What are the famous theaters in several major cities in the United States

Washington Center Stage Theatre was built in Washington in 1961. It is one of the first modern theaters to use an auditorium that surrounds the stage from all sides, and has had a wide range of influences. Theater designer is Haley Weiss. Center stage of the theater is 10.97 meters long, 9.14 meters wide, the stage plane is lower than the front row of audience seats 0.15 meters, the stage plate are live. Large slope of the audience around the stage. As the audience has 4 directions, greatly reducing the distance between the audience and the actors. Lincoln Center for the Performing Arts New York City's famous cultural and artistic center. 1966. The entire building consists of the Metropolitan Opera, the New York State Theater, the Philharmonic Hall, the Vivienne Piemont Theater, the Performing Arts Center, and the New York State Theater. Piemonte Theatre, Museum of Performing Arts and Books, Juilliard School and the open-air stage and so on, is one of the world's larger and more influential cultural and arts center. The Metropolitan Opera House is the most important performance venue in the arts center, a huge scale, the audience with five layers of boxes, *** capacity audience of 3,788 people. It is currently one of the most well-equipped and best sounding theaters in the world. Vivienne. Piemonte Theater is a dedicated drama theater, which is located in the same building as the Museum of Performing Arts and Books. The New York State Theatre is dedicated to light opera and ballet. Provincetown Playhouse A non-commercial theater group formed in Provincetown, Massachusetts in 1915 by a group of like-minded artists and writers. It aimed to break the monopoly of the commercially organized theatre syndicates, then in the hands of a few capitalists operating on Broadway in New York, and instead to give American playwrights a chance to express themselves freely. The Playhouse began as a balcony of a summer home, and in 1916 converted a dockside warehouse into the 200-seat Dockside Theatre, premiering E. O'Neill's Eastward Bound Cardiff, followed by many of his other one-acts, which set O'Neill on the path to becoming a playwright. 1917 saw the Playhouse move to New York City's Greenwich Village. The main founders of the society were the novelist and dramatist Mr. and Mrs. G. K. Cook and S. Glaspell. Their insistence on staging serious plays of a high artistic quality attracted a large number of writers and artists to work with them. The most important of these were B. O'Neill, R. Edmund Jones and K. McGowan. The most important of these were B. O'Neill, R. Edmund Jones, and K. McGeorge. They were known as the "Three Rulers" of the Playhouse from 1923 to 1929. O'Neill's Beyond the Edge of Heaven, Anna Christie, and The Emperor Jones. O'Neill's "Beyond the Sky," "Anna Christie," and "The Emperor Jones" were all performed at the Playhouse. The company was dissolved in 1922 due to internal divisions, then reorganized and renamed the Experimental Theatre in 1923, still under the direction of the "Three Rulers," making it more professional. 1925 saw another split within the company, and it was reorganized again. In 1925, the company split up again and was reorganized. The company fell into difficulties due to rising performance costs and labor union problems. It barely survived until 1929, when it was disbanded. The Provincetown Playhouse and the Washington Square Playhouse were two of the most important troupes in the small theater movement that emerged in the United States in the first decade of the 20th century and into the 1930s, and played a role in promoting the development of serious theater in the United States. Togetherness Theatre A New York theater group founded in 1919 on a booking system. It was founded by American playwright Lawrence Lerner and director Philip Lerner. American playwright Lawrence Lerner, director Philip Muller, and stage designer L. B. Lerner. The founders were American playwright Lawrence Lerner, director Philip Muller, and stage designer L. Simonson. The purpose was to stage theatrical works of high artistic standards that commercial theaters were reluctant to stage. Following the premiere of the Spanish playwright Benavente I. L. Lerner on April 19, 1919, the Tongren Theatre staged the first production of the Spanish playwright Benavente I. Lerner. I. Martinez's social satirical comedy. After the failure of Spanish