"I am who I am, a different kind of fireworks", thanks, thanks, my Monica. At the award ceremony of the top 1 golden songs of the Millennium, fans who shouted for their idols were lying in ambush all around the Hongkan Gymnasium. They held signs with the names of Andy Lau, Nicholas Tse, Faye Wong and Sammi Cheng written on them. But all of a sudden, everyone put down the sign and forgot the name of their idol. All of them stood up and picked up the light sticks and cheered. It turned out to be Leslie Cheung. Everyone forgot their identities and occasions. The singers also started clapping and singing, forgetting what they were doing. He sang, but when he turned around, he knocked down two staff members who took pictures of him; He gave Andy Lau a loose hug, and Andy Lau fell badly. -No one is angry with him, both men and women are showing his affection, his amorous feelings of fireworks and splashing around.
so many women are infatuated with him, I didn't expect him to betray long ago. But when I saw Tang Hede, I was heartbroken and happy for him. He always wants to love others happily and be loved happily. No wonder he never loses. What did he get? He is so red and aboveboard. What did he lose? Tears are leisurely adapted into music.
it's understandable that the lion admires the phoenix. Perfection always looks after itself, and whoever needs it has to explain. When you are fireworks, nothingness is a story; When you are a desert, a mirage can be freed. I don't care if you are Leslie or Monica, your singing is everyone; Everyone, there is no me, no one's me, you are so aboveboard.
Leslie Cheung's music appreciation
There is no music that he can't turn into a private feeling: singing and singing are like nature; One by one, it is hard to find it. Seemingly arrogant, in fact, the true feelings are revealed-just like pure red.
Red is the most straightforward, temperature-rich, and can touch your visual nerve. Noble and elegant, classic can dazzle-just like pure Leslie Cheung.
Let our hearts follow Leslie Cheung through a gloomy time. Disorderly emotions and decadent and depressed mood have the most primitive influence on his future music and life, and many fragments have become lingering memories in Leslie Cheung's mind: including the breakdown of his parents' feelings; Girlfriend treachery; Danny Chan, a good friend, died. This is a gray experience, which has nothing to do with his inner passion. Just as we were ready to sympathize with him, Leslie Cheung timely released several very special songs: for your heart only, Black Midnight, Monica and The Wind Keep Blowing, which surprised us, and the style was very abrupt, but it was really beautiful and mature. These songs were out of proportion to his experience at that time, just like some striking red spots on the canvas, which made people feel heartbroken and then heartbroken < P > He was a successful actor, singer and musician;
He is a superstar who has not only reached the peak of the entertainment industry, but also stood for 2 years without fading.
He is a rigorous, dedicated artist with a high artistic standard and has made outstanding contributions.
He is a mythical figure with extraordinary taste and artistic achievements, who has been honored as a legend since more than ten years ago.
He is a kind-hearted, tolerant, strong and enthusiastic man, which is praised by everyone he has come into contact with. Leslie Cheung said to the outside world many times that when singing this song "I" tailored for him by lin xi, it was just like being a philosopher. His position to the outside world is as firm as the lyrics of this declaration, but what he didn't expect was that these sentences fatally wrote his life and ending. On April Fool's Day seven years ago, he fell from the sky like fireworks, without BLACKPINK or dodge.
In the entertainment industry, the stories of coming in and leaving never stop. Every day, people are in full bloom, and every day, there are also curtain calls. Compared with these, what is even more cruel is the indifference and forgetfulness of the spectators. Yesterday, you were still spoiled by 3 thousand, and maybe tomorrow you will have no one to ask. In this Vanity Fair, Leslie Cheung has his luck. In the heyday of Hong Kong movies, he was born at the right time, and his cooperation with many excellent directors promoted his career peaks one after another, and he was even praised as a reflection of Hong Kong movies advancing with the times. No one can forget his eyes on the stage, his gaze in the water, the sadness of spring on his eyebrows, and even his morbid melancholy and screaming.
He teased and challenged the world with his hue. The beauty of flourishing age inevitably attracted off-screen attention. While indulging in endless spoil, he repeatedly challenged the boundaries of social morality at that time. His clothes were a generation ahead of his contemporaries, and he dared to try a style that seemed incredible at that time, and he also dared to challenge the established habits of the public. At that time, few people were able to put on the stage and be amazed. However, Leslie Cheung did it, so he became one of the few artists who was recognized to wear red and look good. His clothes are ever-changing and endless. By the mid-199s, his dressing footwork had gone further and further, which naturally caused criticism and attacks from the media. Pink high heels, flying long hair, beaded dresses and even strapless evening dresses, Leslie Cheung's bold cross-dressing was criticized by the homophobic society at that time. Although he was fighting alone at that time, he still faced the male dancers in the "Concert Beyond 1997" and declared his sexual orientation with the song "The Moon Represents My Heart" dedicated to his beloved mother and boyfriend Tang Hede.
