2.Yumejis Theme
The soundtrack album is called
Yumeji's Theme(shigeru Umebayashi)
The theme music ". Yumeji''s Theme" is derived from Kiyoshun Suzuki's movie music "Yumeji", composed by Shigeru Umebayashi, and accompanies the encounters of the male and female protagonists Zhou Muyun (Tony Leung Chiu-wai) and Su Li-Zhen (Maggie Cheung Man-yuk). appears. The overall treatment of the seductive waltz *** music symbolizes the contradictions between the sexes *** and the old-fashioned clash.
Question 2: What is the name of the English interlude in the movie "Fancy Life" Song name: Quizas, Quizas, Quizaz
Composer: Osvaldo Farres
Singer: Nat King Cole Quizás, Quizás, Quizás
Siempre que te pregunta, Quizás, Quizás
The song is a very beautiful song, and it's a great song. Siempre que te pregunto
Que, cuándo, cómo y dónde
Tú siempre me respondes
Quizás, quizás, quizás
Y así pasan los días
< p> Y yo, desesperandoY tú, tú contestando
Quizás, quizás, quizás
Estás perdiendo el tiempo
Pensando, pensando
Por lo que más tú quieras
Hasta cuándo? Hasta cuándo?
Y así pasan los días
Y yo, desesperando
Y tú, tú contestando
Quizás, quizás, quizás
Estás perdiendo el tiempo
Pensando, pensando
Por lo que más tú quieras
Hasta cuándo? ?
Y así pasan los días
Y yo, desesperando
Y tú, tú contestando
Quizás, quizás, quizás
Maybe, maybe, maybe
I'm always asking you, over and over again.
When, where, and how
And you always answer
Maybe, maybe, maybe
The days fly by
My despair grows every day
And you, you still answer
Maybe, maybe, maybe
You're wasting time
You're wasting your time thinking
about what you need most
But when will the choices end?
The time flies by
My despair grows stronger every day
And you, you still answer
Maybe, maybe, maybe
Since you won't admit your love for me
How can I know if you love me?
You just told me
Maybe, maybe, maybe
I've asked you this a million times
over and over again
and you just answered
Maybe, maybe, maybe
If you can't make a choice
we're never going to get started
and I don't want to.
And I don't want to end up broken up and heartbroken
So if you do love me, then answer yes
But if you don't love me, my dear,
then be honest and say no
And don't just tell me
Maybe, maybe, maybe
Maybe, maybe
Maybe, maybe
Maybe, maybe
Maybe, maybe, maybe
Maybe, maybe, maybe
Maybe, maybe Maybe, maybe
Question 3: What's the name of the French song in Fancy Pants? The movie Fancy Pants contains three French songs sung by Nat King Cole:
Apuellos Ojos Verdes - Nat King Cole
The Quiero Dijiste. - Nat King Cole
"Quizas Quizas Quizas" - Nat King Cole
The above three songs are collected on the album "The Fancy Soundtrack Album" (French version).
Original Soundtrack Album - "Fancy Dress" (More In The Mood For Love (Volume 2) French Version) [MP3!]
eMule (eDonkey) download address:
lib.verycd/2004/11/24/0000027554
Question four: What is the name of the interlude song in the movie Fancy Life? There's one that's actually called Carnival of Flowers - it's the one with the lyrics "Let me miss you so much, let this moment pause, it's all because this Carnival of Flowers is too ***"de
Quizas Quizas Quizas
There's also the one by Zhou Xuan - it seems to be called Carnival of Flowers too
Question Fifth: the theme song Chen Shanni sang, is the song lyrics and composition of the one, but I personally think that Tony Leung sings pretty good, the voice is very soft, the voice is very good, Tony Leung's songs are usually start to listen to feel bad, but more often, but feel good, suggest listening to more of Tony Leung's songs, thank you
Question Six: the theme song of the theme song of the violin song what is the name? Yumeji's Theme
Question 7: Does anyone know what the soundtrack to the movie Carnival of Flowers is? Quizas, Quizas, Quizas
Spanish ~ original Nat King Cole
Quizás, Quizás, Quizás
Siempre que te pregunto
Que, cuándo, cómo y dónde
Tú siempre me respondes
Quizás, quizás, quizás
Y así pasan los días
Y yo, desesperando
Y tú, tú contestando
Quizás, quizás, quizás
Estás perdiendo el tiempo
Pensando, pensando
Por lo que más tú quieras
Hasta cuándo? ?
