"Poetry is the most important thing that a person can think about. Poetry is indeed the undisguised disclosure of one's mind. Therefore, from Lin Daiyu's poetry to save its spring face, how interesting it is.
Political ideals are always consciously and unconsciously revealed in daily speech and behavior. As the confidant of Jia Baoyu, Lin Daiyu would not have been without her distinct political ideals. Dissatisfied with the evil society, rebelling against the destruction of beautiful youth, and aspiring to freedom and happiness are precisely the political ideals of Daiyu, which are born from the pain of her heart. This point in its masterpieces are fluttering, "two hundred and sixty days a year, the wind sword and frost sword severely pressed", "already feel the autumn window autumn is not complete, that can wind and rain to help bleak" and so on, close to shouting. There is also a less noticeable poem, unloading revealed more news:
Suddenly (horse) why bother to tie the purple rope, chasing the city by the plastic situation is hideous, the master instructed the wind and clouds to move the ao back the three mountains of the independent name is a riddle created by Daiyu, although it is a joke, but its political ideals are indeed out of the mouth. Thousand miles of horses do not need to work to border locks to restrain it, it is consciously forward, a place of use will be courageous and extraordinary, show their skills, success and fame, this is a positive exposition of the human resources should be saturated attitude, of course, is also to the name of the time to wrap the locks of bad material dissatisfaction, these games in the garments of the flames of the lightning, it is said that Daiyu is not insensitive, muddle-headed people. This can also correct the misunderstanding that Lin Daiyu seems to be just a 'love supremacist' without any political ideals over the years.
From a thinker's point of view, Lin Daiyu's most valuable feature is her contempt for and betrayal of feudal orthodoxy, and her defiance and mockery of vulgarity and prejudice. This point is expressed in its poetry is manifold (five beautiful chants) is the most prominent. The five poems are as clear as words. In the poem of Xi Shi, it is said that Xi Shi lost her freedom because of her beauty, but not as free as Dong Shi because of her ugliness. The poem on Yu Ji says that it is better to be killed as a traitor than to keep one's righteousness and strike out one's own. The story of Ming Fei is about the tragedy of the Emperor's trust in the wrong person. Lvzhu, who argued that Lvzhu's martyrdom for Shi Chong was totally unworthy. The first of these is the "Red Fish", which praises the elopement as a feat of justice.
These are totally against the feudal orthodoxy, society and theory. Especially the fourth and fifth songs. Feudal society has always advocated and required women to "follow the four virtues", "from one to the end", "women's articles to please their own face". Daiyu believes that green beads need not "die in front of the king 3.", this "fallen flowers are still falling from the building 4." from the end is not worth it, which is precisely to mistakenly recognize the play for the love of ignorance of the revelation and regret.
Red Whiskers was originally the "courtesan" of Yang Su, the prime minister of the Sui Dynasty, and because she saw Li Jing, who was visiting Yang Su, glowing with beauty and speaking well, and the two of them fell in love with each other, she fled with Li Jing 5. This is simply treasonous behavior, backstabbing the master, treasonous husband, worthy of a few "death penalty". But Dai Yu unloaded her warm praise and called Hong Fu as "female husband", thinking that those old walking corpses had no right to "tie up" her. It can be seen that the feudal orthodox point of view in Daiyu's mind is in what position.
One thought can also be seen from her reading of "Peony Pavilion" and "The Story of the Western Wing", which were called "obscene" books by the feudal rulers, and she loved them, especially quoting them casually in public as a drinking order, and using "Silver Sample Waxed Guns" as a return to encourage Jia Baoyu's teasing and wooing of herself. It is obvious that Lin Daiyu's so-called "evil sayings" to these "righteous people" are how to be in harmony with each other and hide them in the center, and how to forget them in a day. Lin Daiyu's mind how open!
Daiyu poetry in the most popular is of course "funeral word", this wonderful words, is the knitting of the Secretary to describe the feelings, but also her own elegiac words. It is the concentration of its glorious quality. Lip Yan Zhai master had three read its discussion, "raise the pen four, can not add approval", visible its moving power. The core of the poem, is to show Daiyu's quality of Benxi to still clean to go "clean, never surrender to the feudal forces and vulgar prejudice noble and character.
