1. Which poems of the Tang Dynasty describe clothing?
On the fifteenth day of the Year of Hu Ji, the spring day is the only one.
Long train with a belt and wide sleeves.
There is a blue field jade on the head and a big Qin pearl behind the ear.
How graceful are the two servant girls? There is nothing good in this life.
Tonight we reopen our doors, and enjoy the fragrant night during a spring outing. The moon shines brightly throughout the day, and the lamp shadows are mixed with starlight.
The green silk horse rides on the southern road, and the red and pink makeup is adjacent to the east. The orchestra distinguishes the music from a distance, and Luo Qi secretly smells the fragrance.
People are walking along the singing road, and cars are crowding the dance hall. Before the passage is over, the bells and drums come out of Changyang.
---Night Tour [Tang Dynasty] Shen Quanqi
Pick flowers without inserting hair, and pick cypresses to make your hair full. The weather is cold and the green sleeves are thin, and the bamboo is leaning against the bamboo at dusk - Du Fu's "Beauty"
The attitude is strong, distant and true, the texture is delicate and the bones are even. The embroidered Luo clothes shine in the late spring, and the golden peacocks and silver unicorns are frowning - Du Fu's "Beautiful People's Journey"
The cloud bun is half fresh, and the flower crown is not neat when I come down to the hall. The wind blows and the fairy mantle is fluttering, just like the dance of colorful feathers - Bai Juyi's "Song of Everlasting Sorrow"
Silk shoes are under the feet, the tortoise shell is shining on the head, the waist is like flowing silk, the bright moon shines in the ears, and the fingers are like peeling Onion root, mouth seems to contain vermilion, slender and delicate steps, exquisite and unparalleled - "Peacock Flying Southeast"
A small living golden house, full of purple microorganisms.
Mountain flowers are arranged in precious buns, and carnations are embroidered on Luo Yi.
Every time he leaves the deep palace, he often returns with the chariot.
I just worry about the singing and dancing disappearing, turning into colorful clouds flying.
——Li Bai 2. Is there any poem describing the costumes of the Sui and Tang Dynasties or a brief introduction
The costume culture of the Sui and Tang Dynasties
Clothing: Basically, it is the profit and loss of Chinese clothing and the old system of Wei and Jin Dynasties. According to the "Old Book of Tang, Yu Fu Zhi" and "New Book of Tang, Che Fu Zhi", there are fourteen types of imperial crowns: Da Qiu Mian, Gun Mian, (Immortal Bird) Mian, Chun Mian, Xiu Mian and Xuan Mian. , Tongtian crown, Zhenbu crown, Wu Bian, Bianfu, black turban, white gauze hat, plain turban, white (turban combination). Its shape and crown-wearing period are detailed in two "Tang Shu". The difference from the previous period is that the emperor must wear various crowns and scarves under different circumstances; on the other hand, in addition to the large fur crowns, ministers can also wear various crowns separately. That is, the first rank wears a gun mian, the second rank wears a (bird) mian, the third rank wears a xiang mian, the fourth rank wears an embroidered mian, the fifth rank wears a xuan mian, civil servants of the sixth rank and below and nine ranks and above all wear a silk hat during sacrifices. Jue Bian. Wu Bian is worn by military attachés or as martial dancers before His Majesty when attending court. Bianfu is worn by ninth-rank civil servants when doing business.
The pattern and color of the clothes are determined by the time when the emperor wears his crown, that is, when the emperor wears his crown, that is, when he goes to the temple, when he returns to the temple, when he returns, when he sends generals, when he arrives, when he wears the clothes, when he accepts the queen, when he receives congratulations on the first day, and when he comes. For example, during the ceremony of paying homage to the prince and so on: it is blue clothes and heather clothes. Paint the sun, moon, stars, mountains, dragons, Chinese insects, fire, Zong Yi and other eight chapters on the clothes, embroider the algae, pink rice, 黼, and 黼 on the clothes, and finally make twelve chapters. This is the so-called legal style of dragon robe.
The uniforms of the ministers are also blue robes and Shang. Take for example the third-rank prime ministers and ministers under the sect of Shizhong, Zhongshu and Tongzhongshu: there are five chapters in the official document, three chapters of Zong Yi, Zao and Fenmi are painted on the clothes, and two chapters are embroidered on the clothes, including embroidered and embroidered. Purple ribbon, gold and silver leather bag, gold-decorated sword, green jade pendant, red socks, and red morning. The size of the official rank is entirely determined by the number of badges and ornaments. In terms of chapters: the first grade has nine chapters, the second grade has seven chapters, the third grade has five chapters, the fourth grade has three chapters, and the fifth grade has one chapter, which is the so-called "Zhangfu". There are no more chapters for those below the fifth rank. The bean clothes worn are made of leather and generally black gauze. Therefore, there is the saying of Wu Sha Mao.
