This description of the four seasons is boring rather than boring, and the time seems too long. Spring went to Qiu Lai, summer went to winter. It's just that the author made clever and ideal arrangements for the four seasons in order to express the fleeting time, or to explain the artistic conception that the fleeting time makes people old. Spring: spring returns to the earth, the wind is sunny, the autumn leaves in spring, and the butterflies fly, and the spring breeze melts the rain?
Spring blossoms, spring blossoms, spring blossoms, flowers are bright and dark, flowers are bright and cold, spring is chilly, all loves, spring mountains are laughing, spring flowers are fragrant, birds are singing and melting snow, dead trees meet spring, and everyone loves summer: summer trees are green, summer rains are continuous, and the sun is like fire?
A vast expanse of summer is steaming, lush and sweaty, and the sun is shining. Fireflies take the lead in the scorching sun in August, and the rain in summer is unbearable. Autumn: colorful red leaves, yellow leaves fall, Feng Dan welcomes autumn, Yulu is cold, autumn is cool, red leaves are like fire, autumn is cool, orange, orange, green leaves are fat, red and thin, which is quite crucial. The autumn wind blows hard and the sky is high and the clouds are light. Autumn chrysanthemum is winter in Ao Shuang;
Ice flowers, Yushu, moving in the cold, Lin Ruyin, Qionglou, Yuyu, snow in the cold, snow in the cold, death in the cold and freezing in the cold. China's culture is profound, just like landscape painting, and it is good at freehand brushwork.
Spring is gone: it means that spring is gone and summer is coming. Qiu Lai: Autumn has come, can winter be far behind? Although the idiom omits the word Xia Dong, semantically, it fully shows that it is freehand, not perfect, but clear.
Occasionally, every year, you can see the passage of time and the four seasons are distinct. Similar to Chunhua Qiushi.