Additionally, the dance formation can be considered purely on the form, without having to ask what the significance is, such as the beginning of the article, naturally, you can first formulate an order of sequence, without having to think about what the content is, so you can prioritize the idea. Of course, in the process of choreography, because of the arrangement of dance movements, and amend the first set of dance formations, change the arrangement of dance formations, is not bad. It's just that it's a power change in choreography, not a regular step.
There are two types of dance formations, one is suitable for dances in which everyone dances more or less the same; because each dancer dances his or her own dance separately, with few interactions with other dancers, we call it "independent". The other kind of dancers are related to each other and have to cooperate with each other frequently, **** the same combination of formations, we can call it "combination style". Among these two kinds of dancers, there are all kinds of variations, and the common ones are as follows:
I. Independent: This kind of group dance formation is almost unchanged from the beginning to the end, and there are the following three kinds of common dancers:
A. One-word Arrangement: Each dancer is lined up in front of the audience, and dances in their own way, with no distinction between the master and the subordinate. The basic type.
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B. Geese in flight: the middle of the prominence of the other sequentially back some, such as the geese flying in formation, the dance may still be similar to the action, but the audience subjectively think that the middle of the prominence of the main, the other is the second, so there is a primary and secondary points, but the main and secondary points, you can rotate the dancers in the dance to eliminate the order; you can also be transformed into other independent dance team, so that the main and secondary points can be divided. The dance team can also be transformed into other independent dance teams, so that the difference between the primary and secondary is not obvious.
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C. Scattered: it is a kind of evenly distributed formation, however, its spirit is that everyone in the dancers is equally important, not divided into primary and secondary, so the front row can not block the back row, and the number of people in the front row is also large, so there is no feeling of the front row being more important.
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The independent dance group emphasizes the equality of each member, and each member's performance is noteworthy. When enjoying this kind of dance, each dancer can be regarded as a protagonist, and at the same time can be regarded as a member of the group, which seems to be a contradiction in terms, but is really due to the fact that everyone is important, and everyone is the same as everyone else.
The variations of the dance team are as follows:
1. Rotation of movements: Although the movements are the same, the timing is different, for example, the Dance of Flames has a section lined up to rotate the movement arrangement.
2. Exchange of positions: refers to the dancers in the dance to swap positions, but the dance formation is basically the same, this tidbit, you can have more changes to increase the fun.
3. A, B, C three formations interspersed with changes: dance is the art of time, you can change the form of the dance team in which the three dance formations are similar in nature, there are often changes in the situation. D into D may have, but it is relatively rare.
4. There is also a kind of rotation to highlight the individual, for example, street dance will sometimes appear other dancers are back, clapping their hands to beat the beat, a person to go up to the front of the solo show of dance.
5. As for whether it is possible to interact with the combination, and change more dance formations? Of course.
The basic principle of dance composition, must be from the expression of the content of the dance works and the image of the characters, to select the appropriate form of expression, arrangement and dance movements combined with the space movement line, and the formation of constantly moving dance picture. The selection and use of spatial movement lines in dance should be based on the criteria of the aesthetic emotional experience that different lines can cause. The diagonal line and vertical line formed by straight line movement can show strong and powerful momentum, the horizontal line is smooth and gentle, while the angular zigzag line gives people a feeling of wandering, jumping and instability; the circular line, arc line and serpentine line formed by curved line movement can show smooth, rounded and soft mood. However, the selection of the moving line of the dance team picture should be combined with the needs of the characters' emotion and plot development, so it has no fixed program.
In order to make it easier to remember, we have summarized the use of moving lines in dance according to the methods and principles of composition commonly used in general dance creation in the following sentences:
"Two, four, seven, one, zero, eight, straight, slanting, rounded and curved intersection,
Front, back, left, right, high school and low, the ground and the air in the right place;
Neat, symmetrical and golden, balanced, uniform and diversified,
Modulation and contrast combined, the scene and the situation, the situation and the situation are not the same.
The combination of harmony and contrast makes for a beautiful picture."
The so-called "two, four, seven, one, zero, eight" is a commonly used formation composition in dance: two, four is two or four rows of horizontal and vertical lines of formation, seven is a zigzag line of formation, one is a horizontal row or has been a row of zero is an arc-shaped composition, eight is on both sides of the stage in the shape of a figure of eight;
"Straight, oblique, round, curved intersection insertion" is the flow of changes in the dance formations to be a variety of lines of crisscrossing, can not be a line of implementation of the whole;
"straight, oblique, round and curved intersection" is the flow of change of dance forms, not a kind of line.
"Neat and symmetrical golden rule, balance and unity, diversity, harmonization and contrast combination, scenario blending beautiful as a picture." It is the requirement that the movement of the dance formation changes in line with the laws and regulations of formal beauty.
In a nutshell, the dance composition should follow the following four principles: First, the dance composition should obey and adapt to the requirements of the content of the dance works; Second, the dance composition should start from the expression of the character's emotions and thoughts; Third, the dance composition should set off and show the dance works of the environment; Fourth, the dance composition should be in line with the laws and regulations of the beauty of the art form.
Composition of various dance genres
Before we discuss the composition of various dance genres, first of all, we must give a clear division of the stage space of the plane of the partition and three-dimensional orientation. According to the usual method of dividing the stage area in China's dance world, the stage is divided into nine areas, namely: center, left, right; front, left front, right front; back, left back, right back. (As shown in Fig. 1.) The space of the stage is divided into three levels of low, middle and high and one to eight directions, i.e.: 1 - a front, 2 - a right slanting front, 3 - a right slanting right, 4 - a right slanting back, r - a right slanting back, 6 -one left-oblique rear, 7-right-left, 8, left-oblique front. (Figure 2) From the plane of the stage, the front area is the strong area of the performance, which can give the audience a stronger feeling, the back area is a weak area, while the middle area is relatively neutral; from the middle compared with the two sides, the middle is a strong area, and the two sides are a little weak. From the point of view of the three-dimensional space of the stage, the air is the strong zone and the ground is the weak zone. From the position of the stage, the intersection line between the center and the front area, i.e., two-fifths or one-third of the way from the front of the stage, belongs to the golden line of the stage, which is the best area for dance performances. Triangle, circle, horizontal rows, vertical rows, V-shaped, (six people around the semicircle, three people in the semicircle standing triangle (change the formation of the dance movements made when, must flow, and neat.