Era: Tang Author: Li Bai Genre: Lefu
June don't you see the Yellow River's water coming from the sky, running to the sea and never returning.
Don't you see that the mirror in the high hall is sad about the gray hair, which becomes snow at dawn as the green silk becomes snow at twilight.
Life is a joyful life, don't make the golden bottle empty to the moon.
Being born to be useful, a thousand pieces of gold are scattered and come back again.
Cooking sheep and slaughtering cows is a pleasure, and I will drink 300 cups in one go.
Cen Fu Zi, Dan Qiusheng, will enter the wine, you do not stop.
Sing a song with you, please listen for me.
Bells and drums are not precious enough, but I wish to be drunk for a long time and not want to wake up.
All the sages and sages of the past are lonely, but only the drinkers keep their names.
The king of Chen used to feast in Pingle, and he drank ten thousand cups of wine.
Why did the host say that he had little money to spend?
Five-flower horse, a thousand gold furs,
When I call my son, I will exchange him for a fine wine, so that we can share the sorrows of the past.
Simple analysis:
The poem "Will Enter Wine" belongs to the old title of "Drum Blow Song - Cymbal Song" of Han Lefu, and its content is mostly written about feasting and drinking. The poem expresses the sigh of unrecognized talent, but also holds the optimistic and understanding feelings, and also reveals the negative feelings of life geometry when the time is right to have fun. But the whole poem is full of boldness and joy, and it has achieved outstanding artistic success.
Li Bai's poems on wine can express his personality, and these poems are certainly more profound in thought and more mature in artistic expression than the ones he wrote after he was released from Chang'an.
"Will enter the wine" is the original Han Lefu short xiao cymbal tune, the title of the interpretation of the meaning of the "persuasion song", so the ancient words have "will enter the wine, multiply the great white" cloud. The author of this "fill in with the Shen Yi Yi" (Xiao Shi Eddie "Classified Supplementary Note Li Taibai Poetry") of the famous piece, about Tianbao eleven years (752), he was with his friend Cen Xun in Songshan another friend Yuan Danqiu Yingyang mountain residence as a guest, the three tasted high drinking ("pay Cen Xun to see the search for the Yuan Danqiu on the wine to treat to the poems to see the trick"): The three of them climbed up the mountain to have a banquet ("酬岑勋见寻就元丹丘对酒相待以詩见招") . I met Yuan Danqiu in the middle of the day and climbed up to the ridge to feast in the blue sky. I thought of me over wine, and I was in front of the clear sky with a long whistling.") I am not sure what to say. Life is no better than a wine meeting friends, the author is at the time of "holding the world's talent and not meet with" (Xiao Shi Yun), so full of anachronisms through the wine Xing Poetry, came to the fullest expression.
The beginning of the poem is two sets of long lines of prose, such as the winds of the sky and the sea to the readers face to face. "You do not see the Yellow River water from the sky, flowing to the sea will not return", Yingyang to the Yellow River is not far away, climbed high and long eyes, so I used to rise. The Yellow River has a long source of flow, the drop is very great, such as from the sky, a cascade of thousands of miles, east to the sea. Such a magnificent scene, certainly not the naked eye can be exhausted, the author is trying to fall out of the sky, "from the road to get", with hyperbole. The first sentence is written in the river, unstoppable; the next sentence is written in the river, unstoppable. A rise and a fall, the formation of the aria flavor of the Shu scrolls back and forth, is a short single sentence (such as "the Yellow River falls to the sky and walks to the East China Sea") does not have. Immediately after that, "Don't you see the high hall mirror sad white hair, like green silk in the twilight into snow", it seems that a wave has not yet subsided, and a wave rises again. If the first two lines are exaggerations of the spatial category, these two lines are exaggerations of the temporal category. Lamenting the shortness of life, but not directly say self-injury boss, but said "high hall mirror sad gray hair", a kind of scratching the head to look at the shadow, in vain, can do nothing about the situation as if the picture. The whole process of life from youth to aging is said to be "morning" and "evening", which makes it even more short-lived, and the first two sentences make it even more magnificent, which is a "reverse" exaggeration. The first two sentences are "reverse" hyperbole. Thus, the opening of this set of long prose sentences have both the meaning of comparison - to the river will never return as a metaphor for the life is easy to pass away, but also have the role of contrast - to the Yellow River's great eternity out of the form of life's small and fragile. This beginning can be said to be extremely sad, but does not fall weak, can be said to be a giant type of sentimental, with a thrilling artistic power, but also by the long sentences of the opening of the momentum caused by the sense of the opening of the prose. This opening technique is commonly used by the author, he such as "abandon me, how day of the day can not stay; mess with my heart, today's day more worries" ("xiecheng xiawu scorched moon farewell school Shu Yun"), Shen Deqian said: "this style, Taibai from the heart out", can be seen that it has quite a It is evident that Taibai is quite creative. This poem has two calls of "Jun Dai" (generally used only occasionally at the beginning or the end of the poem), which greatly enhances the emotional color of the poem. The poem has the so-called "big open, big close", this can be called a big open.
