An Appreciation of Li Qingzhao's "Cuju Strikes the Autumn Swing

Original text:

Cuji strikes the swing, gets up and lethargically straightens the slender hand.

When I saw the guest come in, my socks and hairpin slipped. The first time I saw it, it was a very good one, and I was very happy to see it.

This is a work of doubt, if it is indeed the work of Yi An, when Qingzhao early works, write all the young girl's pure emotion.

The first part of the mental state after swinging. The word is not to write the joy of swinging, but to cut out? The first part of the story is about a girl's life, and the second part of the story is about a girl's life. The first time I saw this, it was a momentary shot.

At this moment, although all the action has stopped, but still can imagine the scene of the girl swinging, the light spreading, like a swallow flying in the air, the wonderful quiet in the see movement. The first thing you need to do is to get up and let go of your delicate hands. The first is to be a good example of a woman who is not a good judge of character. The word "lethargy" is used very appropriately. The two words used very aptly, from the swing down, some numbness in both hands, but lazy a little activity, written out of the girl's simplicity. The hand is delicate. This is from Nineteen Ancient Poems: ? E'e's red powder makeup, slender out of the vegetarian hand. It is used to describe the tenderness and softness of the hands, and at the same time, it also points out the age and identity of the characters. The thin sweat and light clothes are transparent. She is wearing a light coat. light clothes. The first time she tried to wear a light dress, she was sweating lightly and there were beads of sweat on her forehead when she was swinging on the swing. This delicate and beautiful demeanor is just like the delicate and soft flower branches adorned with a crystal dewdrop. Dew thick flower thin? A phrase indicates that the time is the morning of spring, the location is the garden also emphasizes the character's delicate appearance. The whole of the first piece to write motion, flower metaphor, vivid image outlined a young girl swing after the appearance of the swing.

The next piece is about the girl's attitude at first sight. She finished swinging, is too tired to move, suddenly a stranger came in the garden. The first part of the song is about the girl's life, and the second part of the song is about the girl's life. She was so surprised that she couldn't organize her clothes in time, and rushed to avoid it.

? Socks? The hairpin slipped? Although the word does not positively describe who this suddenly arrived guest is, but from the lyricist's reaction can be confirmed, he must be a beautiful young man. The words "and go away in shame" are a good description of her current situation. The three words "and shyly walk" accurately depict her inner feelings and outer movements at this moment. The words "and shy" are also used to describe her inner feelings and external actions at this moment. The words "and shy" also mean "shy": "walk". The word "walk" is also used to describe the inner feelings and external movements of the young man at this moment. is to walk quickly. However, what is even better is that? I leaned on the door and looked back, but I sniffed the green plums. The two lines are even better. It depicts the girl's subtle psychology of being afraid to see but wanting to see, wanting to see but not daring to see. In the end, she had to take the opportunity to sniffing the plum? to cover herself up so that she could sneak a few glances at him. The next piece is written in action, several actions are clearly defined, with many twists and turns, and the psychological activities of a young girl's surprise, fear, shyness, curiosity and love are vividly portrayed. Tang Dynasty poet Han constrained wrote a similar poem in "The Collection of the Trousseau": "When I see a guest come in and go away with a smile, I will not be able to see him. Seeing the guest come in and walk away with a smile, rubbing plums in her hands and reflecting the door. But in contrast, the poem? and smiles away? is not as light as it should be, and? and shy away? is a deep and sincere one: "I am not a man of the world. The hand rubbing the plum? Only to show uneasiness,? but sniffing the plums? can depict ostentation:? The door in the middle of the room? The door in the middle of the room looks like no one else is there, but the Leaning on the door? but the door is expected, and the Looking back?

Appreciation two:

Before the Jingkang Rebellion, the lyricist Li Qingzhao's life was happy. Her words in this period are mainly about the strong pursuit of love and the desire for freedom. The style is basically bright and cheerful. "Point Jianglip" (? Cuji Strike the Autumn Swing?) is probably an early work in this period.

The first part of this song uses the phrase ? The first part of the poem uses the words ? Immediately thereafter, the lyricist turned the brush, so that the quiet words of the wind blowing waves, write the girl suddenly found someone to come, she naturally, hurriedly even shoes can not care about wearing, bare socks, shyly towards the house on the run, the head of the hairpin also slipped off. This puts another kind of psychology and action of the maiden in the deep bosom of the feudal society, that is, the observance of the so-called "rite" under the bondage of the feudal rites. Rites? The psychology and action of a girl in a feudal society, that is, under the bondage of feudal etiquette to abide by the so-called "etiquette", is realistically copied. However, she shyly ran to the door, but did not immediately hide in the house as usual, but ? The first time I saw her was when I was a little girl, and she was a little girl.

