1. Poems about Peach Blossoms, Peach Blossoms Still Smile in the Spring Breeze
2. Poems about Peach Blossoms, Still Smiling in the Spring Breeze
Poems about Peach Blossoms, Peach Blossoms Still Smile in the Spring Breeze1. All the poems of Peach Blossom Still Smiling in the Spring Breeze
Original text of the work:
Inscribed on Nanzhuang in the capital city
Author: Cui Hu
In this door last year , the peach blossoms on the human face complement each other in red.
I don’t know where the human face is, but the peach blossoms still smile in the spring breeze.
"Inscribed on Nanzhuang of the Capital City" is a work by Cui Hu, a poet of the Tang Dynasty. This poem sets up two scenes, "looking for spring and encountering beauty" and "looking for beauty again". Although the scenes are the same, the things are different and the people are different. The first two sentences recall the scene "today last year", first point out the time and place, and then describe the beauty, using the red color of "peach blossom" to highlight the beauty of the "human face"; the last two sentences write "today this year", which is the time of knowing, and " "Last year and today" have similarities and differences, continuations and discontinuities, the peach blossoms remain the same, and the human face is gone.
The reflection of the two scenes expresses the poet's infinite melancholy in a tortuous way. This poem is very popular, especially the two lines "Human faces don't know where to go, peach blossoms still smile in the spring breeze" are widely circulated.
2. What is the whole poem that contains the line "Peach blossoms still laugh at the spring breeze"
Last year, today, in this door, the faces of the people and the peach blossoms reflected each other's red.
I don’t know where the human face is, but the peach blossoms still smile in the spring breeze.
From "Ti Capital Nanzhuang" by Cui Hu of the Tang Dynasty
Translation: Last spring, just inside this door, the girl's face reflected the bright peach blossoms. When I come here again today, I don't know where the girl has gone. Only the peach blossoms are still there, smiling in full bloom in the spring breeze.
1. This poem and its ability are very legendary. Mr. Ouyang Yuqian once wrote a Peking Opera "Human Face Peach Blossom" based on this story. This poem has been widely circulated, and traces of it can be seen in subsequent poems. For example: "The fallen flowers are still there, the fragrant screen is empty, where do you know the human face?" (Yan Jidao, "Yujie Xing") Another example: "While collecting the incense and hiding the mirror, he has arrived in his youth, is the peach blossom on the human face still there?" ( Yuan Quhua's "Ruihexian") From these works, we can also see its influence on later literary creation. Later, people used "human face peach blossom" to describe a woman's face that complements the peach blossoms. Later, it was used to generally refer to a woman whom she admired but could not see again, and also to describe the melancholy caused by this.
2. Cui Hu, a poet of the Tang Dynasty. His courtesy name was Yin Gong, a native of Boling (now Dingzhou City, Hebei Province) in the Tang Dynasty. In 796 AD (the twelfth year of Zhenyuan), he was promoted to Jinshi (Jinshi). In 829 AD (the third year of Yamato), he was appointed as Jing Zhaoyin. In the same year, he was appointed as Yushi Dafu and Lingnan Festival Envoy. Finally, he served as the envoy of Lingnan Festival. His poetry style is concise and graceful, and his language is extremely fresh. There are six poems in the "Complete Poems of the Tang Dynasty", all of which are excellent works, especially "Inscribed on Nanzhuang, Capital City", which is the most widely circulated and is widely praised by the public. This poem uses a seemingly simple life experience such as "people's faces are peach blossoms, but things are different" to express the unique life experience that millions of people seem to have had before, earning the poet an immortal poetic name.
3. What is the complete poem of "Peach Blossoms Still Smiling in the Spring Breeze"
"Inscribed on Nanzhuang of Capital City" by Cui Hu
Last year, in this door today, people's faces were filled with peach blossoms Contrasting red.
Where is the human face now? The peach blossoms still laugh at the spring breeze.
This seven-character quatrain written by Cui Hu is simple in words, straightforward and natural in language, clear and fluent. It has been recited by future generations for hundreds of years. Use allusions and idioms. Speaking of this little poem, there is also a legendary skill, which is recorded in "Tang Poetry Chronicles" and "Ben Shi Shi".
"Chronicles of Tang Poetry" records the story of this poem: "I was not promoted to Jinshi. I traveled alone to the south of the capital during the Qingming Dynasty. I found a village with lots of flowers and trees. I kept holding the door open for a long time, and a woman asked him through the crack of the door. He said: "Walking alone in search of spring, I am thirsty for wine." The woman opened the gate and came with water.