This poem has both the ideal rainbow, "I wish you would have two wings this day and fly with the flowers to the end of the sky, and the harshness of reality," "Two hundred and sixty days a year, the wind and frost and the sword are severely pressed, and there is the struggle to the end of life," and "The quality of this stream is still clean to go, and will not teach the dirt to fall into the ditch. The sadness and sorrow, "Once the spring is over, the red face grows old, the flowers fall and people die", is the true reflection of the harsh society that destroys beauty for people to see. If there is any "negative factor", Daiyu should not be responsible for it, as Lu Xun criticized long ago, don't "fall into the book by yourself", and then go to act as one of the characters. What's more, the weak Daiyu is not the Li Bo's little sister who is "leading the table by the horse and rolling the fluff", and its resistance can only be "rather for the jade to be broken, not for the tile to be complete", and only temporarily enough to "red fragrance broken".
Additionally, Daiyu wrote this poem at the time of the state of mind is extremely sad, both ate the "closed door", touched the pain of the fence, and see the object of love in and others "smiling dark incense to go", the "object" is their own always regarded as a confidant, but this rejected her outside the door, the two men looking for a new love, the pain of how? There was no time to think calmly, taking into account the status of "Miss", in the case of coldness and jealousy, plus the trigger of the "falling flowers", the sorrow in her chest poured out in her head. The sobbing "Burial Words", with its words of blood and tears, is an anatomical map of the heart, a manifesto to embrace the hundred purity alone and remain faithful until death.
Lin Daiyu's character of "no dust in her eyes, lonely and self-approving", as expressed in her poems, is also expressed in her daily life. In Lin Daiyu's eyes, the distinguished and handsome Bei Jing Wang is a "stinking man"; while Liu Lou Lou, who plays the fool and begs for money, is a "motherly insect". However, Lin Daiyu also has a high degree of elegance and is long on self-doubt. Purple girl sharp criticism, she accepted with a smile; their own force under, she laughed it off; won the title, in a praise scrape and said he "that is not good, to the House of hurt in the delicate some" and heartfelt comments on other people's best lines.
This kind of elegance, self-doubt in the poem also has obvious flow, such as aria white begonias, the first half of the environment and different from the vulgar color and fragrance, which is a reflection of her own, it is the fairy of the jade palace, but scraping the "moon grottoes immortal sewing drafts of the arm, the autumn girl wiping the cry marks," there is also a full of sadness. Is it because she is unrecognized for her talent, and there is no one in the world who can help her? She did not blame the outsiders for not recognizing her, but said of herself: "Who would she tell her shyness to, and who would she tell her tiredness of leaning on the west wind at night? This is precisely a sketch of the elegance and self-condemnation of a woman who does not seek to be recognized, but rather seeks to be recognized by herself.
When Cao Xueqin took out this poem, he adopted a different approach, starting with Jia Baoyu's "cheering up" for the first two lines, saying, "Where do you want to come from"! And also wrote that everyone saw the next two lines "also forbidden to applaud, said "really than others and the same heart". When Ran read the next four lines, he said, "They all said, 'This one is the best. However, the rigid and unprofessional Threading was pressed into second place, and arbitrarily canceled the right of others to argue, "Anyone who says anything more will be punished". For Daiyu, whose first life is to please, she should have risen up and fought for such injustice to her work, but she only "wrote it in one stroke and threw it away with the crowd" throughout! It is clear that she is by no means incapable of tolerating things, and cannot afford to be aggrieved.
There is another poem in this regard, written in anger and laughter after reading someone else's "slanderous" words:
"Who is the one who made the pen for no reason? I am not sorry that I have no knowledge of my own family, but I am trying others with my ugly words."
This poem in Daiyu poetry can be said to be "shoddy", purely like oil. But it also shows that Daiyu's "personal attacks" on nonsense can be criticized sincerely, frankly and wryly.
Jia Baoyu's "slander" of them is this: burning flowers scattered mediocrity, and the boudoir beginners contain its persuasion carry on; killing and maiming Bao Hairpin's immortal posture, gray Daiyu's spirit, loss of lady love, and the boudoir of the beauty of the love of the same kind of carry on ...... Hairpin, jade, flower recommendation ...... confuse the trapped entangled! The world also. Here Jia Baoyu obviously want to make "beauty and evil similar", and mud. And also said to "gray Daiyu's spirit," in particular, Daiyu also into the ranks of the flowers, Pui, Xue, "confuse entangled in the world," which is not a great slander of Daiyu? As a matter of fact, Daiyu always loves to make "small nature", she will be thunderous and raise her voice. Here you can see Daiyu's untrue words about the "slander" herself. However, she only felt "angry and laugh" after reading it, and only pointed out that Jia was "ignorant", which would not have happened if her understanding had been improved. Here we can see that Daiyu's criticism of the untruths about herself is sincere, straightforward and unemotional, which is not easy for a woman to do.