"Heaven and earth, the adversary of all things; time and light, the passer-by of a hundred generations" ("Spring Night Banquet from the younger brother Peach and Lee Garden Preface"), although sadness is not unavoidable, but pessimism is not close to Li Bai's sexuality. In his opinion, as long as "life is satisfactory", there will be no regrets, when the joy of indulgence. The fifth and sixth lines are a reversal, from "sadness" to "joy" and "happiness". From then on until "the cup does not stop", the poem is gradually becoming more and more wild. "There is no time to be sad when one's life is full of life, but to drink fine wine and climb high" ("Liang Yuan Yin"), one cannot have fun without wine, and this is the title of the poem. But the sentence is not written directly in the cup, but with "golden bottles" "to the moon" figurative language out of it, not only vivid, but also will be drinking poetry; not written directly should be drinking wildly, but with "do not make Instead, the double-negative syntax of "no" and "empty" replaces the direct statement, and the tone is more emphatic. "Life must be happy", which seems to promote the idea of timely happiness, but it is just a phenomenon. Has the poet ever been "happy"? "The phoenix first down the purple clay edict, visit the emperor said goblet on the imperial banquet" ("Jade Pot Yin") - seems to be pleased; however, that is just a mirage, "playing the sword as a song to play the sound of bitterness, the train of the king's door does not call love! "-again, there seems to be no triumph, but disappointment and indignation. But was it all a disappointment? No. The poet then affirms life and self in an optimistic and strong tone: "Born to be useful", which is an admirable sentence. "Useful" and "must", a what self-confidence! It's like a declaration of the value of a human being, and that human being - "I" - has to be capitalized. Here, from the seemingly negative phenomenon reveals the positive essence of a hidden talent and desire to use the world. Why don't we drink and sing for such a future when "the wind and waves will break"? What's the point of breaking the bank - "A thousand pieces of gold will come back to us again!" This is another amazing line of high self-confidence, able to drive money but not for the money, really staggering all mortals. Poetry is like his person, think of the poet "in former times, I traveled to Weiyang, not more than a year, more than three hundred thousand gold scattered" ("on the Anzhou Pei Changshi book"), what a heroic act. Therefore, this line contains a deep feeling of grandeur in the bones, which can never be obtained by a person who pretends. Comparable to this style, the author depicts a feast, which is not "one dish or two dishes? A jug of wine, two jugs of wine?" Rather, the whole head of the whole head of the "cooking sheep and slaughtering cattle", not to drink "three hundred cups" will not rest. What a feast, and what a magnificent poem!
To this point, the wild feelings tend to climax, the melody of the poem to speed up. The drunkenness of the poet's eyes and ears leaps out on the paper, and it is as if one hears his voice urging him to drink: "Cenfu, Danciusheng, will enter the wine, the cup does not stop!" A few phrases suddenly joined, not only to make the rhythm of the poem rich in change, but also to write to force the voice of the seat on the mouth. Not only was it a meeting of friends, but also a meeting of rivals, not only did he "forget himself to you", but the poet even forgot that he was writing a poem, and it seemed that the poem was restored to life, and he also wanted to "sing a song with you, and please listen to it with your ears". The following eight lines are the song in the poem. This is a strange and strange thought, purely a stroke of God.