4. Poems containing peach blossoms still smiling
"Inscribed on Nanzhuang of Capital City"< /p>
Era: Tang Dynasty Author: Cui Hu
Last year, in this door, the peach blossoms on the faces reflected each other's red color. I don't know where they are, but the peach blossoms still smile in the spring breeze.
"Eighteen Poems on Hujia"
Era: Song Dynasty Author: Wang Anshi
The snowflakes from Yanshan Mountain are as big as mats, and they are used to wash the face to make it shiny. Suddenly the world turned white in the middle of the night, and there were only empty memories in the boudoir.
Touch the peach blossoms to soothe the little red, and wash your face with your son for a beautiful face. If you want to ask for safety, no one comes, but the peach blossom still smiles at the spring breeze.
"Farewell to Zhang Mingfu"
Era: Song Dynasty Author: Wang Anshi
The boat was empty, and we met here fifteen years ago. People come and go from south to north, but the peach blossoms still smile in the spring breeze.
"Seventy-six Stanzas"
Era: Song Dynasty Author: Shi Ziyi
The color of Qu Tan is golden, and the green mountains are inserted into the sky after the rain. If you don't recommend it when you meet face to face, the peach blossoms will still smile in spring.
5. What is the ancient poem about the face of a human being who knows where to go, but the peach blossom still smiles in the spring breeze
Titled Nanzhuang of the Capital City
Author: Cui Hu
On this day last year, in this door, the faces of people and peach blossoms reflected each other's red.
I don’t know where the human face is, but the peach blossoms still smile in the spring breeze.
2. Introduction to the work: "Inscribed on Nanzhuang of the Capital City" is a work by Cui Hu, a poet of the Tang Dynasty, and is included in Volume 368 of "Complete Poems of the Tang Dynasty". This poem sets up two scenes, "looking for spring and encountering beauty" and "looking for beauty again". Although the scenes are the same, the things are different and the people are different. The first two sentences recall the scene "today last year". They first point out the time and place, and then describe the beauty, using the red color of "peach blossom" to highlight the beauty of the "human face"; the last two sentences write "today this year" at this time, and "last year". "Today" there are similarities and differences, continuations and discontinuities, the peach blossoms remain the same, and the human face is gone. The reflection of the two scenes twists and turns to express the poet's infinite melancholy. This poem is very popular, especially the two lines "Human faces don't know where to go, peach blossoms still smile in the spring breeze" are widely circulated.
6. I don’t know where the human face has gone, but the peach blossoms still smile in the spring breeze. May I ask whose poem you wrote?
Inscribed on Nanzhuang in the capital city
In this gate last year, < /p>
The peach blossoms on the human face complement each other in red.
I don’t know where the human face is,
The peach blossoms still smile in the spring breeze.
Source:
Chinese Poetry-Tang and Five Dynasties-Cui Hu
Comments:
This is a sincere lyric poem. When Cui Hu was in the final year of his Jinshi examination, he traveled alone to Nanzhuang on the outskirts of Chang'an during the Qingming Festival. When he came to a farmhouse with peach blossoms in full bloom, a beautiful girl came out to warmly receive him, leaving an unforgettable impression on both of them. When the Qingming Festival came again the next year, the courtyard door was closed and the girl was nowhere to be found. Only the peach blossoms were still blooming in the spring breeze, adding to the melancholy mood.
This poem has a rather legendary story: "Cui Hu... was promoted to Jinshi. On Qingming Day, he traveled alone to the south of the capital. He was able to live in a village with an acre of palace, surrounded by flowers and trees. , as if no one was there. After holding the door open for a long time, a woman peeked out from the door and asked, "Who is it?" He answered with his last name and said, "Walking alone in the spring, thirsty for a drink." The woman came with a glass of water and opened the door. Sitting on the bed, he stood alone leaning on the small peach. He was very thoughtful, charming, and charming. Cui used words to pick it up, but it was wrong. Cui resigned and sent it to the door, as if he was overwhelmed with emotion. , Cui Yi returned with longing, and he will never come back again. On the Qingming Day next year, he suddenly thought about it and couldn't control his emotions. He went to look for it. The door and wall were still the same, but they were locked. He wrote a poem on the left door..." (Tang Mengqi's "Poetry of Poem·Emotion").