Some people may say that she was merciful because those words came from Jia Baoyu, who was her "dear one", but if they were from someone else, she wouldn't have been able to "let it go". Then let's look at her attitude towards others. "The nature of sexual love is to be exclusive. Generally speaking, a person will use his or her own "masterstroke" to deal with the "rival". Lin Daiyu was also worried that Shi Xiangyun would have a good relationship with Jia Baoyu because of the Golden Unicorn, and for this reason, she had engaged in "stalking" and "eavesdropping". This shows that Daiyu also has her own understandable "exclusionary" words and actions. So what was her attitude towards her greatest rival, Xue Baochai?
Daiyu knows that there is a "marriage of gold and jade", but also knows that Baoyu "see sister, forget sister", she has also taunted the Baochai, when the Baochai to her table a little advice (don't read books), care (to send bird's nests), she is not grateful, and there is not a piece of paper just a word of gratitude, and when Xue to her to disclose the emptiness of the soul, the pain, she sealed to write out: Zi suffered Ruoxi is not free, to meet the Ruoxi more trouble, and the son with me Ruoxi heart, and the son with me, and I am not free. The fact is that I am not free, and I have a lot of trouble with what I have encountered," she wrote.
To Xue expressed the feelings of "the world should be seen as the same", it can be seen that Daiyu is not for the strong "education" and rich material moved, but for others, even if it is a love rival's pain to offer their own sincere heart. This is the true expression of a very sympathetic and kind heart. Although this poem may be a continuation of the high jaw, but it only shows Lin's sympathy for Xue's pain, not and Xue's all the ideas "merge", never split Lin's character, image, on the contrary, it is and dish out Daiyu's chest is not open, sincere, loyal, kind and na?ve, very rich in sympathy for the best piece.
Who can hide his soul in front of the mirror of love? Daiyu's poetry shines brightly in those love chapters that express chastity and perseverance. The most typical is a singing three pairs of the title of the poem:
Eyes empty storage tears tears hanging, dark wine idle throw Luang for whom? The foot of the sharks Orange, for the king where not to be sad?
Throwing pearls and rolling jade only to steal weeping, Zhenzhi heartless Zhenzhi leisure, pillow sleeve side often wipe brush, let him dot and spot.
The colorful threads are hard to collect the beads on the face, the old traces of Xiangjiang River have been blurred, and there are thousands of bamboo poles in front of the window, which do not know whether the tear stains have been stained or not.
This group of poems, the first of which describes the original problem of the tears - for the king.
This group of poems, the first of which describes the original problem of the tears - for the king. The second describes the long time of the tears - the town day, and the third describes the number of tears - stained the bamboo in front of the window. Will their love for Jia Baoyu unreservedly poured out, not at all like the wonderful word through the drama when pretending to "tell the aunt".
The three poems seem to be not as clear as "get to be more than the eyes of the death, would like to be He Yuanyuan not envious of the immortal", Daiyu, Baochai and other have visited, Baoyu due to the time of the pale short, and? In the evening, failed and Daiyu "heart to heart", track first support away "Western flower point in Haba" attackers, and then specially sent beloved Qingwen sent two half new handkerchiefs to Daiyu, suggesting that I will never give in, we will be the same as always, as usual, love each other. "Lin Daiyu realize the meaning of the silk to, do not feel the God infatuation intoxicated, thought: Baoyu can understand me this bitter intention, and make me happy. I don't know if this bitter intention can be realized in the future, but it makes me sad. If it is not this meaning, suddenly send two pieces of good to PaZi, even make me laugh again. And then think of private communication and feel can be club. He is so, but I am always worried about sadness, but feel ashamed ......, so left and right thinking, a moment of five internal boiling, can not help the remaining lingering, the mission of the lamp, but also can not think of suspicion of avoidance and other things, research ink dipped in the pen to write to the two pieces of Pa.
