Potzhuang, known as "Zhuo" in Tibetan. People praise the richness of the content of the potshuang dance, "how many stars in the sky, Zhuo on how many tunes; how many trees on the mountain, Zhuo on how many words; how many hairs on the yak, Zhuo on how many dances".
Thousands of pot Zhuang dance
Pot Zhuang dance, also known as the "fruit Zhuo", "song Zhuang", "Zhuo", etc., the Tibetan language meaning circle dance, is one of the three Tibetan folk dance. It is one of the three major folk dances of the Tibetan people.
Edit this paragraph classification pot Zhuang is divided into for large-scale religious ritual activities "big pot Zhuang", for traditional folk festivals "in the pot Zhuang" and for friends and relatives gathering "small pot Zhuang" and so on several kinds, the scale of the "big pot Zhuang", "small pot Zhuang" and so on. "There are several types, each with a different scale and function.
Editing Features Potzhuang dance is an unaccompanied group dance. In Diqing Shangri-La, some places call the potzhuang "擦拉" (meaning plaything), and in some places call the potzhuang "Zhuo" (meaning dance). It is with the development of the Tibetan people's production and life changes, therefore, the pot Zhuang dance with playing barley, twisting wool, feeding livestock, brewing and other labor songs and dances, songs and dances to celebrate the heroes, songs and dances to show the Tibetan customs and habits, men and women get married, the completion of the new house, welcoming the guests and other songs and dances.
Editing this section of the historical origin of the Potlatch Dance originated in Tibet, distributed in Chamdo, Nagchu, Aba and Ganzi in Sichuan, Diqing in Yunnan, and Tibetan-inhabited areas in Qinghai and Gansu.
The Tibetans, with a population of about 5,416,021 (2000 census data), are mainly distributed in the Tibet Autonomous Region and the neighboring provinces of Qinghai, Gansu, Sichuan and Yunnan. They are mainly engaged in animal husbandry and also in agriculture. Tibetan is a Chinese term. Tibet is called "Bo" in Tibetan, and the Tibetans living here call themselves "Boba". "Boba" and according to different regions are divided into "Tui Ba" (Ali region), "Zangba" (Rikaze region), "Weiba "(Lhasa area)," Kumba "(western Sichuan area)," Andova "(Qinghai, Yunnan, northwest Sichuan and other
Pot Dance
area). The Tibetan language is divided into three dialects, Weizang, Kang, and Amdo, according to region.
Tibet, known as the "roof of the world", beautiful and magical, is the main settlement of the Tibetan people, in the existing population of more than 1.3 million people, Tibetans accounted for 95%. Tibetans are one of the ancient ethnic groups in China. According to the history books: as early as before the Qin and Han Dynasties, the Tibetan forefathers gathered on the banks of the middle reaches of the Yarlung Zangbo River. Because of the vast grassland, water and grass is fertile, production is mostly based on pastoralism. Mainly sheep, goats and yaks, Pian. Among them, yak body hair long, cold and heavy, in addition to milk, meat, or traffic carrying "plateau boat". Agriculture to planting barley-based, but also wheat, rape, beans and other crops. Tibetan clothing for both men and women has been preserved intact. Different regions, with different costumes, the study of Tibetan dress culture has an important value.
The Tibetans have their own language and script. It belongs to the Tibetan branch of the Tibeto-Burman language family of the Sino-Tibetan language family. The use of the Tibetan language has strengthened the economic ties between the Tibetans and the central plains of the motherland. The tenth to sixteenth centuries were a period of prosperity for Tibetan culture, which shone brightly over the centuries. In addition to the world-famous "Ganjur" and "Danjur", two major Buddhist books, there were also monographs on rhythm, literature, philosophy, history, astronomy, calendars, medicine and so on. The Tibetan people are enthusiastic and cheerful, bold and unrestrained. They live freely with songs and dances. Tibetan folk songs are melodious and melodious, and they are pleasant to the ear. Singing is also accompanied by various dances. The dances are beautiful and fast-paced. Among them, tap dance, potshuang dance, string dance is the most widely spread.