It is doubtful whether he really has this "ability". Perhaps the poem came first, and then the above-mentioned "skill" was developed based on it. But two things seem certain: first, this poem has a plot; second, the above-mentioned "skills" are helpful for understanding this poem.
The four-line poem contains two scenes that are the same and reflect each other. The first scene: Seeking Spring and Encountering Beauty - "On this day last year, in this door, people's faces and peach blossoms reflected each other's beauty." If we really believe that there is such a thing, we should admit that the poet has indeed captured "Looking for Spring and Encountering Beauty" The most beautiful and touching scene in the whole process. "The peach blossoms on the human face reflect each other's red" not only sets a beautiful background for the peach blossom-like "human face", bringing out the girl's radiant face, but also implicitly expresses the poet's gaze and emotion, and The scene where the two parties are affectionate and have no words to communicate with each other. This most touching scene can inspire readers to have many beautiful imaginations about what happened before and after. In this regard, Meng Qi's "Poetry of Poem" may have done exactly this, and later operas (such as "Peach Blossoms") have made more use of it.
The second scene: not found again. It is still the season of brilliant spring and blooming flowers, and it is still the doorway covered with sparse flowers and trees, and peach trees. However, the "human face" that adds luster to all this is nowhere to be found. Only a peach blossom tree in front of the door is still blooming in the spring breeze. Zhong Ningqing smiled. The association of peach blossoms smiling in the spring breeze originally comes from "the peach blossoms on human faces reflect the redness of each other". Last year on this day, the girl who met unexpectedly while standing under the peach blossom tree must have been staring at her with a smile and tenderness; now, her face is blank, and the peach blossoms that are still smiling are not only triggering the good memories of the past and the good times that come and go. Besides emotion, what else can there be? The word "still" contains infinite regret.
The whole poem actually uses "human face" and "peach blossom" as running clues. Through the reflection and contrast of "last year" and "today" in the same place and scenery but "different people", the poet's reason for The emotions generated by these two different encounters are expressed in a round and round way. Contrast and reflection play an extremely important role in this poem. Because we are writing about lost beautiful things in our memories, the memories are particularly precious, beautiful, and full of emotions. This is why we have the vivid depiction of "human faces and peach blossoms reflecting each other's red"; it is precisely because of such beautiful memories that we especially feel the loss of beautiful things. The melancholy of things leads to the feeling of "I don't know where the human face is going, but the peach blossoms still smile in the spring breeze."
Although this poem has a certain plot, legendary "skill", and even drama, it is not a short narrative poem, but a lyric poem. "Skills" may help it spread widely, but its typical significance lies in describing a certain life experience rather than telling a story that people are interested in. Readers may not have had encounter stories similar to those contained in "Poems of Benshi", but they may have had this kind of life experience: encountering something beautiful by chance or inadvertently, but when they pursue it intentionally, Never again. This may be one of the reasons why this poem maintains its enduring artistic vitality.
7. Poems like "Peach Blossoms Still Smiling in the Spring Breeze"
expresses a feeling of nostalgia as things have changed and people have changed.
King Luo Bin of the Tang Dynasty "Sending People to the Yishui River"
The people were gone in those days, but the water is still cold today.
"Sending a Gift to Han Chuo of Yangzhou" by Du Mu of the Tang Dynasty "Judge"
On a moonlit night at the Twenty-Four Bridges, where can a beautiful lady teach me how to play the flute
Zhang Ruoxu of the Tang Dynasty, "Moonlight Night on the Spring River"
Life is endless from generation to generation. The river and the moon are only similar every year.
"Nostalgia for the Past in Xisai Mountain" by Liu Yuxi of the Tang Dynasty
Several times in life, the past is forgotten, but the mountain shape is still pillowed by the cold current.
"Yuan Luo Guanzhong" The first words of "Romance of the Three Kingdoms"
Success or failure is in vain, the green mountains are still there, and the sunset is red several times.
"Ode to Jing Ke" by Tao Yuanming of Jin Dynasty
Although this person is Gone, the love remains for thousands of years.
Verses about the peach blossoms still smiling at the spring breeze 1. All the verses about the peach blossoms still smiling at the spring breeze
Original text of the work:
Inscribed on Capital City Nanzhuang
Author: Cui Hu
On this day last year, in this door, the faces of the people and the peach blossoms reflected each other's red.
I don’t know where the human face is, but the peach blossoms still smile in the spring breeze.
