No there is no archetype, many are adapted.
The play promotes the spirit of patriotism, and its storytelling is twisted, rich, and full, which is wonderful. In addition, the play creates a group of rich and very distinctive characters.
To a work, these points are enough to stand. In the end, Jiu'er ignites the wine altar and dies with the Japanese soldiers, when in fact wine can't trigger a very strong explosion like gasoline. This episode is not in line with science, but it is in line with art and the psychological needs of the people.
The play is a big production that exudes vitality. If Gong Li's "Jiu'er" was wild, Zhou Xun's version of "Jiu'er" is even wilder, bolder, and more resourceful. In addition to having directed "Beijingers in New York", "Legend of Concubine Zhen Huan" and other masterpieces of the gold medal director Zheng Xiaolong's full interpretation, really makes people feel sound, unavailable.