"Bells, drums, and jades" means rich life (rich people eat bells and tripods, food as fine as jade), but the poet thought that "not expensive enough", and said, "I wish to get drunk and never wake up again! ". At this point in the poem, it is clear that from the wild and free to indignation. This is not only a drunken rant, but also a drunken speech. I was born with useful talents, I should have been a minister, but "the road is like the blue sky, but I can't get out of it" ("Hardship of the Road"). He said that the rich and powerful were "not noble enough" out of indignation. The following two lines of "all the ancient sages are lonely" are also words of indignation. The poet had sighed, "I said that Guan Ge is who promised", so that the ancients "loneliness", but also show their own "loneliness". Therefore, I would like to stay drunk for a long time. Here, the poet is already using the ancient wine cup, pouring their own block. When it comes to "only the drinkers keep their names", Cao Zhi, the "King of Chen", is cited as a representative. And he used the sentence "Returning to the feast of Pingle, the wine bucket is ten thousand" from his "The Name of the City". Why did Li Bai choose "King Chen" as his representative when there were so many drunkards in the past? This is inseparable from Li Bai has always been pretentious, his mind as an example of Xie An class of high-level characters, and such characters, "King Chen" and wine more links. This writing will have a style, and the tone of the previous extremely confident consistent. Moreover, Cao Zhi, the "King of Chen", was highly suspected in the Pi and Rui dynasties, and his ambition was hard to realize, which also aroused the poet's sympathy. The poet's sympathies are also aroused by the mention of "ancient sages" and "King Chen" Cao Zhi. The beginning of this poem seems to be only about life feelings, but not political color, in fact, the whole poem is full of a wide range of sorrow and anger and self-belief. The poem's sentiment is sad but not hurt, sad but can be strong, that is the root of this.
Just a little deeper, and then back to talking about wine, and it seems to be more excited about wine. The following poem is again into the wild, and more and more wild. "Why did the master say less money", not only to echo the line "thousands of gold scattered", but also make a downward spiral, leading to the last words of bravado: even if thousands of gold scattered, but also will not hesitate to put out the precious treasures -- "five-flower horse", the "five-flower horse", the "five-flower horse", the "five-flower horse", the "five-flower horse". "five-flower horse" (hair color for the five-flower pattern of the good horse), "a thousand gold fur" in exchange for wine, figure a drunkenness. The end of this wonderful, not only lies in the "Hu'er" "with the", the tone of voice is very big; and has a kind of author may not realize that will be the guest as the master of the arbitrary absurdity of the situation. We must know that the poet is just a guest invited by the friend to drink, but at this moment he is high up in a seat, the gas makes the command, proposes to be the horse, a few people do not know who is the "master". The romantic color is very strong. Quick words, non-conformity of the bold know-how break can not come out of this. Poetry to this wild to the extreme, people sigh and sing, and want to "hand of the dance, foot of the". The feelings have not yet, the poem has ended, suddenly burst out a sentence "with you to cancel the sorrow of the ages", and the opening of the "sad" close, and the meaning of "sorrow of the ages" is even deeper. This "white clouds from the air, with the wind into extinction" of the end, showing the poet's feelings of the torrent of ups and downs. Throughout the whole piece, really big ups and downs, not like rafters do not do.
The length of Will Enter the Wine is not long, but the five sounds will be complicated, the weather is extraordinary. It is sound and full of ink, the feelings of extreme sadness and anger and wild, the language is extremely bold and calm. The poem has the momentum and power to shake the past and present, which is admittedly not unrelated to the hyperbole, such as the repeated use of huge numbers of words in the poem ("a thousand gold", "three hundred cups", "a bucket of wine ten thousand", "Thousand gold fur", "ten thousand years of sorrow", etc.) to express the heroic poetic mood, at the same time, but does not give people a sense of empty pomposity, the root of which lies in the fullness of its deep inner feelings, the potential wine words underneath such as the waves of anger. In addition, the whole piece of great ups and downs, poetic mood suddenly open and close and open, from sad to happy, to wildly free, to indignation, and then to wildly free, and finally the knot in the "ancient sorrow", respond to the first, such as the river running, with momentum, there are twists and turns, splintered, and can carry the weight of the force. The song has a song of the encompassing writing method, and there is a ghostly craftsmanship, "absolutely remove the pen and ink borders" of the wonderful, both non-? It is not something that can be learned and not something that can be reached at any rate. The whole piece is mainly written in seven lines, and "broken" by thirty or fifty lines, which is extremely varied and intricate; the verses are mainly written in loose lines, and are colored by short couplets (e.g., "Cen Fu Zi, Dan Qusheng", "Five-flower Horses, Thousand-gold Fur"), and the rhythm is fast and furious. "The rhythms of the poem are varied, and it is unrestrained but not easy to flow.
Tang Poetry Bianjie> says, "The one who reads Li's poems is in the midst of the majestic and fast, and gets the god of the far-reaching and leisurely, and only then is the face of the immortal", and this is enough to be the case.
Eight minutes is about right