"Inscribed on Nanzhuang of the Capital City" is a work by Cui Hu, a poet of the Tang Dynasty. This poem sets up two scenes, "looking for spring and encountering beauty" and "looking for beauty again". Although the scenes are the same, the things are different and the people are different. The first two sentences recall the scene "today last year", first point out the time and place, and then describe the beauty, using the red color of "peach blossom" to highlight the beauty of the "human face"; the last two sentences write "today this year", this time of knowing, and " "Last year and today" have similarities and differences, continuations and discontinuities, the peach blossoms remain the same, and the human face is gone.
The reflection of the two scenes expresses the poet's infinite melancholy in a tortuous way. This poem is very popular, especially the two lines "Human faces don't know where to go, peach blossoms still smile in the spring breeze" are widely circulated.
2. The whole poem of "Peach Blossoms Still Smile in the Spring Breeze"
Last year, today in this door,
The peach blossoms on the human face reflected each other's red.
I don’t know where the human face is,
The peach blossoms still smile in the spring breeze.
Tang.
Cui Hu's "Inscription on Nanzhuang of the Capital City"
Lyrical poems are mostly composed of love, and the written materials left behind describe his ability are extremely rare. Cui Hu's "Ti Capital City Nanzhuang" is an exception. In Tang Dynasty Meng Qi's "Poem of Poem". "Emotion First" describes in detail the legendary story of "Tidu Chengnanzhuang".
The poet Cui Hu was not ranked as a Jinshi. On Qingming Day, I went to the south of the city to relax. Arriving at a manor house shaded by flowers and trees. Cui Hu "was thirsty for wine and asked for a drink," and a woman gave him a glass of water. "He opened the door and set up a bed to sit on. He stood alone leaning on a small peach and leaning against the ke, which was very meaningful." "The next year, Cui Hu returned to his old place. The walls remained the same and the door was locked. Cui Hu was very disappointed and wrote this poem on the door. Originally, the story would have ended here: peach blossoms, haunting dreams, and full of suspense. But the good guy wanted to continue the story. After some days, Cui Hu went to the south of the city again and heard crying in the house. Cui Hu inquired, and an old father replied that since last year, his daughter had "often been in a trance as if she had lost something." Recently, she read the poem on the door and said, "She fell ill after entering the house, so she went on a hunger strike for several days and died." Cui Hu entered the room, caressed the corpse and cried bitterly, wishing and saying: "He is here, he is here!" The woman "opened her eyes in a moment and came back to life in half a day." The father was overjoyed and returned with his daughter. "I think this last scene of comedy is a bit tacky and inconsistent with the emotional tone of the poem, so we'd better leave it alone.
The language of this poem is like a clear spring, clean and white, and seems unnecessary If you think about it more deeply, it is not true. "The peach blossoms on the human face complement each other." The peach blossoms are more beautiful because of the peach blossoms. The peach blossoms on the human face are more charming because of the peach blossoms. . This is the beauty of spring, the beauty of youth, the beauty of budding love, and the beauty of life. The "human face peach blossom" creates a splendid and immortal image for the beauty of the girl.
"The human face is nowhere to be seen, but the peach blossoms still smile in the spring breeze. "The departure of people and the presence of scenery caused unspeakable melancholy, loss and even desolation in the poet's heart; but the peach blossoms were completely oblivious and still smiled at the spring breeze! So happy and cheerful, how many inappropriate smiles, what an incomprehensible smile! It is this jubilant laughter and audio-visual synaesthesia that creates a sense of joy and pushes the emotional conflict of the situation to its peak. Fortunately for Cui Hu, the word "laugh" is enough to make his poem famous throughout the ages. p>
3. What is the complete poem of "The peach blossoms still smile in the spring breeze"
"Inscribed on Nanzhuang of the Capital City" by Cui Hu
In this door last year, the peach blossoms reflected the red faces of the people. .
Where is the human face now? The peach blossoms still smile in the spring breeze.
This seven-character quatrain written by Cui Hu has simple words, straightforward and natural language, and is clear and fluent for hundreds of years. It has been recited by future generations and has endured for a long time. "Human Face Peach Blossom" has been widely used as an allusion and idiom. Speaking of this little poem, there is also a legendary story in "Chronicles of Tang Poems" and "Ben Shi". "Poems" has recorded this.