playwright Benavente I. Martinez's social satirical comedy "What's at Stake" on April 19, 1919, the Tongren Theater staged the naturalistic play "John Owen" by Irish writer John Owen. After the failure of the social satirical comedy The Stakes by Spanish playwright Benavente I. Martínez on April 19, the success of the Irish writer John Irving's naturalistic play John Ferguson By 1920, the theater had 30,000 bookings and by 1925 it had become the home of Lunt and Fontaine, Dudley Diggs, Helen H. Holland and the Dudleys, and the Dudleys, and the Dudleys. Diggs, Helen Westley, and ten other famous actors. By 1925, the theater had become a first-rate theater with 10 famous actors, including Lunt and Fontaine, Dudley Diggs, Helen Westley, and a theater of its own design on 52nd St. The 1920s and 1930s were the theater's artistic heyday, when it staged productions of works by European and American masters. The theater's repertoire shifted to musicals in the 1930's, and in 1931, the theater staged a play with lyrics by Kaufman and Murray Ryskind. In 1931, I Sing of Thee, with lyrics by Kaufman and Murray Ryskind, premiered Porgy and Pace in 1935, and in 1945 Oklahoma and The Carnival, based on Liliom, were staged; in the 1940s and '50s, attention was turned to radio dramas and television series. Broadway Broadway is the name of a street in the Manhattan borough of New York City, a section of which has been a center of commercial theatrical entertainment in the United States, and thus the term Broadway has become synonymous with American theatrical activity. Since the mid-19th century, the number of Broadway theaters has increased and the street has been illuminated, earning it the name of "The Great White Way" In the early 20th century, there were about 20 Broadway theaters, and in 1925 there were as many as 80 theaters on Broadway, but as a result of competition from other forms of entertainment there were only 40 left by 1980, and the number of performances in the 1927-1928 season was about 1.2 million, with the number of theaters on the street increasing from 1.5 million in 1927 to 1.5 million in 1928. In the 1927-1928 season, as many as 280 plays were produced on Broadway, but this dropped to about 50 in the 1970s. Broadway staged a variety of styles of theater, and mainly attracted audiences with lavish and spectacular musicals with songs and dances and grand spectacles. This musical cabaret has become a unique American theater and the lifeblood of Broadway. American Theater League in 1946 to the famous American actress and director Antoinette. In 1946, the American Theatre Federation established the Tony Awards in the name of the famous American actress and director Antoinette Pelletier, which is equivalent to the Oscars in the movie industry. Award, Best Director Award, Best Actor and Actress Award, Best Supporting Actor and Actress Award, Best Musical Script Award, Best Director of a Musical Award, Best Musical Overall Promise Award, Best Lyrics of a Musical Award, Best Choreographer of a Musical Award, Best Actor and Actress of a Musical Award, Best Choreographer, Best Lighting Designer, Best Supporting Actor and Actress of a Musical, Best Re-enactment of a Play, and a Special Award. Currently, the awards, under the leadership of the League of American Theatres and Performers and the American Theatre Wing, are nominated by a nominating committee of 12 theatre critics and scholars, and finally voted on by more than 600 members of the Organization of Theatre Artists, with the winners receiving only a gold medal, with no prize money. Off-Broadway refers to theatrical activity outside of New York's commercial theatre centers, mostly performed by a number of troupes in theatres or rented old halls and basements from 41st to 56th Streets. It had emerged as an avant-garde as early as the early 20th century, characterized primarily by lower-cost theatrical experimentation and opportunities for Broadway-unappreciated theatre practitioners to perform. Two early well-known Off-Broadway theaters were founded in New York's Greenwich Village. One was the Washington Square Theatre, founded in 1914 to perform plays of artistic merit that had been neglected by commercial theaters, which later evolved into the Collegial Theatre in 1919, and which played a large role in raising the standard of American drama; the second was the Provincetown Playhouse, founded in Provincetown, Massachusetts, in 1915 by some members of the