Starting from Emperor Wen of the Sui Dynasty, ordinary clothes other than formal official uniforms were worn by ocher-yellow embroidered robes, black gauze hats, and Liuhe boots. They were worn by noble ministers. Only the emperor wore twelve rings on his belt to mark the occasion. the difference.
In the Tang Dynasty, after many changes, it was finally stipulated that the third-grade clothes were purple, with thirteen gold and jade belts (ornaments on the belt); the fourth-rank clothes were scarlet, with eleven gold belts; the fifth-rank clothes were light crimson, with gold belts. Ten shackles; the sixth rank wears dark green, the seventh rank wears light green, both have silver belts and nine shackles; the eighth rank wears dark green, and the ninth rank wears light green, both wear malachite (malachite); small officials and common people who have not entered the mainstream, wear Yellow clothes, seven copper and iron belts. Also, the scholars wear pleated shirts, while the common people wear white clothes. Outside the square, he is wearing a black robe and a yellow crown. Because ordinary people without rank wear yellow and white, there are knights in yellow shirts in the legends of the Tang Dynasty. During the battle between Tang Dynasty and Gaoli'an City, Taizong and Xu Jingzong climbed up to watch the battle. They saw a man wearing white clothes and holding two halberds. He was going forward and summoned him. It was Xue Rengui. Suzong and Li Mi also rode together to march through the camp. People who saw it from a distance said: "The yellow clothes are saints, and the white clothes are mountain people."
In the Tang Dynasty, fish talismans were used to control the officials entering and leaving the palace. The door thought it was a verification, and later changed it to a turtle talisman, and then to a fish talisman. Gold fish and gold turtles are worn for the third rank and above, silver turtles or silver fish are worn for the fourth rank, and copper turtles and copper fish are worn for the fifth rank. Therefore, Li Shangyin's poem "Weiyou" says: "Marrying a golden son-in-law for no reason, living up to the early courtship of the fragrant quilt." Bai Juyi's poem "Taking Off the Thorns of History Fei": "There is no such charming and infatuated three-year-old girl, wailing around her waist and asking for silver fish." Luo Zhenyu's "Historical Dynasties" The Catalog of Talisman Plates still contains actual bronze fish and turtles from the Tang Dynasty.
Regarding women's clothing, the queens and concubines all have their own uniforms, which are detailed in the old and new "Book of Tang", "Chefu Zhi" and "Yu Fu Zhi". The married woman's ceremonial uniform is "Zhai Yi". Zhai is a pheasant (a long-tailed pheasant). It is made of green clothes with Zhai hair woven and embroidered on it, so it is called "Zhai Yi". It is divided into nine grades according to the nine grades and is a formal legal uniform. The second is the "hairpin dress", which is graded according to the number of mother-of-pearl appliqués. A first-grade lady has nine darts, a second-grade lady has eight darts, a third-grade lady has seven darts, a fourth-grade lady has six darts, and a fifth-grade lady has five darts. The wives of officials below the sixth rank and up to the ninth rank wear long-sleeved robes. A woman's casual clothes should be of the same color as her husband's. Du Fu's "Beautiful People's Journey": "Embroidered Luo clothes shine in the late spring, and golden peacocks and silver unicorns are frowning." He also said: "Beads press the waist (waistband) to stabilize the body." The waist (waistband) is a woman's inner skirt, and Japanese women's The kimono is still called "waist roll" (koshimaki) because of this. It can be seen that the makeup worn by women in daily life is not limited to the legal clothes.
