What are the characteristics of the characters in heaven?

1, Monkey King: resourceful, brave and good at fighting, strong in martial arts, humorous, benevolent and honest, punishing evil and promoting good, hating evil, outspoken, brave and aggressive, unruly, and paying attention to commitments.

2, Tathagata: strategize, don't be surprised, save people in from the mire.

3, the Jade Emperor: wonderful and solemn, governing the sky, leading all saints; Cruel, opinionated, cowardly, boundless, overbearing and cruel, fatuous and incompetent, but can uphold justice.

4. Dragon King of the East China Sea: Promote Buddhism and save all beings.

Extended data

1, story introduction

In the Journey to the West, the Monkey King went to the Dragon Palace in the East China Sea to grab the golden cudgel, and then went to the underworld to forcibly sell books on life and death. The Dragon King and Yan Jun went to heaven to complain, and the Jade Emperor called the Monkey King to heaven and gave him the title of Bi Marvin.

Wukong suspected that the official was small, and returned to Huaguoshan to call himself "the Great Sage of Qitian". The Jade Emperor sent heavenly soldiers to capture the Monkey King, but without success, he let the Monkey King manage the Flat Peach Garden.

The Monkey King ate flat peaches secretly, ruined the flat peach banquet of the Empress Dowager, and fled the Heavenly Palace after eating the elixir of Grandfather Lao Zi. The jade emperor sent Li Tianwang to lead the heavenly soldiers to escape; Guanyin Bodhisattva recommended Jiro Zhenjun to help fight; Grandpa Laojun helped hide weapons, and finally Wukong was captured.

Wukong was chopped with a knife and axe, burned by lightning, and even exercised in the Dan furnace for 49 days. He's still fine. He had a fight in the Heavenly Palace. The Jade Emperor ordered the Tathagata Buddha to be invited before putting the Monkey King at the foot of Wuxing Mountain.

Step 2 evaluate

It reflects the sharp conflict and struggle between the oppressor and the oppressed in the form of myth. Through the story of the Monkey King's confrontation with Dragon Palace and Heaven, it shows the Monkey King's courage, wit, optimism, fearless spirit and struggle character of daring to resist the divine right of Tianwei.

At the same time, it also exposed and satirized the arrogance, tyranny and incompetence of the jade emperor, the dragon king and the heavenly generals.

This film vividly reproduces the mythical hero of China, the Monkey King, on the screen. The film has strong colors, strange shapes and magnificent scenes, exaggerating the deities and buddhas on the basis of traditional shapes, and highlighting the decorative image and typicality of personality.

Through the unique artistic conception and expression, the film fully shows the ideological and artistic nature of the original work.

References:

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