The young do not know the rich woman is good, mistakenly take the girl as a treasure, who take the next line?

It was a mistake to put my youth in the rice paddies when I was young. If you can turn back then, you will not have to worry about your grandchildren. Young people don't know that the young woman is good, wrongly take the girl as a treasure, young people are not rich woman expensive, waste of youth tears, life is precious, love is more expensive, if there is a rich woman package, both can be thrown.

Couplets, also known as couplets, door to door, spring stickers, spring couplets, pairs, Peach Charms, couplets (due to the ancient times, more hanging in the halls of the house pillar and named), etc., is a kind of couplet literature, one said that originated from the Peach Charms. Another source is the spring stickers, the ancients in the spring more stickers "Yichun" two words, and gradually developed into spring couplets, expressing the Chinese working people a kind of warding off evils and disasters, welcome the good wishes of the auspicious and blessed.

Couplets are pairs of statements written on paper, cloth or carved on bamboo, wood or pillars. It is a unique art form of the Chinese language with simple words, deep meaning, neat counterpoints, harmonious leveling, the same number of words and the same structure.

The parallelism and the poems are the two direct sources of couplets. In the process of its own development, the couplet has absorbed the characteristics of ancient poetry, prose, lyrics and music, etc. Thus, the sentence pattern used in the couplet is not only the same but also the same structure. Therefore, in addition to the sentence form of poetic verses and parallelism, there are also the sentence form of ancient poems, prose, and imitation lyrics and songs.

The different styles of sentences apply different laws, different degrees of severity. Among them, the most stringent requirements of the poetic style, the ancient style of poetry, in addition to the requirements of the end of the sentence, the other position of the level of the level of the unconstrained.