"Chronicles of Tang Poems" contains the following verses: "I was not promoted to Jinshi. I traveled alone to the south of the capital during the Qingming Dynasty and found a village full of flowers and trees. After knocking on the door for a long time, a woman came through the door and asked. He said to him: "Walking alone in search of spring, thirsty for wine." ’ The woman opened the gate and came with water from the bowl.
4. Poems containing peach blossoms that still smile
"Inscribed on Nanzhuang of the Capital City"
Era: Tang Author: Cui Hu
Last year today In this door, the peach blossoms on the human face complement each other in red. The human face has gone nowhere, but the peach blossoms still smile in the spring breeze.
"Eighteen Poems on Hujia"
Era: Song Dynasty Author: Wang Anshi
The snowflakes in Yanshan Mountain are as big as mats, and they wash the face with each other to make it shiny. Suddenly the world turned white in the middle of the night, and there were only empty memories in the boudoir.
Touch the peach blossoms to soothe the little red, and wash your face with your son to create a beautiful face. If you want to ask for peace, no messenger will come, but the peach blossoms still laugh at the spring breeze.
"Farewell to Zhang Mingfu"
Era: Song Dynasty Author: Wang Anshi
The boat was empty, and we met here fifteen years ago. People come and go from south to north, but the peach blossoms still smile in the spring breeze.
"Seventy-six Stanzas"
Era: Song Dynasty Author: Shi Ziyi
The color of Qu Tan is golden, and the green mountains stand in the air after the rain. If you don't recommend it when you meet face to face, the peach blossoms will still smile in spring.
5. I’m looking for poems that are similar to the way people’s faces don’t know where to go and the peach blossoms still smile in the spring breeze. Thank you, the more the better
"Sending People to Yu Yishui" by King Luo Bin of the Tang Dynasty
The people were gone in those days, but the water is still cold today.
Zhang Ruoxu, Tang Dynasty, "Spring River with Flowers and Moonlight Night"
Life is endless from generation to generation, but the river and moon are only similar year after year.
"Reminiscence of the Past in Xisai Mountain" by Liu Yuxi of the Tang Dynasty
I have regretted the past several times in my life, but the mountain shape is still covered by the cold current.
The first chapter of "The Romance of the Three Kingdoms" by Luo Guanzhong of the Yuan Dynasty
Right and wrong, success and failure are all gone, the green mountains are still there, and the sunset is red several times.
"Jinling Pictures" by Weizhuang of the Tang Dynasty
The rivers are raining and the grass is flowing, and the six dynasties are like dreaming birds chirping in the sky;
The most ruthless willows in Taicheng are still smoke Cage ten miles embankment.
"Ode to Jing Ke" by Tao Yuanming of Jin Dynasty
Although the man is gone, his love remains for thousands of years.
"Tengwang Pavilion" by Wang Bo of the Tang Dynasty
The shadows in the leisurely cloud pool are long, and things change and the stars move several autumns.
6. "Peach Blossoms Still Smile in the Spring Breeze" comes from which poem
Titled Nanzhuang, Capital City
Written by Cui Hu.
On this day last year, in this door, the faces of people and peach blossoms reflected each other's red.
I don’t know where the human face is, but the peach blossoms still smile in the spring breeze.
Translation
Last year today, in this foyer,
the beautiful face and the peach blossoms set off each other,
both It's a normal crimson color.
But now,
that beautiful face has gone somewhere,
only the peach blossom trees are left smiling at this slut as before. East wind!
Analysis
The story of this poem, according to Meng Qi's "Poetry of Competence", is probably like this: The scholar Cui Hu went to Chang'an to take the exam, but failed. One day, after drinking a few glasses of wine, he went to the southern suburbs of the city to relax. When he saw a house with lush flowers and trees and a closed door, he went up and knocked on the door. For a long time, I heard a girl asking questions from the crack in the door. He asked her by name and asked for tea to quench her thirst. The girl turned around to get the tea and leaned under the peach tree in front of the door. While Cui Hu was drinking tea, he was looking for a topic and wanted to chat with her for a few words. Although the girl didn't answer, she "looked at her for a long time." After Cui Hu drank tea, he stood up and said goodbye. The girl "sent her to the door. As if she came in overwhelmed with emotion, Cui Yi returned with care." A year later, Cui Hu couldn't control his feelings, so he went to look for it again on this day. He saw that the door was locked and empty. Cui Hu wrote this poem on the door and left in dismay.