See this is Daiyu and Baoyu small rhinoceros an eruption (the only one in the poem eruption), a clear table slightly and Baoyu heart to heart, to the heart. The significance of this heart-to-heart license is that this is not the time when Baoyu was successful in the gold list or when he had a lot of money in his pockets, but the time when Baoyu was punished for his misdemeanor and suffered from a great deal of sleep and tarting - the incarnation of the feudal era, Jia Zheng, took it upon himself to "put to death" the "rebellious son" of a difficult time. It is Lin Daiyu who offers her steadfast and persistent love to the rebellious son of a feudal power at a critical moment, which is of course an immeasurable support for Baoyu's rebellious behavior, which is even more glamorous and compelling. Its dazzling light is not comparable to the simple love between a man and a woman such as "wishing to be lovebirds but not envious of immortality". Of course, this kind of love poem, love expression is Lin Daiyu style. Both Cui Yingying about the pursuit of fork and fear of the content of the club, but not Cui's "Yang reward generous hard from the gift" of blunt, but implicitly cohesion of their own expression of the spring of life.
Anyone who has read (Dream of the Red Chamber) will praise Lin Daiyu's agile poetic talent and constant artistic pursuit. While others were thinking hard, she "wrote in one stroke", revealing philosophy from falling flowers, symbolizing ideals with toys, and "discovering beauty in commonplace things", with words and phrases glittering with the extraordinary color of "inquiring about the light and suspecting the immortal, and thinking about the quiet and close to the ghost". Of course, Jia Baoyu was inferior to her, loved her bequest ("green wax"), thanked her for the knife, and acted as her "cheerleader", which really overwhelmed the others! Is she just relying on her smart brain and special temperament? （The (Dream of the Red Mansion) is slightly confided in.
From her visit to her study, she marveled at the fact that it was not like a young lady's boudoir, but like a gentleman's study - full of books, which showed that she had put a lot of effort into her studies. Then she took the initiative to teach Xiangling to learn poetry, a girl who knew nothing about poetry, could become a "poet" in a short time under its cultivation, the "poet" of the teacher's words to teach cultivation can be seen. Then, with the comments on "the heavy curtain is not tired of keeping the fragrance for a long time" and "the lonely smoke in the desert", as well as really having a strange line and even the unevenness does not matter, it can be seen that she is learning from the past, not muddy, to learn from all the strengths of the world, which is a manifestation of her tireless pursuit of the highest state of art.
These are highlighted in the chapter "Lin Xiaoxiang's Chrysanthemum Poem".
The title of this poetry competition had already been decided, and it was to sing and drink about chrysanthemums from different perspectives. "It is not an easy task to write an essay on a topic, not to mention chrysanthemums. Tao Qian has written a famous poem about chrysanthemums in the East Fence of the East Fence, which is the best poem of the Bai Dynasty, and the Tang Dynasty has a famous line about chrysanthemums in the East Fence of the East Fence, which is not a flower, and there is no flower after the flower has blossomed. This kind of chrysanthemum-appreciation meeting should be completely "my generation should drink wine here, and Mr. No poem is written on it". It can be seen that this facsimile of young boys and girls preferred to hold a poetry contest on the topic of chrysanthemum, which can be called bold. However, today, Daiyu's poems, not only in the Grand View Garden in the poetry contest, that is, compared with the Tang and Song masters are no less.
The three poems (aria chrysanthemum), (between chrysanthemum), (chrysanthemum dream), novel in intent, unique in style, and blended her thoughts and feelings, the chrysanthemum as a sympathetic, as a friend. She wrote her unique feelings in elegant and flowing verses, avoiding the side of chrysanthemums that coincided with the noble scholars, and skillfully emphasized the side of chrysanthemums that blended with women. It is a new and handsome poem with a unique flavor. For example (ask the chrysanthemum):
Wanting to ask about autumn feelings of the crowd as, murmuring hands clasp the hedge. Who are you hiding with? The same bloom for the bottom of the late?
The garden dew and frost in the garden is lonely, should return to the firefly disease can think of each other? I don't want to say that there is no one in the world who can understand what I am talking about, but I want to know what I am talking about.
Not a single word about "ask" or "chrysanthemum", but the word "ask", the word "chrysanthemum", the word "ask chrysanthemum", and even more the word "self".
The two lines of "Lone Standard" sublimate the physiological factor of chrysanthemum to the social factor of human being, revealing the general psychology of the noble people who do not go along with the crowd and do not press for fame and profit, and the meaning is much deeper and broader, and it flashes a fresh haze from the uninhabited. These three poems have no allusions, no colorful words and phrases, and are naturally scrolling, rounded and wonderful. Neither "people than yellow flowers thin" 14 lament, more like Cao Xueqin's friend Dun's "tile pots moved to the cloud water fragrance, the small court overnight bloom new yellow" only vulgar. (Wing Chrysanthemum) is even more distinctive, with beautiful phrases that drive people on. (Chrysanthemum dream) is a kind of montgomery (not montgomery poetry), and the poem complement each other.
