Hello, netizens, and welcome to this issue of Bazaar for 9 seconds! 219 has just entered the autumn, but the fashion industry has entered the New Year. At the new york and London 22 Spring and Summer Fashion Week show, which was the first to kick off, there were many wonderful moments that made us look forward to the arrival of a new era. In this issue, BAZAAR will take stock of how fashion will take us into 22 from new york to London.
Bazaar in Fashion for 9 seconds | From new york to London, 22 has arrived _ Tencent Video
Marc Jacobs, the finale of New York Fashion Week, made all models join hands at the unveiling ceremony to commemorate the "911 incident" 18 years ago with hopeful emotions and energy. Jacobs also paid tribute to the golden age of Hollywood and the phenomenal figures he loved. He used dresses, sequins and huge flowers to turn each model into a movie star and interpret the beauty of different times. There is no complicated political expression on the show floor. Designers describe themselves and memories with the purest costumes, the most grandiose details and the heaviest colors, and depict the fun of fashion.
#2 Sies Marjan
Sies Marjan demonstrated ceramic glazing techniques in new york court, which made the already dazzling color changes more "colorful" this season. Silk satin fabrics and reflective coatings created a flowing luster, and animal textures helped it to be more tough and wild. Smooth tailoring blends with high saturation tones, which seems to be a visual multivitamin tablet. The silk dress like a nightgown is relaxed enough, and the "crooked" strap flat shoes also reveal the cute feeling of ancient spirits, which is definitely a must-buy new trend for next season.
after becoming the new chairman of the Council of Fashion Designers of America, Tom Ford moved the show from the Upper East Side to the abandoned subway station, and the luxurious "American Sports" style shuttled through the purple lights that were rock and roll. Rough shorts T-shirts become a part of the smoking style, and the metal corset and the hanging long skirt complement each other to create a casual luxury temperament. The unobtrusive sexy charm is hidden in the details, which is worth exploring again and again.
in his third series for Burberry, Riccardo Tisci showed us the evolution of "inspired by the past and committed to the future". In this season, he kept the design language of the avant-garde trend, and at the same time explored the aesthetic feeling of the Victorian era: lace, feathers, tassels and Gothic prints were perfectly integrated with the trendy cutting methods. Scarf-like huge prints and satin materials are used as shirts, skirts and even a part of classic windbreakers. The contrast between the old and the new blends, just like the collision and * * * of khaki tones and black and gray, which makes the past times evolve and become Burberry's fashion force today.
the chandelier falls and the dance begins! Halpern's evening dress is still full of sequins, and the dramatic tight-fitting silhouette and bell-bottoms create a perfect retro beauty; The pendant material combined with countless sequins covers the models like liquid metal, leading them to flow freely in the dance. Eye-catching animal patterns, ukiyo-e waves and or abstract line prints are extremely lively, and the costumes are only for happy dance parties.
Everything from the "children's toy device" in the show to the woolen yarn and knitting technique reveals the simple and naive and medieval style. The simple coarse detail dress and braided tassels are more attractive under JW Anderson's experimental cutting technique. His discussion on gender didn't stop. Underwear lines were highlighted separately, which became more eye-catching after being inlaid with crystals, and became the strokes of female body lines. The hollow design of waist was also surrounded by jewels. These sharp tools to highlight body lines are also the armor of feminism, encouraging the expression of all genders.
Simone Rocha displayed her China and Irish ancestry on the show separately. The blue and white porcelain that appeared at the beginning described half of her origins most simply and directly. For the other half, she used the Irish "Wren Boy" as the inspiration for this season's girls' clothing, and used the story of St. Stephen's Day and the temperament inspiration of tribal men to bring rebellious punk temperament such as small suits, feathers and belted belts, and the veil changed accordingly. In addition, the appearance of several grandma-level models is also meaningful, telling us that becoming a girl is never a matter of age.