown point of the time distance, that is, the length of the film clip. There is no absolute standard for a long shot, it is a relatively long single shot. It is usually used to express the director's specific ideas and aesthetic interests, such as the inner description of the actors in the literary scene, the martial arts scene of the real power, and so on.
Second, the type of long shot
1. Fixed long shot: the camera position is fixed, continuous shooting of a scene formed by the lens, called fixed long shot. The earliest method of movie shooting is to use a fixed long shot to record the reality or stage performance process. Lumière's 358 films released in early 1897 were almost all shot in one shot.
2. Depth of field long shot: shooting with a large depth of field of technical means of shooting, so that the scene in the depth of different positions (from the foreground to the rear view) can be seen, so that the lens is called depth of field long shot. Example of shooting a train whistling, with a large depth of field lens, you can make the train appears in the distance (equivalent to the telephoto), gradually approaching (equivalent to the panorama, center, close-up, close-up) can be seen clearly. A depth of field long shot is actually equivalent to a group of distant, panoramic, medium, close-up, close-up lens combination of the content of the performance.
3. Movement long shot: the camera's push, pull, shake, move, follow and other sports shooting methods to form a multi-scene, multi-shooting angle (orientation, height) changes in the long shot, known as the movement long shot. A motion long shot can play a group of different scenes, different angles of the lens composition of the montage lens performance tasks.
Third, the characteristics of long shot
(1) the recorded space-time is continuous, the actual space-time. The long shot does not interrupt the natural process of time, maintaining the uninterrupted nature of the time process - with the actual time, the process is consistent, excluding the possibility of montage through the lens cut compression or extension of the actual time. The space expressed by the long shot is the real space that actually exists, and the natural conversion of space is realized in the movement of the lens, which realizes the connection between the local and the whole, and excludes the possibility of the montage lens cutting and piecing together a new space.
(2) The progress of the state of affairs shown is continuous. With a long shot of a scene, a scene (a process) for a continuous uninterrupted shooting, reproducing the real process of the development of events and the real atmosphere of the scene. For example, in "Chinese Art Troupe Visits Three Latin American Countries", the performance of Zhu Fengbo singing Guyanese songs in Guyana was welcomed by the passage, because it can only be filmed once, but also to show the actors, the audience and the scene situation, the author used a long shot to show that through the movement of the lens to complete the task of the performance of the sub-cutting shot. This long shot passage is like this, Zhu Fengbo's close-up, singing; after singing a small section of the camera diffuse pull away, into a panoramic view, stop for three seconds, along with the rhythm of the music, the camera slowly panned to the right, clearly showing the audience cheerful scene; then the camera moves across the scene. Moving to find a black audience especially concentrated, like a fascination, the camera pushed into a close-up of him, around him 180o. At this time the singing is almost over, the camera then from the close-up side of the pull back to the audience behind the panorama through the audience to shoot the actors on the stage until the whole audience cheered and applauded, the actors curtain call. A long shot ***3 minutes and 20 seconds, singing voice without interruption, the camera in motion suddenly highlighting the details, suddenly emphasize the atmosphere, to maintain the integrity of the entire paragraph, resulting in a real, natural, vivid effect.
(3) Unquestionable authenticity. The long shot has a real time, space, process, atmosphere, and facts, which excludes the possibility of all falsehoods and substitutions, and has an unquestionable authenticity.
(4) and the difference between the function of the short shot. Movie long lens and short lens is two kinds of lens play a very different role, the difference between the two mainly lies in the duration of the length of time. The length of time between the camera on and off determines the length of the shot, i.e., long shots often last longer, and short shots vice versa. The long shot is mostly used in documentary movie works, because the long shot uninterrupted record of a thing, is the audience to feel the real process, and the short shot due to the short duration, the writers and creators have the possibility of no relationship between the shots connected together to produce a new meaning, so the short shot is suitable for the creation of narrative montage of feature films.
Fourth, the theory of long shot
(1) the theoretical school of thought that the characteristics of the film in the art is the extension of the photographic, so its essential feature is "the recovery of material reality", "when the film records and reveals the material reality, it becomes a veritable film! It is when the film records and reveals material reality that it becomes a veritable film."
(2) The experts criticized that the theory of montage makes the film lose the reality. In the opinion of the experts, montage divides a certain event into fragments in filming, and when reorganizing them, however realistic the individual shots may be, the substance and the idea of the narrative emerges primarily from the (edited) relations between these fragments, and the origin of this result is not to be found in any specific element.