Li Bihua told the world that she had two roles written especially for Leslie Cheung. One is Cheng Dieyi in Farewell My Concubine, and the other is Shi Ershao in Rouge Kou. For various reasons, Leslie Cheung missed the performance of the TV version of Farewell My Concubine in the 198s. It was not until 1993 that Chen Kaige planned to make a film version of Farewell My Concubine that Leslie Cheung officially overlapped with this role with his own shadow. In the performance of Farewell My Concubine, Leslie Cheung and Cheng Dieyi in the play are perfectly integrated. His interpretation of Cheng Dieyi is just like that of Cheng Dieyi, a player, who plays his own role. He becomes crazy and possessed in the play. There is a line in the middle of the play: "It is a lifetime to say yes, but it will not work one year, one month, one day and one hour." At this time, brother Duan Xiaolou had decided to marry Juxian, while Cheng Dieyi tried to make his brother stick to his original promise, hoping that they could sing for a lifetime and not let others intervene. He doesn't understand that life without makeup is not a stage, and his brother is not waiting for him all his life. After being entrusted like an autumn leaf with no place to return to, in the last glory on the stage, Cheng Dieyi ended his life on the stage by committing suicide. Leslie Cheung's incisive portrayal and interpretation of the characters in this play made the director Chen Kaige sigh that it is difficult to catch up with later generations, and the Cheng Dieyi-style temperament of "both men and women are in the same place" was also regarded as the innermost feature of Leslie Cheung and the mirror image relationship between the role and him.
In Rouge Kou, Leslie Cheung's role is stereotyped, and he often plays the role of heart breaker. Leslie Cheung often appears in this kind of image in his early works. Someone wrote an article to satirize him in good faith because, as the song goes, "I blame you for being too beautiful." In "Rouge Kou", at the beginning, there is less spring in the corner of the eyebrows than in the bustling place of flowers and willows, or the teasing or arrogant expression makes people's hearts ripple. The final negative feelings of twelve teenagers are the inevitable result. The prodigal son loves because of sex, and it is difficult to breed the strength to stick to it and the courage to die. This cowardice and escape in the face of true love is also reflected in Leslie Cheung's other roles. Ouyang Feng, played by him in ashes of time, also has a cowardly nature. In order to escape the commitment and responsibility of love, he was exiled in the desert with the pain that he thought he could not recover after being rejected, and engaged in the business of killing people. Although he has been in the position of a strong man, he can't escape from humble retreat and pessimistic fate. This kind of ambivalence can't be interpreted by those who don't understand. Therefore, these characters inevitably reflect the characteristics in the depths of Leslie Cheung's life, and even show the direction and end of his fate. Leslie Cheung's favorite woman who publicly admitted that she could change his life was Teresa Mo, who was once disillusioned because she was refused to propose to her. Many people even thought that Leslie Cheung's change of sexual orientation was caused by the great love failure she suffered in Teresa Mo. In the eyes of ordinary people, such a lovelorn experience has become a disaster in Leslie Cheung. The reason is that he loves himself too much, and falling in love with his destiny is like Narcissus in Greek mythology, who exiled himself and buried himself in the following years.
In the early days of Leslie Cheung, generate showed amazing strength when he publicized his distinctive personality, and he was as light as a cucumber in the face of pressure from all sides. From the battle with Alan Tam in the early 198s to his stunning comeback in 1996, he always walked on the road of singing and performing arts with a relaxed attitude. After several career and love choices, he told the world the result of his final choice. At the moment when the whole world is staring at him, he still stands in the center of his life stage. Yes, whether it is acting talent or self-personality, he has shown his shocking. Retirement in the peak period, comeback in the controversy, indifference to attacks, subversion of tradition. These are the extraordinary things that this shocking man naturally carries in his bones. For a long time, Leslie Cheung walked in the bullets of the media with his own unique light and color. His beauty, exquisiteness, delicacy and beauty seemed to be the forbidden poison fruit, which made people look curiously but with a look of disgust. His situation was like many roles he played, tangled with innocence and smiling with tears. In his world, he spent a long time, but no one smiled at him.
life is like a play, and a play is like life. I have interpreted too many life struggles on the screen, and naturally I have a deeper understanding and experience of the illusion of things than ordinary people. Leslie Cheung played a psychiatrist in the last film "inner senses". In the play, he said: "The most difficult thing for people to understand is themselves, and people are often very fragile. When they encounter unsatisfactory things, they will become knots. These knots are beyond the understanding of family and friends, so people must learn to adjust their breath and love themselves." These words are like his heart, loneliness and life are together, like a shadow, like a demon. Leslie Cheung once angrily and helplessly accused the media of infringing on his private life, accusing them of maliciously fabricating some untrue reports to hurt himself, his family and friends. However, such a voice was like a breeze in the face of powerful public opinion, unable to shake any branches and leaves, and at the same time, the subsequent troubles were even more fierce, and there was no escape for him to try his best.
Zhang Ailing said: "There are not many people who are extremely sick and extremely conscious. The times are so heavy that we can't realize it so easily." Yes, under the weight of the world of mortals, people will rejoice and lament, and they will fight to escape, but it is rare to arrange themselves to become a wise man in an instant. This is the case with Cheng Dieyi, Shi Ershao and Ouyang Feng. They indulge in their own world, struggling to enjoy, suffer and be happy until the moment when their lives end.
On April 1st, 23, Leslie Cheung fell like a butterfly from the 24th floor. On this day, people had not had time to weave their lies and spread their deception, but he played this big joke on people in a decisive and cruel way. "If you see me/is it luck or fate/please close your eyes/if you hear me/crying from the bottom of your heart/please put away your surprise/sleep quietly/don't comfort me/tell me to be emotional again." Leslie Cheung's last work "The Red Butterfly" describes the impermanence and decline of life with a faint gesture, without hysteria or resentment. Finally, the butterfly flies away and the fireworks die.
in seven years, we are getting old, but those who have left can get time exemption. The shorter, the better. Leslie Cheung's youth is bright and bright, avoiding the wear and tear of years. He always stands in the clouds and water, in the fog, smiling with charm, with a beautiful life and a bright face. April comes as scheduled, and at some point in this spring, someone will still remember it.