Women’s buns follow the ancient style, but are innovative and eclectic. However, the hairstyle in the "Lady Picture" painted by Zhou Fang is exactly the same as the "mazu-mazuge" worn by Japanese married women. It may be the most popular basic hairstyle, so it has been absorbed by Japan and preserved to this day. . There is also a palace makeup called "Pingsheng", the style is no longer passed down. As the name suggests, it may be a kind of high bun. Jewelry such as hairpins, hairpins, and hairpins, there is also a kind of "step shake". Wear it on your bun and sway tremblingly when you walk. Bai Juyi's "Song of Everlasting Sorrow" said: "The clouds and temples are beautiful and golden steps are shaking", that's it. In spring, paper is folded into a square or a bunch of objects and decorated on the head, which is called "Fang Sheng", also known as "Chun Sheng". In addition to red makeup for women, including applying powder, applying makeup, drawing eyebrows, dotting lips and decals, there is also "plum makeup". It is said that Princess Shouyang was lying drunk under the plum blossoms, and the plum blossoms fell on her forehead, so she made this makeup. Women in the Tang Dynasty had not yet had their feet bound. For an exhibition, see Zhou Fang's "Pictures of Ladies." 3. Please describe a few sentences about the clothing of officials in ancient times (approximately the Tang Dynasty)
The body is wrapped in pale pink Chinese clothes and covered with white gauze, revealing the graceful neck and clearly visible collarbones. The folds are like snow and the moonlight flows to the ground, stretching more than three feet, making the gait more graceful and soft. Three thousand green silk hairs are tied up with hairbands, with butterfly hairpins on their heads, and a strand of green silk hanging down on the chest. The pink and white only adds color, and the looming redness on the cheeks creates a pure skin as delicate and lovely as petals. The whole person is like a butterfly flying in the wind, and like clear and clear ice and snow...
A large peony and emerald green mist gauze, a meandering pink narcissus flower and green leaf skirt that sweeps the floor, and a thin gold silk mist and emerald green gauze. The low-hanging temples are slanted and inlaid with pearls and jasper, and her face is filled with water and hibiscus.
Wearing a pale white palace attire, her elegance has a bit of an aura. The wide skirt flows behind you, elegant and luxurious. The jade-like black hair is simply tied into a flying fairy bun, and a few full and round pearls are randomly embellished in the hair, making the dark cloud-like hair even more soft, shiny and moist. The beautiful eyes are full of brilliance as they look forward, and there is a light smile between the red lips.
Wearing a light blue gauze dress with a white gauze draped over her shoulders, the breeze blows, giving people a feeling of ecstasy. Her black hair was draped loosely on her shoulders, looking slightly soft, without a trace of powder on her face. She was walking slowly in the imperial garden. Looking at the peonies that had passed their flowering period, she couldn't help but think of herself. She now has the emperor's favor, just like the peonies in full bloom. , coquettish, gorgeous. If one day I grow old and the emperor's favor disappears, will I be like the peony that has passed its flowering period, sleeping in the soil and no one cares about it? As I thought about it, I felt like I wanted to cry, and I sighed.
Wearing a light blue dress, the skirt was embroidered with white dots of red plums, with a white The brocade belt tied up the slender waist that could not be held. The green silk was tied into a wishful bun, and only a plum blossom white jade hairpin was inserted. Although it was simple, it looked fresh and elegant
She was dressed in light blue Palace dress, with fine cherry blossom petals embroidered on the skirt. An exquisite jasper hairpin was slanted on her head, decorated with thin silver beaded tassels. She applied a thin layer of pink on her face, and slowly walked in the imperial garden. When she saw the beautiful figure in front of her, she walked forward, leaned over, and shook her head. Concubine Xia Nianyao met the emperor, who smiled after saying auspicious words
Wearing a lavender dress with small pale pink gardenias embroidered on her body. Her hair was casually pulled into a loose bun, with a lavender hairpin inserted sideways, making her look somewhat casual yet elegant. Apply a little powder and make your lips not red.
A emerald green smoked sweater, a pleated skirt with mist of flowers and green grass, and a thin veil of green water. The shoulders are as if cut into a waist as if they are plain, and the skin is as blue as condensed fat. Charming, boneless and gorgeous.
Wearing a white gauze skirt, her waist was tied into an elegant bow with water-blue silk cigarettes, and her dark hair was gently pulled up with a Wei Ling hairpin stuck at an angle. Her skin is as crystal clear as jade, and she is walking alone in the purple bamboo forest without applying any powder.
She wears a thin rose-scented bra of Xia Ying gauze, a green and soft smoked skirt with flowers around her waist, and a outer cover. A piece of white plum-blossom organza that meanders across the floor. Her waist is as thin as a willow tree, her shoulders are as thin as a shaved one, her smile is charming and her beautiful eyes are full of hope.
Light pink palace dress, with light blue butterflies spreading their wings embroidered on the skirt corners, and covered with a layer of white gauze. The breeze blows gently, and there is a feeling of being blown away by the wind. Her silky ink-colored hair hangs freely around her waist. Her figure is slender and her waist is weak, which makes her look even more charming
She wears a light green floral palace dress with a layer of golden tulle on the outside. There was a rusty purple pattern on the hem of the clothes. The three thousand green silk hairs were briefly pulled up, and the rest hung around the neck. There was a small red gem hanging in front of the forehead, which was just the right embellishment. There is a hollow flying phoenix on the head and a golden walking wave. As the lotus steps move lightly, it makes a tinkling sound. It gives a unique and charming look
The golden cloud sweater is embroidered with elegant orchids, the floor-length yellow skirt with ancient patterns of double butterflies and clouds is in the shape of a thousand water, and the hands are held in Bixialuo peony mist gauze. . Yunji E'e, wearing a hollow orchid beaded hairpin, her face is as charming as the moon, her eyes are shining and sultry.
