The First Decade: A Bright Light in a Humanistic Temperament
In the 1980s, almost all creation and dissemination was relatively thin on commodity attributes, and more expressive of an idealistic sentiment and self-assertion. This characterization also includes Hong Kong, Taiwan and China.
The Second Decade: The Glorious Era of the Recording Industry
The 1990s saw China's recording industry in its most prosperous golden age. According to statistics, in 1994, there were more than 200 audiovisual companies in mainland China***, with annual sales of more than 2 billion yuan. Shanghai's China Singing Shanghai Company, Shanghai Sound and Image, Shanghai Audio and Video Company alone, nearly half of the distribution. Since the imported version can be almost synchronized with the original Hong Kong and Taiwan versions, it has in fact opened up the pop music industry chain between the two sides of the Taiwan Strait and the three regions.
The third stage: the network grassroots of the Divine Comedy hot at large
September 10, 2000, outside the 80,000-strong stadium in Shanghai, a group of Luo Dawou fans rushed to Beijing to pull out a banner: "Waiting for a thousand years to finally see you arrive". Luo Dayou quietly rooted down, his emergence is an important phenomenon in Taiwan and the entire history of Chinese contemporary culture.
In addition, with the popularity of square dancing, songs like Phoenix Legend and Little Apple have become the best choice for square dancing. This market is getting bigger and bigger, and there are also square dance versions of songs, and square dance has become a popular song dissemination medium.Phase 4: The carnival of pan-entertainment and secondary emotions
The ten-year phase of the discourse is not rigorous, however, ten years is convenient to sort out the veins and see the cause. Chinese pop music is only a century old. When a song is sung, it must contain the flavor of life and times. We hastily sorted out the songs, the people and the events of the past forty years, but also in line with the rhythm of this social history, to lament the youth and sadness, to face the reality and dreams.