These three poems, can be seen completely Daiyu's poetic talent and pursuit. They rightfully won the unanimous praise, even had inexplicably pressed her ranking of the matter about also had to announce: today's public evaluation: (Wing Chrysanthemum) first, (with the chrysanthemum) second, (chrysanthemum dream) third, - the title of the new, the poem is also new, the intention of the new, only to push the Xiaoxiang Princess chapter of the leader. So, Baoyu heard, happy to clap his hands and said: extremely! The most important thing to note is that Daiyu's poem is not a good one! It is worth noting that Daiyu did not feel complacent, but considered her own poem "delicate" and carefully experienced the strengths of others, pointing out that the best lines of others are "powdered on the back", "wonderful" and "far-reaching"! All these show Daiyu's poetic talent, as well as her deep understanding of the pain and suffering involved in creating a poem, and her deliberate pursuit of work.
From Lin Daiyu's poems, it seems that she is ideal, and for the realization of the ideal of the city's passionate pursuit. She is also sober, she knows that her end is "the flowers fall, the people die two do not know", is "the cold moon burying Xu soul". These are clearly and picturesquely written out in her poems, such as (Wind and Rain at the Autumn Window), (Peach Blossom Row), etc.: I don't know when the wind and rain will stop, but I have already taught my tears to sprinkle the window veil with wetness. (Autumn Window Stormy Evening) A Du Yu spring return to the end, lonely curtains empty knife marks. (Peach Blossom Row) These are the endless torment of the feudal forces on the ground, in addition to the torment of death, as well as the inevitable tragic future of her "relatives or the remaining sad, others have also sung. 15.
And (Tang Duoling． The willow wadding is even more undisguised, no fantasy: powder fall hundred flower island, incense residue swallow building. A group by a team into a ball. The drift also know that people's lives are thin, empty sewing volume, said the wind flow. Grass and trees also know sorrow, Shaohua even white head. Sighing in this life, who will give up who collects the knife to marry with the east wind spring regardless of, even you go, bear to stay inundated! Willow floss is an important prop in Dream of the Red Chamber. Since Xie Daoyun said "the end if the willow wadding due to the wind" of the best lines, "Wing Wadding" has become synonymous with talented women, (Dream of Red Mansions) to Daiyu and the "final judgment words" is "can be pitied Wing Wadding talent" and in the poem, Baochai can not help but triumph over the joy. Borrowing to sing willow floss, made a demonstration, to borrow "good wind" "on the green clouds", proud and forgetful, overflowing in words.
While Daiyu it, borrowing the willow flakes of the drift without a master, mourning their own "thin red face, lingering sadness" and Baochai suitable into a contrast. The first is a declaration of the imminent and irreversible failure. This word like a description of Lin Daiyu did not indulge in self-deception in the fantasy, she has been through the "warmth of the face of the sand" 16. see the environment of the wind and frost, just like a doctor to learn that he suffers from incurable diseases, the pain of its heart times more than ordinary people can be imagined.
Lin Daiyu's poems, if written according to the time arrangement, is this: the Grand View Garden, after the book Jia Baoyu, more incense riddle, funeral words, the title of the poem, white begonias, chrysanthemums, crab aria, on behalf of the parting, Lu Xue Ting couplets, horse playing riddles, five beauty, peach blossom line, aria, the Grand View Garden couplets, the Mid-Autumn Night, the zither music. From the content of these sequences, although the Moose gave Lin Daiyu two colorful pens, a depiction of hope, a depiction of disappointment, the two pens sometimes each wielded the brush, and sometimes double-barreled; however, the hope of this pen of color ink is too little. As a result, his poems are often more disappointing than hopeful.
Lin Daiyu began to be afraid to take a step more, more than a word, but also dared to dance to ridicule the grandmother's heart, but also to throw a paper ball to Baoyu, rich in the innocence of the young girl, the harmonic fun, these are the light of her heart of the refraction of the light of hope. But with the passage of time, misunderstanding opened the floodgates of sorrow, like a sob. Such as the burial of the words of her heart of grievances and disappointment, but this disappointment also understand the proclamation of the quality of white and clean to go clean - will not be taken away from the hope. To the title of the Pa, hope is clear, disappointment is also aggravated, and the two are intertwined, although the pillow sleeve often brush the red tears, Luang has a lifelong can be entrusted to the king, but this time has been like a full of superiority of people, disappeared naivety Xing vivacity, increased the reserved phase of grief.