The shoulders are as if they were shaved, the waist is as plain as a slender waist, the eyebrows are like green feathers, and the muscles are like white snow. Wearing a plain brocade palace robe with aqua-blue gauze on the outside, the breeze blows and the gauze flutters, and the whole person exudes a faint aura. Three thousand black hair was tied into a simple blue bun, and an elegant plum blossom hairpin was put on, and she walked to the imperial garden alone, looking at Concubine Chen who was slowly approaching in front of her. Smiling slightly, waiting for her to say hello to him first
Her hair was exposed in a wind bun, her brows were lightly swept, her eyes were full of spring, her skin was as smooth as warm jade, and her small cherry mouth was red and delicate, The two strands of hair on the cheeks gently blow in the wind, adding a bit of seductive charm. Wearing a long purple dress, embroidered with rich peonies, and aqua silk hanging around the waist, her perfect figure was clearly visible. She and her maid were walking slowly in the imperial garden. When they saw the Queen Mother walking towards them, Wan You smiled and Nian Yao sent greetings to the Queen Mother, and the Queen Mother is blessed.
Wearing a light yellow cloud-smoke sweater that sweeps the floor, a white palace satin plain snow silk cloud-shaped Qianshui skirt, her hair is combed into a smokey hibiscus bun, and her eyebrows are lightly swept with a thin powder on her face. She is so bright and beautiful 4. Describe the clothing Verses of
Verses describing clothing: The quilt is in Luo Shang Yi, and the music is sorted out at home.
---------------Liang Han Dynasty. Anonymous "Many Beauties from Yanzhao" Translation: Wearing a thin Luo Shang dress that is fluttering in the wind, sitting upright and dignified with dignity. Practice the music of Zheng Shang. Pearls are intertwined with jade bodies, and corals are intertwined with trees.
Why are the robes fluttering? The light skirts are returned with the wind. ------------------ Wei Jin. Translation of "Beauty Chapter" by Cao Zhi: The pearls on her body are sparkling, dotted with corals and orbs.
The silk skirt flutters in the spring breeze, and the thin skirt spins with the wind. The embroidered clothes shine in the late spring, and the golden peacocks and silver unicorns frown.
------------------Tang Dynasty. Translation of "Beautiful People's Journey Part 1" by Du Fu in the Tang Dynasty: Silk flowers and damask clothes set off the late spring scenery, and the peacock embroidered with gold silk Kirin with silver thorns. Wu Dao cuts ribbons and sews dance clothes, bright makeup and beautiful clothes capture the spring sunshine.
----------------Tang Dynasty. Li Bai's "White Song Ci·Wu Knife Cuts Colors and Sewing Dance Clothes" Translation: The tailor of Wu State cuts skillfully with knife and sews. Colorful dance costumes appear, and the bright costumes shine brighter than the spring sunshine. Glittery jewelry, lush brocade quilt.
----------------Tang Dynasty. Chen Ziang's "Feelings" Translation: Jewelry made of beautiful green feathers is dazzling, decorated with lush green feathers On the quilt, it increases its splendor and makes it look better. 5. Description of ancient women's clothing in ancient poems
1. Bai Juyi's "Song of Everlasting Sorrow" describes Yang Guifei:
It is difficult to give up on natural beauty, and she is chosen to be on the side of the king. Looking back and smiling, the sixth palace has no color. In the cold spring, you can bathe in Huaqing Pool, and the hot spring water will wash away your fat. The waiter helped her weakly, and it was the beginning of her new grace. The flowers on the temples are swaying with golden steps, and the hibiscus tent warms the spring night.
2. Du Fu's "Beauty's Journey":
The weather was new on March 3rd, and there were many beauties by the water in Chang'an. The posture is strong, the meaning is distant and true, the texture is fine and the bones are even. The embroidered clothes shine in the late spring, and the golden peacocks and silver unicorns frown. What's on the head? The green leaves are slightly closed, and the temples and lips are hanging down. What do you see behind you? The beads press the waistband to stabilize the body.
3. Li Yannian:
There is a beautiful woman in the north, peerless and independent. Look at the Qingren city once, and then look at the Qingren country. I would rather not know a beautiful city or a beautiful country. It is hard to find a beautiful woman!
