Born in Shaanxi, listening to Qinqiang is inevitable for everyone, it is a special unceasing tone, tenacious drilling into your ears, you want to not listen to it can not be: into the city and countryside of Shaanxi in any of the plaza (the countryside also has a square, don't believe it), if there is no Qinqiang singing, then the plaza feels like a lack of enthusiasm, lack of spirit, lack of energy, lack of charm, lack of the lack of Shaanxi people's unique personality traits. Fiercely, in the streets and alleys in front of a house, parks or an ancient courtyard under the tree, the "theater box" in the hands of pedestrians on the road, the Qinqiang are sung with gusto: too common, too tenacious, too persistent, too unfashionable, too unaware of the adaptability of the Duke of Bao plus the Qinxianglian, Ma Youxian plus the Shangfang will be this day, this year, next year, a long time, a long time, a long time, a long time, a long time, a long time, a long time, a long time. Compound tomorrow's year, a long time, the Qinqiang that a few plays, a few classic singing, has been circulating, has been listening to not get tired of, over time, your ear is instilled, you were knocking up the clappers of the clanging dingding, playing up the cymbal gongs of the clanging only only only, you are attracted to, and then also listen to the flavor of the day. As long as you listen to it, listen to some years, you will be like missing an old lover, think of her at all times, happily attached to her; she puts the deepest part of your soul, ? She unearths what is in your heart and soul, what is in your blood, what is in your DNA, what is "from the grave", and blends it. She reshaped you from the source: Jia Pingwa, Chen Zhongshi, Zhao Jiping, Zhang Yimou, Lu Shuming, Kang Zhen and many others. And ordinary people in Shaanxi, the accent of your speech, your behavioral habits, your character traits, was originally the Qin people Qin accent, how to cover up can not be covered up. You search the Internet, Zheng Weidong Qin-style comedy in the "white total" is how a mouth of "Qinqiang Mandarin", vivid interpretation of the Shaanxi people in other countries no matter how difficult to get rid of the Qin people of the mouth of the cavity of the merciless tease.
Listening to Qinqiang, the old-fashioned accent is still good to hear. The old version of the movie "Three Drops of Blood", "Flaming Pony" sung in the Ren Zhezhong, are the old-fashioned singing accent. At the beginning, when I heard Ma Youxian sing "Broken Bridge", "The landscape of West Lake is still the same", I felt that it was very pleasing to the ear, very good, and after listening to it again and again, I felt that she was not an opera singer, but rather a singer. Singing like a song, what else do you need to do? Check the Internet on her introduction, a look is really: "She pays special attention to singing skills, conscious use of scientific vocal methods, singing techniques into the Qinqiang singing, and the Qinqiang excellent traditional vocal plate style organically combined together to form their own unique style of singing." Later, she sang "Red Guard of Honghu Lake" Han Ying sang "mother's tears like water", sang to the grief and generosity, tears, wet ruined makeup, listening to people's scalp numb, back cold, the singer's voice penetrates the listener's bone marrow, only to understand that singing to the role of the role of the singing as one, the stage as a living reality is how the scene! Comparison of the opera Wang Yuzhen sang the same section, with the characteristics of the Xiang opera that a large part of the singing, it is too gentle, too soft, listening is not as clear as the Qinqiang blood and bone, individuality, listening is not an enjoyable!
Ma Youxian sang well, is singing too foreign, although compared to other types of theater, Qinqiang's generosity and sadness of the high-pitched excitement can be played by her to the fullest, but the Qinqiang just can not be foreign up, foreign is not in the Qinqiang on the right path.