Edit section style characteristics
Pot Zhuang dance inheritor Xu Guilian
Pot Zhuang is divided into "large pot Zhuang" used for large-scale religious rituals, "in the pot Zhuang" used for traditional folk festivals and "small pot Zhuang" used for gatherings of friends and relatives. "small pot village" and so on several kinds, size and function are different. There is also a distinction between "mass potshang" and "lama potshang", town potshang and agricultural and pastoral potshang. Dance, generally men and women in a semi-circular row hand in a circle, there is a leader, divided into men and women, a question and answer, repeated singing, no instrumental accompaniment. The whole dance consists of two sections of slow and then fast, with basic movements such as "Yuhui cross-legged", "tend to step over and over", "cross-legged squatting", etc., and the dancers' arms are mainly changed by ruffling, flinging and shaking. The dancers' arms are mainly lifting, flinging and shaking to change the dance posture, and the formation is marching clockwise, with big and small circles, occasionally changing the pattern of "dragon swinging its tail".
Thousands of potshuang dance
Potshuang dance has the old potshuang and the new potshuang points, the old potshuang with the nature of the ritual, the religious community and the old people mostly like this tune, the content of the lyrics and the dance form is relatively old, such as the birth of Master Lianhua Sheng, the establishment of the Sangye Temple, the glorious temple, the silver glittering Palace, the blessing of fortune and fortune to this place", "harvest ah! Bountiful harvest", etc., jump this dance, can only sing special lyrics, can not be changed, the dance generally have a slow, steady, simple, solemn characteristics.
The lyrics of the new Panzhuang, the dance is more flexible, reflecting the production of labor, and the development of agricultural and animal husbandry production and business and trade activities, such as the "northern prairie", "white ceramic bowl in the gathering of the three colors", "in the gold dams above", etc., the new Panzhuang is the young people's favorite songs and dances. The steps of the potshuang dance are divided into two categories: "Guozhuo" (walking dance) and "Kuzhuo" (turning dance). "Guo Zhuo" is a single phase of the pace towards the left start, the left and right two feet **** lift seven steps for a section, so that the rounds start from slow to fast, the number of steps unchanged, the dance is relatively simple to participate in jumping people easy to learn, so the number of people is very large. The dance of "Kujuo" is diversified, and there are many kinds of dances, such as the two-and-a-half-steps dance, six-steps dance, eight-steps dance, six-steps dance with beat, eight-steps dance with beat, and the monkey dance, etc. The dance of "Kujuo" is a simple one, and it is easy to learn.
Editing this section of the dance genre Chandu pot Zhuang Chandu County is located in the eastern part of the Tibet Autonomous Region, Sichuan, Tibet, Yunnan Province, at the intersection of the three provinces, which is the center of the culture of Kham, but also the birthplace of the famous "pot Zhuang". According to the lyrics of the Chamdo County pot Zhuang and folklore to analyze, Chamdo pot Zhuang as early as in the Tubo period has existed.
In Tibet, the Chamdo potshuang is widely spread. Whenever a festival, celebration, wedding celebration, the square, courtyard men and women gathered in a circle, according to the clockwise direction while singing and dancing. Men wear fat pants, women take off their right arm sleeves and drape them behind their backs, men and women stand on one side, holding hands in a circle, singing and harmonizing in separate classes. Usually sung by the male lead, followed by women singing and singing, singing loud and clear, penetrating very strong, dancers and songs and "shake hands trembling step" along the circle. When the lyrics come to an end, all the people together "ah" (onomatopoeia) a call, suddenly speed up, spreading arms side twisting the waist in a big step jump up, waving both sleeves singing and dancing, running and jumping to change the action. Male action amplitude is very large, stretching arms like eagles circling and flying; female action amplitude is small, point step circle like a phoenix wings dance, showing fitness, bright, lively characteristics. Dance circle is usually placed in the center of barley wine, Hada, dance by the elders or organizers of the wine, Hada, brothers and sisters
Naqu Pot Zhuang Dance
The friendship is sublimated through this.