4. Luofu is described in gt;:
The Qin family had a good daughter who named herself Luofu. Luofu likes sericulture and picks mulberries in the south corner of the city. The green silk is the cage tie, and the cinnamon twig is the cage hook. The Japanese is wearing a bun on his head, and there are bright moon beads in his ears. Xiangqi is the lower skirt and purple qi is the upper skirt.
5. Cao Zhi’s gt; includes:
The beautiful lady is leisurely picking mulberry trees on the Qi Road. The soft strips are blooming, and the fallen leaves are fluttering. The bare hands are visible on the sleeves, and the bright wrists are about to be golden rings. He has a golden hairpin on his head and a jade-colored bandana on his waist. Pearls are intertwined with jade bodies, and corals are intertwined with trees. Luo Yi is fluttering, and the light skirt is carried far away by the wind. Gu Pan's legacy is glorious, and his roar is like an orchid. 6. Description of the clothes of the princess of the Tang Dynasty
She is wrapped in pale pink Chinese clothes and covered with white gauze, revealing her graceful neck and clearly visible collarbones. The pleats of her skirt are like snow and the moonlight flows lightly. On the ground, it is stretched more than three feet, making the gait more graceful and soft. Three thousand blue silk hair is tied up with a hairband, a butterfly hairpin is inserted in the head, a strand of blue silk hangs down on the chest, a thin application of powder and white only adds color, and the sides of the cheeks are looming. The red-flavored feeling creates a pure skin as delicate and lovely as petals. The whole person is like a butterfly flying in the wind, and like clear and transparent ice and snow... The large peony, emerald green haze and blue clouds, and the meandering pink narcissus. Dress with scattered flowers and green leaves, covered with thin smoky green gauze made of gold.
The low-hanging temples are slanted with pearls and jaspers embedded in them, and the face of the moon is covered with water and hibiscus. Wearing a pale white palace dress, her elegance has a bit of a worldly aura.
The wide skirt flows behind you, elegant and luxurious. The jade-like black hair is simply tied into a flying fairy bun, and a few full and round pearls are randomly embellished in the hair, making the dark cloud-like hair even more soft, shiny and moist.
Her beautiful eyes were filled with brilliance as she gazed forward, and a faint smile appeared between her red lips. Wearing a light blue gauze dress with a white gauze draped over her shoulders, the breeze blows, giving people a feeling of ecstasy.
With her black hair loosely draped over her shoulders, she looked slightly soft, without a trace of powder applied. She walked slowly in the imperial garden. Looking at the peonies that had passed their flowering period, she couldn't help but think of herself. She now has the look of an emperor. Pampering is like a blooming peony, charming and gorgeous. If one day I grow old and the emperor's favor disappears, will I be like the peony that has passed its flowering period, sleeping in the soil and no one cares about it? As I was thinking about it, I actually felt like crying. Youyou sighed, wearing a light blue dress with white dots of red plums embroidered on the skirt. She used a white brocade belt to tie the fragile dress. Her slender waist was tied up. She tied her green silk into a wishful bun, and only inserted a plum blossom white jade hairpin. Although it was simple, it looked fresh and elegant. She was wearing a light blue palace dress, with fine cherry blossom petals embroidered on the skirt corners.
With an exquisite jasper hairpin slanted on her head and embellished with thin silver beaded tassels. She applied a thin layer of powder on her face and walked slowly in the imperial garden. When she saw the beautiful figure in front of her, she stepped forward. , leaned over, and threw Parchen's concubine Xia Nianyao to see the emperor. After the emperor's auspicious words, he smiled and was wearing a lavender dress with small pale pink gardenias embroidered on the body. Her hair was casually pulled into a loose bun, with a lavender hairpin inserted sideways, making her look somewhat casual yet elegant.
Apply a little pink and pink, and the lips will not be tinged or red. A emerald green smoked sweater, a pleated skirt with scattered flowers and water mist and green grass, and a thin veil of green water. The shoulders seem to be cut into a waist as if they are plain, and the skin looks like fat or blue.
Coquettish and boneless to the point of beauty. Wearing a white gauze skirt, her waist was tied into an elegant bow with water-blue silk cigarettes, and her dark hair was gently pulled up with a Wei Ling hairpin stuck at an angle.
Her skin is as crystal clear as jade, and she has not applied makeup. She is walking alone in the purple bamboo forest, wearing a thin rose-scented bra of Xia Ying gauze, a green and soft smoke skirt with flowers scattered around her waist, and a outer cover. A piece of white plum-blossom organza that meanders across the floor. Her waist is as thin as a willow tree, her shoulders are as thin as a shaved one, her smile is charming and her beautiful eyes are full of hope.