The first two lines of the poem are memories. "In this door today today last year" points out the time and place, and is very specific, which shows how profound and unforgettable memory this time and place left in the poet's heart. The second sentence is about people. The poet picks out an image that people still know - peach blossoms. Everyone knows how gorgeous the peach blossoms are in the spring breeze, and the "human face" can actually "reflect" the peach blossoms. Then the beauty of the "human face" can be imagined; furthermore, the already beautiful "human face" must look even more youthful, beautiful and charming under the reflection of the red peach blossoms. A dazzling "red" character strongly renders this contrasting scene and atmosphere. Facing this picture of a human face with rich colors, radiant youth, and two beauties that complement each other, it goes without saying that the girl's expression and beauty are as present as her mood, the poet's thoughts, and the joy and love hidden in each other's hearts. Excitement can also be "achieved by thinking about it".
Write three or four sentences about today this year. Last year and today, there were similarities and differences, continuations and discontinuities. If they are the same and continue, the peach blossoms remain the same; if they are different and broken, the human face will disappear. This results in the more we see the similarities, the more we feel the differences, the more we feel the continuity, and the more we feel the rupture. It is this intertwined and mutually influencing mood that intensifies the melancholy and loneliness in front of me.
Judging from the storyline, this is an impromptu poem. It seems to give people only two simple pictures - a human face with peach blossoms reflecting each other, and a peach blossom after the human face is removed. However, because the characters' activities run through it, and because of the contrast and reflection between the pictures, the inside of the picture (the peach blossom) and the outside of the picture (the poet), it cleverly shows the occurrence, development and ups and downs of the characters' emotions, such as the first encounter. The affectionate feelings, lovesickness after farewell, affectionate revisiting, unmet disappointment, etc. are all expressed implicitly or explicitly.
The whole poem is naturally composed, like a clear spring gushing out from the bottom of my heart. It is clear and mellow, and is endlessly memorable.
Lovers will eventually get married. According to "Poetry of Benshi", it turns out that the girl and her old father went out that day. When they returned home, the girl fell ill when she saw the poem on the door. Cui Hu also came to visit again because of his uneasiness. The girl heard Cui Hu's cry while she was in a coma, woke up again, and finally became a happy couple. This story has twists and turns and is quite legendary, so Mr. Ouyang Yuqian once wrote a Peking Opera "Human Facial Peach Blossom" based on this story. The poem "Inscribed on Nanzhuang of the Capital City" is also quite unique. It not only adds color to the story, but is also widely circulated as an independent work, and its traces can be seen in subsequent poems. For example: "The fallen flowers are still there, the fragrant screen is empty, where do you know the human face?" (Yan Jidao, "Yujie Xing") Another example: "While collecting the incense and hiding the mirror, he has arrived in his youth, is the peach blossom on the human face still there?" ( Yuan Quhua's "Ruihexian") From these works, we can also see its influence on later literary creation.
Volume 274 of "Taiping Guangji" tells a story created by time. A young man named Cui Hu was very talented but lonely. On the Qingming Festival of one year, Cui Hu went to the southern suburbs of the city alone and saw a courtyard full of flowers and trees, covering an area of ??one acre but deserted. Cui Hu knocked on the door for a long time, and a beautiful girl's face loomed in the crack of the door. After a simple conversation, Cui Hu entered the courtyard on the grounds of "walking alone in spring, thirsty for a drink". While Cui Hu was drinking water, the girl was leaning against a tree. The small tree with peach blossoms in full bloom is "enchanting and charming, and has more than enough space to study". The two looked at each other for a long time. When Cui Hu said goodbye and left, the girl walked to the door. In the days that followed, Cui Hu lived like a year, thinking about the girl's face all the time. On the Tomb-Sweeping Day of the next year, Cui Hu finally got up again and headed to the south of the city. When he came to the courtyard gate, he saw that the flowers and trees and the courtyard were still the same as last year, but the building was empty and the big lock on the door looked cold and heartless. It's a scene of things changing and people changing. In his sadness and regret, Cui Hu wrote a small poem on the door:
Last year, today, in this door,
the peach blossoms on the human face reflected each other's red.
I don’t know where the human face is,
The peach blossoms still smile in the spring breeze.
7. I don’t know where the human face has gone, but the peach blossoms still smile in the spring breeze. Whose poem may I ask?
Inscribed on Nanzhuang in the capital city
In this gate last year, < /p>
The peach blossoms on the human face complement each other in red.
I don’t know where the human face is,
The peach blossoms still smile in the spring breeze.