Changdu pot Zhuang can be divided into agricultural pot Zhuang (including towns), pastoral pot Zhuang, temple pot Zhuang three categories, the action can be divided into two categories, one type of slow tempo, the dance stretch beautiful; the other type of rapid tempo, the dance enthusiastic and unrestrained. The movements of Chamdo Pot Zhuang mostly simulate animal forms, such as "Tiger Descending from the Mountain", "Eagle Circling", "Peacock Opening Screen", "Beast Playing", etc. Its performances emphasize on the importance of the animal form. "
The performance focuses on the emotional changes and performance of the gestures.
The rhythm of the Chamdo Potjang has three changes before and after the performance, the prelude dance as long as the dancers stand in their positions, their feet slowly alternating steps can be, the pace is very light, and the strength is not strong; after the prelude dance gradually into the slow dance, and finally into the most representative of the Zhuo Dance rough and unrestrained characteristics of the fast dance stage, at this time, the dancers' emotions to reach a climax, the scene is extremely enthusiastic.
Changdu pot Zhuang art fully expresses the Tibetan people's love of life, love of labor, passionate and heroic national characteristics, showing the beauty of a force and national pride. 2001, Chamdo County was named by the People's Government of the Tibet Autonomous Region as "the township of pot Zhuang art".
Diqing pot Zhuang Diqing Tibetan pot Zhuang dance, widely distributed in Yunnan Diqing Tibetan Autonomous Prefecture, according to the excavated from the Lijiang Shigu sedan chair village of the Tang Dynasty Tibetan portrait stele in the image of the dance is presumed to have been thousands of years of history of pot Zhuang dance.
The 50th anniversary of the founding of the Diqing Tibetan Autonomous Prefecture grand celebrations
Diqing Tibetan Pot Dance to Deqin County Penziban town and Shangri-La City, dipang town, small in the middle of the town's most representative. Benzilan in the hospitality in the form of potshuang songs and dances to show a series of ceremonial procedures, "blessing potshuang", "expel potshuang", "praise potshuang", "meet potshuang", "meet potshuang", "praise potshuang", "praise potshuang", "praise potshuang", "praise potshuang", "praise potshuang". Meeting Potshoos", "Farewell Potshoos", "Staying Potshoos", "Farewell Potshoos", "Blessing Potshoos" and so on. "It is very rare in all Tibetan areas of the country. Its tunes are divided into four parts: "Yell", "Zhuo Jin", "Xia Zhuo" and "Zhuo Cao".
Shangri-La pots and pans are divided into ancient and new two kinds, "擦尼" is the ancient pots and pans, lyrics content, dance form are more ancient, with a strong sacrificial nature, with specialized movements and lyrics, mostly for the religious community and the elderly favorite; "擦司" is the new dance! The "Wushi" is a new dance, which is a new song and dance made up with different times. The songs, dances and words of Diqing Tibetan potshuang are all very rich, and the words are sung in three sentences. Whenever there is a festive occasion, the completion of the new residence, marriage, people regardless of men and women, old and young people should gather together to jump all night, to express the celebration and pray for blessings.
Diqing Tibetan potlatch contains rich Tibetan cultural connotations, complete and diverse forms, distinctive regional characteristics, strong ethnic style, has a deep mass base, which contains the traditional humanistic spirit of friendship, unity, etc., and has a high artistic and social value.
Chandu Pot Zhuang Chandu County is located in the eastern part of the Tibet Autonomous Region, at the intersection of Sichuan, Tibet and Yunnan Provinces, which is the center of Kampa culture and the birthplace of the famous "Pot Zhuang". According to the lyrics of the Chamdo County pot Zhuang and folklore to analyze, Chamdo pot Zhuang as early as in the Tubo period has existed.