Light pink palace dress, with light blue butterflies spreading their wings embroidered on the skirt corners, and covered with a layer of white gauze. The breeze blows gently, and there is a feeling of being blown away by the wind.
Her silky ink-colored hair hangs freely around her waist. Her figure is slender and her waist is weak, which makes her look even more charming. She wears a light green flowery palace dress, covered with a layer of golden tulle, and has a wide waist. There was a rusty purple pattern on the hem of the clothes. The three thousand green silk hairs were briefly pulled up, and the rest hung around the neck. There was a small red gem hanging in front of the forehead, which was just the right embellishment. There is a hollow flying phoenix on the head and a golden walking wave. As the lotus steps move lightly, it makes a tinkling sound.
. Yunji E'e, wearing a hollow orchid beaded hairpin, her face is as charming as the moon, her eyes are shining and sultry.
The shoulders are as if they were shaved, the waist is as plain as a slender waist, the eyebrows are like green feathers, and the muscles are like white snow. Wearing a plain brocade palace robe with aqua-blue gauze on the outside, the breeze blows and the gauze flutters, and the whole person exudes a faint aura.
Three thousand black hair was pulled into a simple blue bun, and an elegant plum blossom hairpin was put on, and she walked to the imperial garden alone, looking at Concubine Chen who was slowly approaching in front of her. Smiling slightly, waiting for her to say goodbye to him first, her hair bun was exposed, her eyebrows were lightly swept, her eyes were full of spring, her skin was as smooth as warm jade, and her small cherry mouth was not dotted but red, as delicate as drops, and there were two strands of hair on her cheeks. The gentle breeze blowing on your face adds a bit of alluring charm.
Wearing a long purple dress, embroidered with rich peonies, and a line of aqua silk hanging around the waist, her perfect figure was clearly visible. She and her maid were walking slowly in the imperial garden, and they saw The Queen Mother walked towards her, she smiled and Nian Yao said hello to her, wishing her good luck. Wearing a light yellow cloud-smoked sweater and a floor-length white palace satin plain snow silk cloud-shaped Qianshui skirt, her hair is combed into a bun with smoked hibiscus, and her eyebrows are lightly swept with a thin layer of powder. When the flowers bloom and fade, the flowers fly all over the sky, and the red color disappears and the fragrance disappears, who will pity you? / The soft hairspring ties the floating spring pavilion, and the fallen catkins lightly touch the country curtains.
/The daughter in the boudoir cherishes the twilight of spring, full of sorrow and has nowhere to go;/hoes the flowers out of the countryside curtain, and endures the falling flowers to come and go.
/ Willow silk and elm pods are beautiful, regardless of peach blossoms and Li Fei / The peach and plum blossoms will bloom again next year, who will be in the boudoir next year? / In March, the fragrant nest is first built, and the swallows in the beams are too ruthless; / Although the hair can be pecked next year, the nest will be empty when people leave? / Three hundred and sixty days a year, the wind, the sword, the frost, the sword force each other; / How long can the bright beauty last, it is hard to find it once it is wandering.
/ Flowers are easy to see but hard to find when they fall, and I worry about killing the flower buryer before the steps; / I secretly shed tears while hoeing the flowers alone, and sprinkled the empty branches with traces of blood. / The cuckoo is speechless. It is dusk, and the man with the hoe returns to cover the heavy door; / The green lantern shines on the wall, and the man is sleeping for the first time, while the cold rain knocks on the window and the quilt is not warm! / Is the blame on Nong so frustrating? Half pity for spring and half angry for spring.
/ Lian Chun comes and goes, annoyed and goes away, and goes without words. / There was a sad song outside the court last night. Did you know it was the soul of a flower or a bird? /The soul of a flower and the soul of a bird are always hard to retain. The bird is speechless and the flower is ashamed.
/May Nong grow wings today and fly with the flowers to the end of the sky. /Where is the fragrant hill at the end of the sky? / If the brocade bag collects the beautiful bones, a handful of pure soil covers the romantic flow.
The essence comes clean and comes clean again, and does not become dirty and sinks into ditches. If you die now, you will be buried. I don’t know when I will be buried! / People who are buried with flowers today are laughing like fools, but I don’t know who they are when they are buried next year! / Just watch the spring flowers gradually fall, it is the time when the beauty dies of old age.