Willow flakes, the disappointment far overwhelmed the hope, has heard Daiyu "the end of his life on the rest of this life," the heart of the spectrum. This ever-changing poetry is a demonstration of her ever-changing character, "the flowers on the branches of the Lianli branch are blooming, and the wind and rain of the jealous flowers will destroy each other (Zhu Shuzhen's poem), and the "hideous" environment is constantly being "forced", which is exactly the change of her character, and disappointment replaces the hope of the social factors.
Through the hurried tour of Lin Daiyu's poems, we can see what a rare girl Lin Daiyu is in her poems "Everyone thinks that the most important character of a woman is gentleness, and it seems from Lin Daiyu's poems that she has both the most important character of a woman, gentleness and lingering, and also the qualities that are hard for women to have in general. Her "self-portrait" is the most heavily inked by the "Fairy of Tears", who was outstanding in talent and noble in character, but often "had tears similar to those of the Autumn River". In the old society, the Tear Fairy had once created the "Lin Daiyu Fever", causing many people to praise, sigh and yearn for her like a madman, "Talking about the Dream of the Red Mansion, after all, this man is too confused". 17. However, for today's young people, what are the other redeeming qualities of Lin Daiyu? Can we get a new dare to show from her image? It is better to just please come and discuss the matter!
It is undeniable that Lin Daiyu's poetry is the epitome of the artistic image of Lin Daiyu in the whole (Dream of the Red Chamber). Lin Daiyu in the poetry is also sad and sickly, and the ideal that is presented in her heart is only a touch of colorful red in the distant sky, and even seems to be hidden in the mist of the haze, and her heart is full of contradictions, with "two silk nets and a thousand knots". Never know the word "optimism", really lacks the resilience of the spirit of war chef, like a rainbow although gorgeous, but easy to disappear, like crystal although clear, but easy to break, like flowers although bright, but easy to wither. Her life is so short with her not open-minded enough. However, let's not say that its "dark side" is a heavy projection of the old society. As far as the image shown in the poem is concerned, her soul is bright and open, and light is dominant in her complex and contradictory character.
She was pessimistic, but never gave up her ideals no matter how painful they were!
She is arrogant, but no matter how rich in talent and learning, she is always striving and always blaming herself!
She was jealous, but when it comes to other people's sadness, jealousy turns into sympathy - she was sensitive to doubt, but when it comes to "Qiaozong'er", rather than chewing on books, and never resort to "relations" ...... These are not worth it, and we think long and hard about it? As for the words in Lin Daiyu's poems, the common ones are "tears", "grievances", "marriage", "decaying grass", "falling flowers", and these sentimental words are the indispensable "parts" to express her unique image and feelings. The "Serenade" and "Song of Allium Dew" composed of these "parts" truly expressed her own miserable fate and showed the rottenness of the generals of that era. It is with her own destruction that she accuses the evils of the feudal society! As far as Lin Daiyu's poetry is concerned, it is perfect and indispensable. The famous French artist Engel said, "New ideas are born in characters that are considered obsolete. "18 Lin Daiyu is an obsolete character, but her poetry embodies a bright and upright soul. All this, with her own blood and tears, accusing the injustice of feudal society, is there no new inspiration for today's demand for building a high spiritual civilization?
Notes:
1. Bai Juyi (Pipa Xing). The text of this article is quoted from Dream of the Red Chamber (红楼梦).
2. Zi Zhen (Poems of Gishi Liang). 3. Du Mu's poems. 5. Tang Qi. The biography of Tang Qi.
6. Selected Poems of Lefu. Li Bo Xiao Mei Song. 7. Xin Qiji's Words. 8. Engels' Words. 9. Lu Zhaoling (Ancient Meaning of Chang'an). 10.
10. Dan (Art). 11. Review of Selected Qing Lyrics． Nami Seide's Words Review. 12.Tang. Yuan Ji Poetry.
13.Couplets on the Yellow Crane Tower. 14.Li Qingzhao (Drunken Flowers). 15.Tao Qian (Elegy).
16. (**** Proletarian Manifesto) language. 17. a cornucopia: (Dream of the Red Chamber Volume). 18. Angell pure art.