The Qinqiang wants her "earthiness". How does Yu Qiaoyun sing? How does Ren Zhezhong sing? It's not a very rustic song! To put it this way, Yu Qiaoyun is not like the neighbor's sister-in-law: she sings with a good accent, moves in a thin line, and sings as if she were a "house" talking, so she seems to be a very light component of the opera. Ren Zhezhong is like the neighboring village brother whom he met on the top road of Loess Plateau: his voice is low and hoarse, and he hums with a nasal tone, singing like talking, singing like having to speak in silence, not acting, not carving, no modification, and his personality is the stupidity and straightforwardness of the Shaanxi people. Chen Yan, a scholar of Qinqiang, said that Ren Zhezhong's singing "pays more attention to the projection of 'righteousness'", and what he meant by "righteousness", I think, is the Shaanxi people's "foolishness and straightforwardness" shown in Ren Zhezhong's singing. I think it's the unique Shaanxi temperament of "silly and straightforward" that Ren Zhezhong shows in his singing. Watching the movie "Three Drops of Blood", reading like an opera, singing like a play, singing like a play, less programmed singing, singing, reading and doing the boundaries are not very clear, singing and acting but not see the traces of the "play", as plain as the life itself, which is precisely the highest state of the Qinqiang! The earthiness and peacefulness are the true colors of the people of Qin, the singers show such true colors, and the listeners are happy to see and enjoy such "characteristics", and he sees himself in the "play", and he sees the same people and the same things as he does, that's why he loves Ren Zhezhong, and he loves Yu Qiaoyun (Ma Youxian). He loves Yu Qiaoyun (Ma Youxian's foreign live Qinqiang is a little far from himself)!
The Qinqiang's "local flavor" and "foreign flavor" are still manifested in the singing style. The previous said Ma Youxian focus on singing techniques and vocal methods, the actual these "techniques" ah "method" ah, Ren Zhezhong they are also focusing on, the difference is that the former school focuses on the breath, vocal cords, **** sound, voice relationship and so on these things, and Ren Zhezhong school focus on how to sing, and how to sing. The difference is that the former school focuses on the breath, vocal cords, **** sound, voice-emotion relationship and other such things, while Ren Zhezhong's school focuses on how to express and express the character directly with life. Peking Opera singing pay attention to the warmth, love and can hold their own, and Qinqiang singing is not so, she preferred to sing a sad sky and earth, blood rushing, drenching pain can not be. When he sings, he exhales from his dantian. When the actor's luck voice, spit words to love, the use of this Dantian gas casting was originally the role and the actor's two *** with the living body, the living body from the singer sings out, you will feel him from the Dantian to the heart and lungs to the voice of a horse straight through, gushing out, no obstacles, which have to talk about it? The kind of low back in the grudge in the sound of the clouds, the kind of depression in the stone in the dreary, the kind of life in the dyke breaks the dam, only the Qinqiang can cut the axe word word see blood and tears. There are such as "Dou E Grievance", "Red Plum Book" (i.e. "Tour of the West Lake"), "Orphan Zhao" and other tragedies of the Qinqiang, this with the original cry of life, and can lead the viewer to knock the bones and suck the marrow like a direct attack on the source of the evil, so as to understand the spirit of the tragedy through the heart. Chen Yan said: "As of now I have not found which art that so soundly expresses a person's life passion, so hot blood gushing top shouting a person's life longing, so in-depth coupled with the catharsis of a person's life misery, that is the Qinqiang ...... in short, I do my own way, not alarmed by the change! , all in one 'iron pea' leftist." Said Qinqiang actor is with life to sing is not false at all. Ren Zhezhong just lived to be seventy, while his disciple Hu Tunsheng died forty-seven days after his master's death, which was deplorable!
Qinqiang became in the Tang Dynasty, the Tang people have commented on the Han Dynasty Li Guinian sang "Qin King Broken Battlefield Song": "Tune into the Palace, the tone of the Yellow Bell, wide sound, big voice, straight up and down." It is the Tang people inherited the Han people's Qin sound pioneering, in the three Qin people growing on the ground, the strongest sound out of the heart, is the Qin cavity actors with full dedication, with the whole life of the power to shape a vivid stage role, cast her into such a big Qin voice. It is the soil that nurtures such a flowery Qinqiang, so that she has been passed down for ages, and will never be exhausted!