/The beauty is gone once spring comes. 7. Description of Tang Dynasty Costumes
A man is wearing a pipa-collared top, a smokey butterfly skirt, his hair is combed into a smokey hibiscus bun, and he wears a plum blossom hairpin diagonally across his head. Although he is not a treasure of pearls, he is elegant in manners. , adding a sense of elegance to her movements. The green snail eyebrows are long and the beaded flower tassels are abandoned. The three thousand blue silk threads are only tied up with a finely carved plum hairpin, which is light on the lead.
Her eyebrows are spread out across the distance, her green temples are pure and dyed with spring smoke, and there is an aura like the clouds of Wushan Mountain. After hearing the announcement that she had entered the palace, she immediately gathered up her skirt and moved lightly, wearing a floor-length white plum blossom skirt with plum blossoms. The outer cover was a moon satin embroidered magnolia and flying butterfly cloak, and the inner lining was light pink brocade wrapped around the chest. The cuffs were exquisitely embroidered. A gold-patterned butterfly, a few lace hooks on the chest, a layer of silk yarn as thin as a mist on the skirt, and a gold belt around the waist. She looks noble and slim, with a breath like orchid, and a quiet neck. Lying on the bed was a gold-wired psychic jade, which added a sense of elegance. A pair of silver butterfly earrings hung beside her ears. She used a silver hairpin to hold her black hair, twist it into a delicate willow leaf hairpin, and then pinch it. A magnolia pinned on it looks fresh, beautiful and elegant.
Her dark eyebrows are light, her cherry lips are unstained and red, and her whole body is exuding the sweet fragrance of orchids, making her delicate yet charming. It exudes the aura of nobility, is so beautiful that it is unparalleled in the world, and so beautiful that it is as close as you can get.
Like a fairy stepping into the mortal world, waving the jade-faced fan in her hand, elegant and temperamental. Wearing a white floral tube top and a white gauze coat, her skin is as translucent as snow. Three thousand hairs are scattered on her shoulders. There are no extra hair accessories. She just wears many flowers, red and white. The snow-white and transparent face set off by the flowers, with the yellow ribbon wrapped around the body, looks very charming. Sitting on the stone bench in the purple bamboo forest, it looks very melancholy in the bamboo forest at dusk. It makes people feel pitiful. Female officer: Ming The uniforms worn by people in the court were the same as those in the Song Dynasty.
Purple, round collar, narrow sleeves, embroidered with broken branches of small sunflowers, surrounded by gold circles, and beaded with gold and red skirts. Bow-like shoes with small golden flowers embroidered on them.
Black gauze hat, decorated with flowers, and beads on the forehead. Beaded hair comb.
Drop earrings. 8. Poems about describing the beautiful clothes of ancient women
The weather was new on March 3rd, and there were many beauties by the waterside in Chang'an. Their expressions were strong, far-sighted, and true, with fine texture and even flesh. The embroidered clothes were shining in the late spring, and they were frowning. Golden peacock, silver unicorn. What's on the head? The green lotus leaves hang down the temples and lips; what can you see from behind? Beads press the waist to keep the body in shape. - Du Fu's "Beauty's Journey" In the fifteenth year of Hu Ji's year, she is alone in the spring. The long skirt has a belt and wide sleeves. A blue field jade on the head, and a large Qin pearl behind the ear. How graceful are the two servant girls? , There is no good person in this life. One servant girl is five million, and two servant girls are more than ten million. - "Yu Linlang" by Han Dynasty Yuefu The rooster crows and the dawn is coming, and the bride puts on her makeup. Wearing my embroidered skirt, everything is in order. Silk shoes are underfoot, and a tortoise shell is shining on the head. The waist is like flowing silk, and the bright moon is in the ears. The fingers are like peeling onion roots, and the mouth is like holding vermilion. The delicate steps are delicate and unparalleled. - "The Peacock Flies Southeast" by Han Yuefu .
9. Ancient poems about clothes
In the early Tang Dynasty, most women boldly pursued individual beauty. The choice of clothing and colors set aside official regulations, and even wore Hu clothes and hats. The same was true for facial makeup. "Heavy makeup".
The daily clothing of women in the Tang Dynasty consisted of a shirt on the upper body and a skirt on the lower body. There are gorgeous patterns on the skirts, and red is the most popular color.
Rich women often use fine silk fabrics to make their clothes, which are soft and delicate. Generally speaking, the clothing styles of the Tang Dynasty were elegant and luxurious, and the accessories were magnificent; the Tang Dynasty materials were mainly silk and linen, and bright and warm colors such as red, purple, and yellow were the main colors.
