To be honest, since Wang Baoqiang has been on fire, there is not as much goodwill for him as before, because it seems that the silly root has completely stereotyped him, and since then Baoqiang has become a silly professional in China. Similarly in Hong Kong there is a fool professional, he is called Guo Jinan, because of Awan, he became a veritable Hong Kong ? Silly man?
But this fool everyone knows at a glance that he is a fake fool, but the domestic this stupid root is really stupid, so ? s path began to venture all the way forward, whether it is in the awkward series of douchebags, or in the "Chinatown Detective" in a moment does not stop talking about Tang Ren, his performance in his performance only let a person feel a dysfunctional human beings venturing silly schizophrenic performance.
But I think maybe every actor opens up once in a while, just as Rene Liu's performance in "A World Without Thieves" did, and similarly goofy Wang Baoqiang gave us an intriguing portrayal of a goofy guy in "Hello! Mr. Tree".
This not movie uses black humor to tell the story of a jobless youth in the countryside who lives a muddled life every day, and a deaf and mute girl in the city, Xiaomei, who has a bumpy experience from falling in love to getting married, to expose the changes in the countryside, and the human nature and the bad social customs. The whole movie is just like "Dream of the Red Chamber", which is intriguing in its truthfulness and falsity.
This is a film that was recognized only after many years
Some films have great commercial value, some have greater artistic value, and some are clearly created to expose certain social realities, and it is obvious that "Hello Mr. Tree" is meant to illustrate something, some phenomena.
We don't see the slightest commercial value in this movie, and what kind of investor would think that a rural drama could bring them full returns? In the current theater market, this film and the current theater atmosphere is out of place, in the cinema to see such a work, as if drinking red wine and eating steak watching TV, while the content of the TV broadcast is "country love round dance".
Perhaps Han Jie was a madman, judging by the box office that year. Getting Wang Baoqiang to play an honest farmer, and then the movie was also all about those feuds between farmers and peasants all the time, which was out of touch with life for the theater market audience because they didn't feel the same way, so how could they feel the atmosphere that the movie was trying to convey.
The film was so cursed back then that it felt like it had cheated fans out of dozens of dollars in movie tickets, and fans were so confused when they walked out of the theater that people didn't even remember a single shot in the film, and the media back then didn't say a word about the film.
But then many years passed and Wang Baoqiang's family scandal made him a hot topic, so many people turned out his works, and people suddenly remembered that Wang Baoqiang had also acted in such a work.
At that time, the audience suddenly realized why it was so stylish to watch Wang Baoqiang at this time. Especially that smoking shots, stupid root smoking out of the highest realm of soul, many people also is that Baoqiang smoking this shot can be called textbook level.
So people were curious to re-watch the film, but they were suddenly surprised to find that the original film was so outstanding, especially Baoqiang's performance, which is definitely a movie star level.
Baoqiang's performance in this movie is outstanding
While this movie didn't catch fire, one thing we can be sure of is that Wang Baoqiang picked up the whole movie in this movie because the main line of this movie itself is talking about Mr. Tree's change of mind.
Mr. Tree is a typical character at the bottom of the social ladder, but he is not willing to be belittled, so he wants to save face and wants to be respected by others, but the reality has given him blows again and again, he doesn't have any skills, the cruelty from the real society, the bullying from the second pig, everything in this real life makes his self-esteem gradually be worn down.
Maybe he likes Xiao Mei, maybe he doesn't like Xiao Mei, but for this marriage, all he cares about is that he wants his marriage to be noticed by others, and all of this is predicated on that Crown sedan.
When his brother beat him up, his last vestige of dignity was completely lost, and the feelings he had been holding in for so long were finally too much to contain, so he let them all pour out, and he went crazy.
The film shows Mr. Tree being abused and having his self-esteem knocked down over and over again, and we see that Wong's portrayal of these elements is still very much in place.
The stoicism of being bullied is shown in just the right way, it's not overly agitated and doesn't look so careless, at least we see a very distinct process, which is slowly building up in Mr. Shue's mind.
Wang Baoqiang's performance allows us to see the whole process very distinctly, and these performances focusing on psychological portrayal are precisely the most difficult for an actor to embody, and Wang Baoqiang did it, and I didn't expect him to be able to give a performance like this for an actor who comes from a grassroots background.
The film embodies the way the theatrical market plays out
"Hello, Mr. Tree" didn't catch fire back then, and even if it did now, it wouldn't catch fire either. Though the movie is highly talked about today, and many people have swiped it, it is a classic movie that shows us the connotations of the art of cinema, which is not what the audience wants to see.
Imagine the simplest question, if you spend tens of dollars on a movie ticket and watch a movie that you can't understand the first time, will you feel very annoyed?
For people in the present day, watching movies is a form of leisure, and watching a movie while having to burn your brain is a very tiring thing, which is tantamount to spending money to find a crime.
While the art of film itself requires a certain degree of artistry and connotation, so we say that good movies may not necessarily be suitable for theaters, at least we see through Xu Zheng and Wang Jing a mature film production process suitable for the theater market, and the films born under this process basically meet the audience's tastes.
Perhaps Baoqiang should really think about his future interpretation of the direction of the
To Baoqiang can not talk about very like, can not talk about very hate, just think that in recent years, he made these films is his heart shooting, but these works are really not even the capital of the people to be spit on the capital, too much force.
The success of "Detective Chinatown" was not because of Wang Baoqiang's performance to be honest, and the box office of "The Greatest Showman" was due to the impact of the Baoqiang incident and Baike's explosive performance in the movie. So all this seeming success actually has nothing much to do with Wang Baoqiang himself.
Wang Baoqiang's movie shooting film quality, think he really should think about their future theater in the end should be how to choose, fools can not play a lifetime it, the audience is not annoying, they are also annoyed.
Regardless of how Baoqiang transformed, honed himself, in the "hello, Mr. Tree" this play in the stupid root Baoqiang's performance can be described as his interpretation of the life of a performance of the open hanging, is the image of his stupid root of the most classic work, to be honest, on the basis of the film, we owe Baoqiang an honorary endorsement of the emperor of the film.
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