Y así pasan los días
Y yo, desesperando
Y tú, tú contestando
Quizás, quizás, quizás
Estás perdiendo el tiempo
Pensando, pensando
Por lo que más tú quieras
Hasta cuándo? Hasta cuándo?
Y así pasan los días
Y yo, desesperando
Y tú, tú cuándo?
Y tú, tú contestando
Quizás, quizás, quizás
Maybe, maybe, maybe
I've always asked you, over and over again,
When, where, and how
And you've always replied,
Maybe, maybe, maybe
Time flies byAnd my despair grows
And you, you still answer
Maybe, maybe, maybe
You're wasting your time
Wondering
About what you need more than anything else
But when will this choice end?
The time flies by
My despair grows stronger every day
And you, you still answer
Maybe, maybe, maybe
Since you won't admit your love for me
How can I know if you love me?
You just told me
Maybe, maybe, maybe
I've asked you this a million times
over and over again
and you just answered
Maybe, maybe, maybe
If you can't make a choice
we're never going to get started
and I don't want to.
And I don't want it to end in a breakup and a heartbreak
So if you do love me, then answer yes
But if you don't love me, honey
Then please be honest and say no
And don't just tell me that maybe
Maybe, maybe, maybe
We'll never get started
And I don't want to end it with a breakup and a broken heart
So if you do love me, then answer yes. Maybe, maybe
Question 8: What is the meaning of the theme song "Yumeji's Them" in the movie "Flowery Night" The theme music in the movie "Flowery Night" is exactly symbolic. The movie, which is the seventh film directed by Wong Kar Wai, is a love story about migration, adapted from Liu Yumeji's The Opposite. The movie has won awards such as Best Foreign Language Film at the British Independent Film Awards and Best Foreign Language Film at the César Film Awards in France.
The film music of "Flowering Years" not only gives the movie a strong nostalgic flavor, but also gives the whole movie a romantic and ambiguous mood, exuding a kind of aestheticism unique to Wong Kar-wai's movies. The movie uses a variety of styles of music, including Chinese opera, jazz, baroque strings, and so on. The music is magnificently displayed in the movie, which makes people feel that the whole movie is like a showroom for the collection of pop music from the East and the West in the first half of the last century.
The theme music of Yumeji's Theme is taken from the movie Yumeji by the famous Japanese director Kiyoshun Suzuki, and is composed by the famous Japanese film composer Shigeru Umebayashi. The music is played by violin, in the key of g minor, and the compositional method adopts the polyphonic method of polyphony with multiple melodies and polyphony, and the internal structure of the music is a continuum written by means of imitation, but it can be seen that there are clear elements of presentation, development, and reproduction, which emphasizes the ups and downs of the emotion of the piece, and it is very important to emphasize the change of strength and speed, which is typical of the baroque style. 3/4 beat of the ballad rhythm, and the musician's strong and powerful performance make it seem strong and jumpy. The 3/4 tempo of the ballad, with the musicians' strong and powerful performance, appears strong and jumping, with a sense of rhythm, rendering the kind of elegant tone emphasized in the film. In the movie, when the theme music of "Yumeji's Theme" appears, we will shift our attention from the plot to the music, because this prominent theme music is always combined with the elevated treatment of the characters' movements in the picture, so that we have to pay attention to it.
