The Tibetan trio dance "Cradle on the Back of a Cow", the content of which is written in heavy brushstrokes about the lively, innocent and rosy life of the Tibetan girls who play with cows. Its rich traditional Tibetan life atmosphere, agreed on the design and utilization of the above dress language for the girl's dress, also tends to the tradition of Tibetan dress. Even if the design of the Tibetan robe style is reduced, such as removing its body, shortening the hem of the robe, making it become a super-short mini-type trumpet skirt, while leaving only two sleeves as a symbol of the custom of wearing Tibetan robes, adorned on the back waist, etc.; however, they are still close to the traditional Tibetan robes in terms of the visual effect of the overall appearance.
The Tibetan dance "Tibetan Women" is different from "Cradle on the Back of a Cow" in that it is an expression of Tibetan intellectual women's love of reading with a modern flavor of life. Seeing her holding a book, sometimes reverie, sometimes longing for ...... the overall action image is full of open and romantic temperament. In addition to her headdress, which is replaced by a more concise jewel, the top and bottom of the Tibetan robe style has been evolved into the top and bottom of the disconnected pants style. This bold, innovative and very modern aesthetic, without losing the genes of the Tibetan costume, impressed the audience because it fit in well with the image of the modern Tibetan intellectual woman portrayed in the work.
The dance work "The Spirit of the Bird" is a classic work of dance written and performed by the famous dancer Yang Liping. In the dance, her magical and ethereal arm movements and her graceful posture make many people feel amazed and impressed, and the dance costumes she wears also seem to imply the words that it has. The dance of "The Spirit of the Bird" is characterized by the active and hyperactive upper body and the coordinated and hyperactive lower body. Closely following these characteristics, "The Spirit of the Bird" dresses are designed as A-type halter tights and floor-length dresses in terms of style and shape. Its tight halter, so that the actor's upper body limbs to a large area of exposure; its long and ground skirt, and the actor's lower body limbs all covered. The contrast between this open and closed style, and the dance on the static dance features closely corresponds to the actor's arms, to get a "close-up" visual effect, which will be the audience's eyes firmly locked in the actor's upper limbs on the action highlights.
In the use of colors and fabrics, "the spirit of the finch" dance costume large area with warm luster and hazy words of the white gauze skirt and a small area of non-glossy white cloth halter leotard, in the bright stage lighting, for Yang Liping sparrow-like dancing on the moistening of a white as the sky fairy dream. Decoration, clothing chest simple V-shaped silver and it was inverted V-shaped skirt on the silver peacock feather tail graphic sequins echo, not only to promote the actor's posture of the upright stretch, but also strengthened the actor's graceful and beautiful dance, but also to make the dance image of a kind of clear and gorgeous style.