Source:
Chinese Poetry-Tang and Five Dynasties-Cui Hu
Comments:
This is a sincere lyric poem. When Cui Hu was in the final year of his Jinshi examination, he traveled alone to Nanzhuang on the outskirts of Chang'an during the Qingming Festival. When he came to a farmhouse with peach blossoms in full bloom, a beautiful girl came out to receive him warmly, leaving an unforgettable impression on both of them. When the Qingming Festival came again the next year, the courtyard door was closed and the girl was nowhere to be found. Only the peach blossoms were still blooming in the spring breeze, adding to the melancholy mood.
This poem has a legendary story: "Cui Hu... was promoted to Jinshi. On the Qingming Day, he traveled alone to the south of the capital and was able to live in a village with an acre of palace, surrounded by flowers and trees. , as if no one was there. After holding the door for a long time, a woman peeked out from the door and asked, "Who is it?" He answered with his last name and said, "Walking alone in the spring, thirsty for a drink." The woman came with a glass of water and opened the door. Sitting on the bed, he stood alone leaning on the small peach. He was very thoughtful, charming and charming. Cui used words to pick it up, but it was wrong. He paid attention to it for a long time. Cui resigned and sent it to the door, as if he was overwhelmed with emotion. , Cui Yi returned with longing, and he will never come back again. On the Qingming Day next year, he suddenly thought about it and couldn't control his emotions. He went to look for it. The door and wall were still the same, but they were locked. He wrote a poem on the left door..." (Tang Mengqi's "Poetry of Poem·Emotion").
It is doubtful whether he really has this "ability". Perhaps the poem came first, and then the above-mentioned "skill" was developed based on it. But two things seem certain: first, this poem has a plot; second, the above-mentioned "skills" are helpful for understanding this poem.
The four-line poem contains two scenes that are the same and reflect each other. The first scene: Seeking Spring and Encountering Beauty - "On this day last year, in this door, people's faces and peach blossoms reflected each other's beauty." If we really believe that there is such a thing, we should admit that the poet has indeed captured "Looking for Spring and Encountering Beauty" The most beautiful and touching scene in the whole process.
"The peach blossoms on the human face reflect each other's red" not only sets a beautiful background for the peach blossom-like "human face", bringing out the girl's radiant face, but also implicitly expresses the poet's gaze and emotion, and The scene where both parties are affectionate and have no words to communicate with each other. This most touching scene can inspire readers to have many beautiful imaginations about what happened before and after. In this regard, Meng Qi's "Poetry of Poem" may have done exactly this, and later operas (such as "Peach Blossom") have made more use of it.
The second scene: not found again. It is still the season of brilliant spring and blooming flowers, and it is still the doorway covered with sparse flowers and trees, and peach trees. However, the "human face" that adds luster to all this is nowhere to be found. Only a peach blossom tree in front of the door is still blooming in the spring breeze. Zhong Ningqing smiled. The association of peach blossoms smiling in the spring breeze originally comes from "the peach blossoms on human faces reflect the redness of each other". Last year on this day, the girl who met unexpectedly while standing under the peach blossom must have been staring at her with a smile and tenderness; now, with her face blank, the still smiling peach blossom not only evokes the good memories of the past and the good times that come and go. Besides emotion, what else can there be? The word "still" contains infinite regret.
The whole poem actually uses "human face" and "peach blossom" as running clues. Through the reflection and contrast of "last year" and "today" in the same place and scenery but "different people", the poet's reason for The emotions generated by these two different encounters are expressed in a round and round way. Contrast and reflection play an extremely important role in this poem. Because we are writing about lost beautiful things in our memories, the memories are particularly precious, beautiful, and full of emotions. This is why we have the vivid depiction of "human faces and peach blossoms reflecting each other's red"; it is precisely because of such beautiful memories that we especially feel the loss of beautiful things. The melancholy of things leads to the feeling of "I don't know where the human face is, but the peach blossoms still smile in the spring breeze."
Although this poem has a certain plot, legendary "skill", and even drama, it is not a short narrative poem, but a lyric poem. "Skills" may help it spread widely, but its typical significance lies in describing a certain life experience rather than telling a story that people are interested in. Readers may not have had encounter stories similar to those contained in "Poems of Benshi", but they may have had this kind of life experience: encountering something beautiful by chance or inadvertently, but when they pursue it intentionally, Never again. This may be one of the reasons why this poem maintains its enduring artistic vitality.