V. The Aesthetics of the Long Shot
(1) The emergence of the long shot is considered to be a "revolution in the aesthetics of cinema". Before that, montage theory, as the only movie theory, basically dominated the thinking activities of movie artists. The study of montage theory seldom touched upon the relationship between cinema and photography, or examined the characteristics of cinema from this perspective. Bazan set a new standard by attributing the characteristics of cinema to photorealism and, from this characteristic, emphasized the realism and documentary nature of cinema. Bazan's aesthetic idea of realism, as well as his summary of the depth-of-field lens and the aesthetic function of the long shot, greatly promoted the development of film language, brought about a revolution in the means of film expression, creating a new screen form, in a sense, without the long shot, there will be no modern film.
(2) The long shot school of thought absolutely rejected montage, believing that montage is "the most anti-cinematic means". Bazan's theory unilaterally emphasizes the true reproduction of life in its original form, and dismisses all necessary artistic processing as "unreal", which can easily lead to naturalistic tendencies in the art.
(3) montage and long shot are two major forms of movie expression, although they have some opposition, but they are by no means incompatible, that is to say, we have to recognize the film's "photographic nature", but also to see its "artistic" nature, the two are dialectical. The two are dialectical unity.
Six, long shot with pictures
What are the famous movie long shot in the history of cinema1 "Atonement" (I can not remember clearly is not this movie) there is a very long long shot. It shows how long the marching line is. There are many movie reviews that seem to have written about this long shot, but I don't really feel it.
2 "Elena" (homosexual movie), the two heroines kissing scene is a long shot to the end. Well ...... personally I thought it was very, very good, and the use of the long shot showed the kiss in one take. However, if you refuse to Brokeback Mountain a class of gay movie, this can be skimmed.
3 The Big Sky Harbor. I've heard that this director, Mr. Yukie Mitani, is a big fan of long shots to the end. But I've only seen this one movie, so I'll just push this one. You can find out more about the other ones by browsing through his movies. Anyway, Big Sky Harbor is a movie that has no cuts in the whole movie. I was sweating. Feeling like watching people underwater holding their breath for how long not to come out of the water.
4 Death Video. To be honest, I don't really understand whether this pseudo-documentary uses long shots or not. Because it has shots that are shaky but you really can't tell they're cut. I can't help but admire the actors' performances to no end.
5 ...... The ellipsis means that there are a lot of movies that have long takes, but they're more or less not famous for them, so they're just a stunning piece of the movie that pops up out of nowhere.
It's also a matter of accumulating knowledge. If you're in the habit of recording all the long shots in a movie, it'll be fun to summarize them later.
(BTW, I searched [guyan.baijia.baidu] and there are a few summaries here. But I hand-typed all of the above, so please respect the original. (Triple Q)
There is a movie shooting technique called the long shot, what exactly does long shot mean, and what does montage mean? What is the meaning of the French New Wave.The so-called "long shot" refers to the uninterrupted performance of an event or a passage in a single shot, which naturally presents the real reality on the screen through continuous time and space movement, forming a unique documentary style.
A montage is a movie that is shot as many shots as possible, according to the content of the movie, and the psychological order of the audience, and then grouped together according to the original idea. In a nutshell: montage is a means of assembling the cut shots together. From this, we can see that montage is a means of linking the shots taken by the camera according to the logic of life, the order of reasoning, the author's point of view and his aesthetic principles. First, it is the means of using the camera, and then the means of using editing. The montage of the movie, of course, is realized primarily through the recreation of the director, cameraman and editor. The screenwriter of the movie designs the blueprint for the future movie, the director of the movie uses montage to recreate on the basis of this blueprint, and finally the cinematographer uses the stylistic expression of the film to manifest it concretely.
The French New Wave refers to the new film production and creative tendency in France at the end of 1958 and the beginning of the 1960s, in which many new directors are the critics of Film Notes magazine, including important directors such as Jean Lugard, Fran?ois Chouffau, Claude Chabrol, Jacques Chivette, etc., and most of them advocate individual originality, showing a high degree of self-consciousness about the historical traditions of the cinema, and embodying the "authorship theory". Most of them emphasized personal originality, demonstrated a high degree of consciousness of the historical tradition of cinema, and embodied the stylistic proposition of "authorship", which was very different from traditional cinema in terms of both theme and technique. Representative works such as Yalan René's "Hiroshima Love" (1959) and Shang Lu Gao Da's "Broken Breath" (1960) and so on.
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