The theme music for "Yumeji's Theme" appears nine times, basically when the hero and heroine, Zhou Muyun and Su Lizhen, meet, adding a complex and ambiguous mood to the movie.
The first time the theme appeared was after the main characters moved to become neighbors, a card game, so that the two people know each other, this brush with the camera, coupled with the picture of the ascending processing, so that the film from the music to the theme of the plot, highlighting in front of the audience, to give a kind of foreshadowing of certain things to further development of the signs.
The second time the theme music appears is when Zhou, knowing that he has been cheated by his wife, goes to the alley to eat wontons, and encounters Sue, who is alone, coming back from the alley to fetch some food, and the two of them rub shoulders once again. Once again, the theme music advances the plot, allowing us to feel the bitterness and depression within each of the hero and heroine as they walk around in a narrow space like an alley in the mysterious and rhythmic music.
The third time the theme music appears, it is still when the two rub shoulders in the narrow staircase. The dim lighting and pattering rain in the scene, coupled with the tune played in monotone by the violin, make the depressed state of mind of the protagonist intertwined with the depressing environment, and more symbolically reflect the puzzling mystery of the music accompanying the scene, and the role of foreshadowing is strengthened. The theme music in this film always plays a role in prompting and emphasizing, as if the music appeared, we can vaguely feel the hazy relationship between the two protagonists.
After that, the theme music is repeated six more times. The fourth time the scene is in a hotel rented by Zhou, where the two men engage in conversation in order to write a martial arts novel, and then in the rain, Zhou goes home first. The fifth time is when the hero and heroine are each writing in an office and at home, and then having another cut together. The sixth time it occurs when the two are writing a novel together in a hotel. The seventh time, the two are thinking about each other in two places, and once again this thinking is accompanied by theme music that shows the inner sadness of the characters. The eighth time the theme music appears when the two are saying goodbye in the rain as Zhou prepares to leave for Singapore. The theme music for these times is different from the previous three in that the images are no longer in the form of ascending frames, but rather several different sets of scenes are spliced together, and the music advances the plot as if it were telling a story. With the recurrence of the theme music and the main character's picture, the audience has gradually accepted this form of music accompanied by the atmosphere, so that the development of the story and the performance of the characters' emotions, more easily accepted, and feel deserved.
The ninth time the theme music appears in the movie, it is already after the end of the story. By this time, Zhou has already sealed the secret of his entwined love with Su Li Zhen in a small hole in the wall of Angkor Wat forever. This theme music, although not as shocking as the beginning of the story, but along with the last appearance of this familiar melody, the audience gets to think more y about the story and life. ...... >>
Question 9: What is the music for the interlude of Wong Kar-Wai's movie <Fancy Life>? Title:Quizas,Quizas,Quizaz
Composition:Osvaldo Farres
Singer:Nat King Cole
Nat King Cole Nat. Nat King Cole Nat King Cole (1917-1965), one of the leading black musicians in the United States, not only infected many music lovers with his uniquely infectious jazz music in the past, but also broke down the racial barriers of the time through his music. In addition, his music became famous overseas, and with the passage of time, it has become immortalized in the minds of people today.
?
? In his legendary life, Cole was one of the few true swing pianists, inspired by Earl Hines on the one hand, and another master, O'Neill, on the other. On the one hand, his playing was inspired by Earl Hines, and on the other hand, he influenced another master, Oscar Peterson. He was one of the few true swing pianists. He was a superb pop singer who achieved great commercial success in this field. This had a negative effect on his piano playing. So much so that after 1949, little was known of his piano playing achievements. Perhaps it would have been better if his talent had been divided between two different people.
?
? In 1965, after a long battle with lung cancer, Cole finally passed away at St. John's Hospital in Santa Monica, California, leaving behind his favorite music and his family. Although he is no longer alive, everything about him lives on vividly in the hearts of his children. Natalie, in particular, has come to emulate his every word and peaceful voice.