These two phrases of Li Qingzhao are similar to `? The two phrases of Li Qingzhao, like those in Li Yu's `Dendrobium Pearl', `? Like Li Yu's , these two phrases successfully portray the mood of a young girl. At the same time, Li Qingzhao's two phrases also vividly reveal the inner world of the girl. When she sniffs the plum, she is not really sniffing it, but she is using it to cover up her nervousness as if it were nothing. This is the same as in Ouyang Jiong's "He Mingchao": ? The pomegranate skirt and belt, so the delicate jade finger, secretly twisting the double phoenix gold thread. In "Rumor of the Jade Maiden" (搖晃冲之), Ouyang Chongzhi said: ? In "The Jade Maiden" by Kuang Chongzhi, "The Jade Maiden in the Rumor? The delicate waves of the woman, twisting the jade plums in her hands, said in a low voice. In this book, there is a similarity between the two. This is similar to today's real-life situation where a young girl disguises her shyness and nervousness by fiddling with her braid and handkerchief. As for? Looking back? , it is also similar to Ouyang Jiong's Nanxiangzi. The woman on the sand who swims on the water looks back and laughs, pointing to the banana grove where she lives. in Ouyang Jiong's Nanxiangzi. Review? In Li Xun's "Nanxiangzi", the woman in the water is pointing to the depths of the flowers. The jade fiber points to the depths of the flowers, and the peacock dances with the sun. In Li Xun's "Nanxiangzi", the peacocks are dancing in the sun. Review? The same, although they are not exactly the same content, the expression of feelings, but they are all simple look back action, to express the more complex inner activities. Li Qingzhao's two phrases of ? Look back? is a young girl's unhappiness with the visitor who has disturbed her free play, she wants to see who the visitor who has disturbed her is, she wants to see who and what kind of person has made such a mess of him. This shows her innocence and bravery, and her contempt for the fetters of feudalism. This thought and feeling, as far as its content is concerned, far exceeds the description of this side of life.

Before Li Qingzhao, although the vast majority of words are written about women, there are not many that can depict the image of women and write about the inner world of women with some significance. Li Qingzhao's song "Point Jianglip" has simple language, vivid and realistic image, not only psychological description, but also has certain deep meaning, it is indeed a good work to write about a young girl in the feudal society (the self-portrait of the lyricist). It is indeed a good piece of writing about a young girl in the feudal society (a self-portrait of the lyricist). It is similar to Li Qingzhao's famous lyric "One Cut Plum" (?). Red Lotus Roots and Jade Woven Woven Woven Woven Woven Autumn?) and "Drunken Flower Cloud" (醉花阴). The Mist and Thick Clouds of Worrying Forever?) and "Wuling Spring" (?Wuling春). The Wind and the Dust and the Fragrance of the Flowers Have Already Done?) The Sound of a Slow Voice. "Searching and Seeking" (尋寻寻觅觅?)

Author's memories:

Li Qingzhao, a Song dynasty female lyricist, is known as the "Queen of Words". Queen of Lyrics? words press south of the Yangtze River, the text covers the northern part of the Sebei? Since the Ming Dynasty, China has seen four? Li Qingzhao Memorial Hall (Hall)? and many others. Lotus root shrine.

Shandong Zhangqiu Memorial Hall

Zhangqiu Qingzhao Garden is located in the Ming Shui Baihequan, covering a total area of 18,000 square meters, of which 1,270 square meters of housing construction, 1,500 square meters of water, 10,000 square meters of green space. On May 1, 1997, it was officially opened.

Shandong Qingzhou Memorial Hall

Qingzhou Li Qingzhao Memorial Hall is located in Qingzhou ancient city of Yangxi Lake outside the west gate. It covers an area of about 630 square meters. The building is located in the north to the south, the gate inside the canal to the north, the east of the road built Shunhe building, the west side of the four Pine Pavilion, all for the Qing Dynasty building. Canal at the end of a courtyard, was built in 1993, the door is written with a plaque written by the famous lyricist Xiaolao? Li Qingzhao Memorial Hall.

Jinan, Shandong Memorial Hall

Jinan Li Qingzhao Memorial Hall is located in Baotu Spring Park, Liuzhou Spring, north of a courtyard, with a total area of about 360 square meters. This courtyard in the Northern Song Dynasty for the Jinan Sheng clan Zhang's courtyard, to the Jin Dynasty into the Lingquanan, the end of the Qing Dynasty into the Xianfeng scholar Ding Baozhen, governor of Shandong's ancestral hall. Because of the early Qing Dynasty poet Tian Wen a "Willow Spring visit Li Yi'an old house" poem, people mistakenly believe that the former residence of Li Qingzhao that is in the Willow Spring, and then writers and writers are all involved, so there is the former residence of Li Qingzhao said in Jinan.

Zhejiang Jinhua Memorial Hall

Jinhua Li Qingzhao Memorial Hall is located in the south corner of Jinhua City, eight Wing Road, eight Wing Building. Eight Wing Building, formerly known as Xuanchang Building, also known as Yuanchang Building, for the Southern Dynasties Qi Longchang first year (494 years), Dongyang governor Shen about the construction, in 1994, the eight Wing Building Heritage Conservation Management Office of the eight Wing Building main hall into Li Qingzhao Memorial Hall.

Because Li Qingzhao once lived in Hangzhou West Lake Qingbo Gate area, the relevant departments in the Liu Lang Wenying Park, choose a place in the sequoia forest by the creek, built Qingzhao Pavilion, opened in 2002. Jinan Richeng District, Coiling Mountain Forest Park, also has a Qingzhao Pavilion, opened in 2004.

Li Qingzhao was once honored as the God of Lotus Roots and enshrined in the Lotus Roots Shrine at Daming Lake in Jinan. Since the Qing Dynasty, the people of Jinan have worshipped Li Qingzhao as the God of Lotus Root.

In addition, there are full-body sculptures of Li Qingzhao in Quancheng Square in Jinan, Binhe Road in Kaifeng, Henan Province, and the three-tiered corridor of the China Millennium Forum in Beijing.