I want to learn Chinese dance, how to start?

Techniques for learning Chinese dance: (1) The characteristics of rotation 1. The rotation technique in the basic training of Chinese classical dance is mainly characterized by the dance structure of twisting and tilting form, which is still very different from the rotation in the basic training of ballet. The rotations in ballet basic training are straight, and most of them are three-dimensional composition and image shaping on the basis of frontal plane, therefore, the movements are long and stretching, with a strong sense of extension. The driving of the body, the driving of the arm and the driving of the span are all very important, and the rotation relies on the coordination of the whole body.　　The rotation in the basic training of Classical Chinese Dance, in addition to the straight body rotation, is characterized by the body shape in the twisting and tilting rotation of the dance posture modeling on the turn, especially "tilting" on the balance of the center of gravity on the turn, in the upper and lower body into a meridian phase on the basis of the three-dimensional composition to shape the image. Therefore, the action shows the slenderness in the graceful turn, the continuation in the urgent belt in the air, as well as the change of the rotating spiral shape, such as the reverse tucking legs up to the chest turn, backward side turn.　　2, the waist with the characteristics of the movement, the formation of Chinese classical dance basic training in the turn of the "law" of a variety of, and more generally in the process of moving the "law". For example, the big tuck step turn and the sweeping tang tang sea turn.　　3、The folk dance postures in the basic training of Chinese classical dance are very strong, and some of them can be said to be the continuation and exaggeration of the postures.　　4. The mobility and complexity of the folk dance posture turn is relatively strong, with a large amplitude of spatial change, for example, there is a turn from the bottom to the top or from the top to the bottom, and there is also a composite of various dance postures in the process of the turn and the flow of the characteristics.　　The development of folk dance posture turn is just a beginning, there is still a lot of room, and there is a good prospect.　　(2) The characteristics of the turnover The turnover is a national skill that we have been blessed with. The variety of styles and changes are incomparable to that of any other country or nation.　　Turning over is a unique technique in the basic training of Chinese classical dance, which is to take the waist as the axis, the body tilts in the horizontal line under the state of turning. From the beginning to the end of the movement, it runs through the forms of twisting, tilting, pitching and side lifting.　　1, strong ethnicity Turning over this skill form fully embodies the aesthetic characteristics of classical dance and the characteristics of movement, and it is also the closest combination with the body method. Therefore, it has a strong national character.　　2. Strong image Turn-over has a clear image in space movement, such as "sea-visiting turn-over", "limp turn-over" and other large-scale slow turn-over, which is continuous and rounded in the arc movement in the space, just like waves undulating; "point step turn-over" is agile and fast, as fast as a rush; "point step turn-over" is agile and fast, as fast as a rush. The "point step somersault" is quick and agile, as fast as lightning; the continuous "string somersault" is like a rolling wheel, with a very strong image.　　3, strong expressive Turn over with a variety of different speeds and rhythms, different connections, different character, produce different artistic sensory effects, so that you can show a variety of different feelings and moods, such as slow continuous turn over, showing a lingering feeling; fast turn over, showing clean or light and playful; sharp and powerful is to show the heroic and robust... ... In recent years, the somersault has a new development, rich in structural form, strengthened mobility and composite, strengthened contrast, in addition to the character of rigidity and flexibility, rapidity and slowness, size, speed and slowness of the contrast, as a training content and means of expression of the skills in the basic training of the Chinese classical dance, it can be further developed, to better show the national characteristics of our people.　　（The characteristics of bouncing The bouncing in the basic training of Classical Chinese Dance requires lightness and drift in the method of exertion, and requires the combination of looseness and tightness in the process of movement, concentration of the force, and quickness in the process, and pays attention to the "force at the root and force at the tip" and the "inch strength".　　In terms of jumping, our national characteristics are becoming more and more obvious, and the difficulty is getting bigger and bigger.　　1, the original national skills to new and strengthen the difficulty.　　2. Strengthening the "stance": developing the ground stance movement into the air. In the process of jumping, there are twisting, tilting, turning, flashing, spreading, prancing and moving.　　3. The horizontal turn in the air has a new development, which shows the characteristics of our national skills and the strengthening of skills.　　4. The contrast between high and low, ups and downs, and sharp contrast is another characteristic of Chinese classical dance bouncing.　　5、Because of the explosive power of the bouncing technique, it provides and creates the conditions for the development of the complexity of the bouncing technique, and in recent years there has been a great development in the compound technique of bouncing.　　6, in the air to change the orientation is also the characteristics of classical dance jump.　　7、Bouncing and martial arts skills are combined.　　Countless stances and techniques are important aspects to be absorbed in classical dance. However, their training purposes are different. The training of martial arts is for the purpose of technique and attack and defense, while the training of dance is for the purpose of shaping the image of characters and delineating their character.　　8, and the combination of bodywork, the formation and strengthening of the classical dance jump into the mobility and language and style characteristics.