In Tibet, the Chamdo potshuang is widely spread. Whenever a festival, celebration, wedding celebration, the square, courtyard men and women gathered in a circle, according to the clockwise direction while singing and dancing. Men wear fat pants, women take off their right arm sleeves and drape them behind their backs, men and women stand on one side, holding hands in a circle, singing and harmonizing in separate classes. Usually sung by the male lead, followed by women singing and singing, singing loud and clear, penetrating very strong, dancers and songs and "shake hands trembling step" along the circle. When the lyrics come to an end, all the people together "ah" (onomatopoeia) a call, suddenly speed up, spreading arms side twisting the waist in a big step jump up, waving both sleeves singing and dancing, running and jumping to change the action. Male action range is very large, stretching arms like eagles circling and flying; female action range is small, point step circle like a phoenix wings dance, showing fitness, bright, lively features. Dance circle is usually placed in the center of barley wine, Hada, dance by the elders or organizers of the wine, Hada, brotherhood and sisterhood is sublimated.
Changdu pot Zhuang can be divided into agricultural pot Zhuang (including towns), pastoral pot Zhuang, temple pot Zhuang three categories, the action can be divided into two categories, one type of slow tempo, the dance stretching beautiful; the other type of rapid tempo, the dance enthusiastic and unrestrained. The movements of the Chamdo potshuang mostly simulate animal forms, such as "a tiger descending from the mountain", "an eagle circling", "a peacock opening its screen", "wild beasts playing", etc. Its performance emphasizes the importance of the animal form. "Its performance focuses on the emotional changes and performance of gestures. The rhythm of Chamdo potshang has three changes before and after the performance, the prelude dance as long as the dancers stand their positions, footsteps slowly alternating steps can be, the pace is very light, and the strength is not strong; prelude after the dance gradually into the slow dance, and finally into the most embodied Zhuo dance characteristics of the rough and loose fast dance stage, at this time, the dancers' emotions to reach a climax, the scene is extremely enthusiastic.
Changdu pot Zhuang art fully expresses the Tibetan people's love of life, love of labor, passionate and heroic national characteristics, showing the beauty of a force and national pride. 2001, Chamdo County was named by the People's Government of the Tibet Autonomous Region as "the hometown of the pot Zhuang art".
Yushu Zhuo Dance The Yushu Zhuo Dance has been passed down around Yushu Tibetan Autonomous Prefecture in the southwest of Qinghai Province in the hinterland of the Qinghai-Tibet Plateau. The historical origin of the dance can be traced back to the primitive society, and many traces of the ancient times are still preserved in the Yushu Zhuo Dance. With the formation of the six major clans of the Tibetans, the Yushu Zhuo Dance has gradually developed in the form of tribes, clans and regional culture.
There are many kinds of Yushu Zhuo Dance, the content of which is based on the glorification of the hometown and natural scenery, and at the same time, it widely reflects all aspects of social life. The complete performance is divided into three parts: the prelude dance for the worship of gods and Buddhas, the main part for the performance of a wide range of contents, and the finale for the blessing of good fortune. The Yushu Zhuo Dance can be divided into two categories according to its function: the more secular ordinary Zhuo Dance and the "Fa" Zhuo (or "Qu" Zhuo in Tibetan), which has a strong religious color, and its overall structure consists of two parts, from slow to fast, and it is performed in the form of songs and dances. Yushu Zhuo dance action mainly centered around the sleeve to carry out the performance often have
Yushu Zhuo dance
dozens of people, hundreds of people **** with the participation. The dancers' sleeves are very long, all dragged on the ground, the men's dance sleeve flinging amplitude, beautiful and elegant movements, arm rotation freely, the movement of the route changes in a variety of.
The movement of the legs is also very large, and it is necessary to cooperate with the arm's sleeve for lifting the leg, lifting the leg, turning around and other large jumps and movements, and the line of action is based on the arc, and the body is coordinated. The rhythm of the whole dance is distinctive and majestic, fully displaying the masculine and handsome beauty of male dance. Women's dance movements are soft and smooth, flinging sleeves and foot movements are basically similar to men's dance, but the amplitude is smaller, showing the soft and beautiful and gentle and dignified characteristics of women.
