The formation of Korean dance style is consistent with the aesthetic characteristics of this nation. The Korean people are very fond of the white crane, love its white color and light and quiet posture, the crane as a symbol of auspiciousness and purity, the main color of the national costume in white, the same aesthetic is also reflected in the art of song and dance, pay attention to the "Crane Steps and Willow Hands", that is, imitating the crane's gait dance, and in the "Crane Steps and Willow Hands", the dance of the "Crane Steps and Willow Hands", the dance of the "Crane Steps", and the dance of the "Crane Steps and Willow Hands". In the gait of "Crane Steps and Willow Hands", it is characterized by the combination of motion and static, i.e., the inner motion drives the outer motion, and there is a line in the motion, but the line is not broken in the static, and the motion is loose and relaxed, elegant and fluent, and the static is graceful and elegant, like a flower in bud, which is the charm of Korean dance.
The main choices of Korean folk dances are "Gugli", "Zakin Gugli", "Andan", "Taling" and "Waving". The basic and colorful footwork of several rhythms such as "Gugli", "Zakin Gugli", "Andan", "Taling" and "Waving Mori", such as the hand movements such as carrying, bouncing, patting, pumping and other skillful movements such as squatting, jumping and turning, etc., which are extracted from the simple to the complex and from the single to the combination, and which constitute an intrinsic connection and a scientific system one after the other. A regular line.
Korean folk dance in the training of the main three aspects of the significance of the first is the rhythm and its expressive aspects of the training content, the Korean dance of a variety of different characterization has a unique and distinctive rhythm characteristics, to the dance to provide a rich and detailed inner rhythm and expressive power. For example, the rhythm of "Gugli", which expresses implicit and deep feelings, is even and slow; the rhythm of "Andan", which expresses lively and bright with jumping, and the rhythm of "Taling", which expresses deep and powerful. "The rhythm is even and slow. These rhythms provide a very rich and effective teaching material for training inner rhythm and expressiveness.
The second is the use of breathing training content, the use of breathing is a major feature of the Korean dance, but also an important link, people often see the use of breathing as a continuation of the development of the action and grasp the inner strength of the action. So in the training of Korean dance is very important throughout the entire action process, and throughout all parts of the body, and even detailed to the fingers, wrists and toes, and the rhythm of breathing, length, weight, urgency and so on is the embodiment of the characteristics of the Korean national dance style, to improve the students' artistic cultivation, cultivate the inner feelings, as well as the unity of the form and God have a special value of the training and significance of the.
Third is the content of skill training. Korean dance continuous undulation process and flexibility of the movement characteristics, is the need for strict control of the knees and ankles to complete and embodied, especially the characteristics of the lower limb movement, directly affecting the upper body and arms, and reflected in the flow of the entire movement in the coordination of the detailed requirements. Of course, this is only the training of the body's external skills, but it is the training of the meaning of the complete external skills to better control the inner rhythm, in order to express a more perfect dance art image.
Analysis of the characteristics of the body rhythm
The basic posture: sucking in the abdomen, closing the hips, containing the chest, dropping shoulders.
Basic foot shape: tense instep, hook toes.
Basic hand shape: index finger, middle finger naturally straight, ring finger, little finger naturally slightly flexed, thumb close to the middle finger. Men are natural hand shape.
The Korean dance is unique and delicate, and the characteristics of the body, hands, and feet are carried through the rhythm, forming a unique style of dance, which is driven by the use of breath, knee flexion and extension, and footwork, and focus on the whole body, and there is a clear sense of continuity. The rhythm of Chosun dance should be summarized as two kinds of vertical flexion-extension rhythm and translational flexion-extension rhythm, and the lines of movement are mostly upward arcs and downward arcs in the form of surging waves. These two basic rhythms require control of the knees and wrists, i.e., line in motion, line in static.
The basic footwork class action analysis. ***The four points are the same:
- Flexion and extension and the breath that is closely linked to it (exhale when flexing, inhale when extending)
- Before each step, there is the dynamic characteristic of bending one leg and lifting the other
- From the time the foot is lifted up to the time of landing, there is the presence of wrist control from the heel, to the heart, to the sole, or the sole of the foot through the heart of the foot, to the whole foot, one section at a time.
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