Women in the Tang Dynasty often wore long gowns with round necks on the upper body and shawls on the shoulders. There were also special short-sleeved half-arm blouses worn over the gowns; they wore skirts on the lower body with high waist and graceful lines, which made them look The figure is slender and beautiful, reflecting a relatively stable side. The Tang Dynasty was dominated by the Han people. The Han people had a long history of culture, were civilized and sophisticated, and gradually formed elegant pagoda-shaped clothes.
Because they live in warm and humid areas, they have superb silk weaving skills and have many varieties of silk fabrics, which are famous for their lightness and thinness. For example, the Qingrong gauze unearthed in Turpan is more exquisite than the plain gauze unearthed in Mawangdui.
Most of the noble ladies in the Tang Dynasty were "disrespectful of love". Moreover, there is another interesting phenomenon in the Tang Dynasty, that is, women in the Tang Dynasty liked to wear male clothes.
The rulers of the Tang Dynasty came from the Hu ethnic group and were martial arts, so they liked Hu clothing. In the early Tang Dynasty, society was open, women participated in more social activities, and men's clothing was more convenient. Women in the Tang Dynasty had a strong sense of self-expression. , men's clothing can reflect the curves of various parts of the female body. Martial arts and openness are undoubtedly the general background for the popularity of women dressing up as men. Highlighting the beauty of the female body may be the consciousness of individual women, but not necessarily everyone's thoughts.
The openness and beauty of the human body can also be expressed through other decorations. However, the Northern Qi, Northern Zhou, and Sui dynasties also had Hu ethnic origins, a martial spirit, and an open society, but they had not yet seen a large number of women wearing men's clothing, which shows the openness of women's consciousness in the Tang Dynasty.
In the early Tang Dynasty, women were not excluded in the court and upper-class social activities as in other eras. The social image of these women often appears in men's clothing.
The fact that two very influential women, Wu Zetian and Princess Taiping, like to wear men's clothing will inevitably have an impact on social trends. From the reign of Emperor Gaozong to Emperor Ruizhong, women such as Wu Zetian, Empress Wei, Princess Anle, Princess Taiping, Princess Jinxian, and Princess Yuzhen created the image of a so-called "women's country" in society. However, under the influence of the ideology of traditional male authority, Nowadays, women who appear in public often have to stand in front of people in men's clothing.
Clothing ranks first in people’s “clothing, food, housing and transportation”, which shows the role of clothing in daily life. It can reflect the overall spiritual outlook of a nation, and women in the Tang Dynasty were very important in clothing. The wealth, elegance, exaggeration, magnificence and uniqueness of their clothing all reflect the openness and positivity of women in the Tang Dynasty. 10. Looking for poems describing ancient women's clothing
Shuo Ren
Shuo Ren has a beautiful face and beautiful clothes. The son of the Marquis of Qi and the wife of the Marquis of Wei. The sister of Donggong, the aunt of Marquis Xing, and the Duke of Tan are protecting his private interests.
The hands are like catkins, the skin is like condensed fat, the collar is like a cricket grub, the teeth are like gourd rhinoceros, the head is like a moth and the eyebrows are moth-like, the smile is charming, and the beautiful eyes are looking forward to it.
Ao Ao, a great scholar, talked about it in the countryside. The four males are arrogant, and Zhu Kui is arrogant. Zhai Fu came to court. The official retired early, leaving the king with no work to do.
The river is full of water, and the north current is alive. Shi Jianhao, the hair of the tuna. Jiaqiao is exposed, the common people are evil, and the common people are guilty.
[Translation]
The graceful lady has a slender body, with a cloak covering her brocade clothes; the daughter of the Marquis of Qi is so delicate, she married the Marquis of Wei and came to my hometown.
She is a sibling of the prince, and is also the sister-in-law of Marquis Xing. Tan Gong is her biological brother-in-law.
The hands are as white and tender as spring catkins, the skin is as fine and greasy as gelatin; the neck is as pink and white as grasshopper grubs, and the teeth are as white and straight as melon seeds;
The forehead is square, the eyebrows are thin, and the smile is intoxicating and beautiful. , the flow of autumn waves contains affection.
The tall and graceful lady is stationed on the outskirts of the city; the four male horses are strong and vigorous, with red silk fluttering on both sides of the bridles.
The carriage is decorated with bird feathers to go to court; you officials should go to court Leave early and don't make the king too busy.
The water of the Yellow River is powerful, rushing northward; the fishing nets are thrown out and whirring, the tuna jumps and splashes,
The reeds are dense and tall. The dowry women are beautifully dressed, and the concubines are brave and tall.
It’s a pity that it’s from the Book of Songs, and it doesn’t match the times