The Zhuo Dance has a wide range of people and social basis, its rich expression, unique style, superb skills, strong personality for the masses of the reputation, in the Tibetan song and dance art with a wide range of representative and notable typicality, showing a high artistic value. At the same time, Zhuo Dance has ancient and profound cultural connotation, which has important value in the research of anthropology, ethnology and folklore. Its cohesive and inspiring power can play a positive role in the construction of modern spiritual civilization.
Yushu Yi Dance The creation of Yushu "Yi" was earlier than "Zhuo". Late Paleolithic primitive people in order to express their inner feelings, pass the residence according to the daily labor calls,
Yushu Yi dance performance site
labor rhythms, the discovery of primitive music, with the emergence and development of the Tibetan language, followed by the song, and then there is a ballad, with their development and improvement, they produced the "Yi" As they developed and perfected, "Yi" was created as a form of self-indulgent dance. The "Yi" is the song must dance, the dance must sing, the two are inseparable.
The content of its lyrics mostly praises nature, religion, labor, the inexhaustible resources, the hardworking and intelligent people, as well as the Party and society. "Yi" dance movements and skills are derived from life, from horseback riding, hunting, sheep, playing field, milking, shearing, playing ghee and other production and labor gestures to absorb the development of the action refined from the encyclopedia reflecting the life of the Tibetan people in Yushu, with flute, cow horn hu and other instrumental simple accompaniment, can also be accompanied by no instrumental music.
"Yi" is a combination of song and dance, with light and lively dancing styles, a strong sense of life, and a song and a dance. Dance movements and techniques come from production life, involving horseback riding, hunting, sheep driving, playing field, milking, shearing, playing ghee and other activities, rich in typical plateau characteristics. Yushu Yi dance form lively and free, not only in the celebration of festivals jump, but also in the daily leisure of men and women gathered together when the dance, the number of dancers, age, gender, clothing, occasions, no special requirements, young and old, with the mass base.
Bai Long Zhuo dance Shanduo County, Bai Long Zhuo village, Bai Long Zhuo dance, has a history of more than 800 years, is the Tibetan adult men in the rituals, welcome guests and temple religious activities
Shanduo County, Bai Long Zhuo village, Bai Long Zhuo dance
dance performed when the dance.
The classical Tibetan folk dance "Bailongzhuo Dance" is mainly originated and spread in four villages, namely, Kongge, Buge, Shang, Xiakaiwa and Dongguo in Bailong Village, Chengwen Township, Shamdo County, Yushu Tibetan Autonomous Prefecture, Qinghai Province. The "Bailongzhuo" has a long history and has been practiced for more than 900 years. As a classical dance of Tibetan folk tradition, "Bailongzhuo" was performed only at rituals, welcome guests and temple festivals in ancient times, and only adult men were allowed to participate in it.
The Bailongzhuo Dance, in the form of singing and dancing in poetic language, is a dance performed by adult Tibetan men during rituals, welcoming guests and religious activities in temples. There are more than 30 kinds of Bai Long Zhuo Dance in existence, which reflect all things in nature through singing and dancing in poetic language. Bai Long Zhuo Dance dance posture is rough and elegant, the tune is solemn and full, contains the Tibetan people on the spirit, faith, value orientation, the regional characteristics are distinctive, very aesthetic value.
At present, many of the White Dragon Dance artists have passed away one after another, the fault is serious, the cultural space is getting smaller and smaller, into the extinction of the situation, in urgent need of rescue and protection.
Editing this section of the history of inheritance Recently, primary and secondary school students in Xining City began to use the recess time to learn the Tibetan Plateau characteristics of the dance pot Zhuang dance. Potzhuang is the Tibetan language "Guozhuo"
Potzhuang dance
harmonization, that is, the meaning of the circle song and dance, generally in the festival or agricultural leisure time to jump. The pot Zhuang dance into the campus, not only can be active in the cultural life of students, but also conducive to the promotion of national culture. At present, Xining City, under the jurisdiction of four districts and three counties of primary and secondary schools have all carried out the pot Zhuang dance activities.
File photo: Teachers and students of a Tibetan elementary school in Luqu County, Gannan Tibetan Autonomous Prefecture, Gansu Province, dance the Pot Dance in the classroom on March 24, 2008
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