Washington Square Theatre, with the aim of "to give American playwrights an opportunity to express themselves freely," moved to Greenwich Village in 1916, and remained active for more than a decade, notable for first presenting the plays of E. O'Neill.During the Depression in the 1930s, Off-Broadway was a venue for workers' theater and left-wing politically minded plays, with the most well-known theater companies being Garrett O'Neil. The best-known theater company was the Collective Theatre of Gar Garlick. The Collective Theater of Gar Garlick. After World War II, Off-Broadway not only staged new plays, but also revived plays that had failed on Broadway, and had the courage to explore boldly in direction, performance, and style, thus forming a powerful Off-Broadway movement. in the 1960s, Off-Broadway staged more than 80 plays annually, including classical, serious, comedic, experimental, and cabaret plays of various genres. But Off-Broadway also became increasingly commercialized after the 1960s, and the cost of performances continued to rise. Some young playwrights then staged more innovative experimental plays at very low cost in Greenwich Village cafes, bars, penthouses, or churches. This trend grew so rapidly that by 1972 more than 30 theater groups had formed an Off-Broadway Consortium, and thus an Off-Off-Broadway movement emerged. The main founders of Off-Broadway were G. Signor and E. Stewart. Since 1958, Cino has offered his café to poets, musicians, actors and other artists so that they can present their creations to the customers. This led to his being called the "Father of Off-Broadway," while E. Stewart's Café La Mama, which had been staging new plays since 1962, became known as the "Mother of Off-Broadway. By the mid-1970s, Off-Off-Broadway had 78 major productions with about 630 shows a year. Since the mid-1960s, Broadway's monopoly on theatrical performances has been gradually broken by Off-Broadway and Off-Off-Broadway, as well as by regional and university theaters, due to the increased cost of performances and rising ticket prices. Broadway performers often moved successful plays from elsewhere for profit, gradually becoming an exhibition window for American theater, showcasing successful plays from all over the United States. La Mama's Experimental Theatre Club After the 1920s, Off-Broadway theatre in New York, which was originally a rival to commercial theatre on Broadway, also became increasingly commercialized, and the cost of performances continued to rise. As a result, some new playwrights opened up alternative paths to perform a variety of more innovative experimental plays at lower costs in cafes, bars, penthouses, basements, or churches in Greenwich Village, which gave rise to the Off-Off-Broadway movement. One of the main founders of the movement was Ellen Stewart. Ellen Stewart. A black woman and former costume designer, she worked with playwright Paul Foster in 1962 to create a play in Manhattan. In 1962, she teamed up with playwright Paul Foster and rented a basement on Ninth Street on Manhattan's East Side, with a 25-seat capacity, to stage plays by new playwrights. The following year, she opened the 74-seat La Mama Café on Second Avenue, where she staged a 1965 production of Murray Heisgall's The Typist. The Typist by Murray Heisgall in 1965 and L. Wilson's The White Frost of Eldridge in 1966 won public acclaim, and in the 19th century, playwright Fielding O'Horgan led the La Mama Café with a 25-seat production of a play by a new playwright. In 1946, playwright Jaime O'Horgan led the cast of La Mama's Café in a highly successful European revue, which was hailed as the "New American Theater," and thus gained international renown. Stewart discovered and nurtured a large number of new playwrights during this period, and in 1970, La Mama Café was renamed La Mama Experimental Theatre Club and moved to a newly renovated building on Fourth Street on the East Side, which housed two theaters and thus became a worldwide organization. The American Gentleman magazine named Ellen Stewart one of the world's most important artists. Gentleman's Magazine named Ellen Stewart one of the 100 most important women in the world, and she became known as the "Mother of Off-Broadway". Ellen Stewart's Experimental Theater Club. Stewart's Experimental Theatre Club is still a mecca for theater artists in the United States who wish to experiment with innovation in writing, directing, and choreography.