The art form of northern Shaanxi folk song is singing, song style, and lyrics, northern Shaanxi folk song refers to the folk songs of the northern region of Shaanxi Province, which is one of the important parts of Chinese folk songs.
It is mainly distributed in the northern Shaanxi Province and parts of western Inner Mongolia, such as Yan'an and Yulin in Shaanxi Province, and Ordos, Baotou, Wuhai, Chifeng, Hulunbeier and other places in the Inner Mongolia Autonomous Region. on May 20, 2010, approved by the State Council included in the first batch of national intangible cultural heritage list. Shaanxi folk songs have been passed down for a long time, have a long history, and have strong local characteristics. According to incomplete statistics, there are nearly 10,000 folk singers in Yan'an alone.
During the Anti-Japanese War period and the Liberation War, Yan'an became a holy place of revolution and an educational base for national unity and progress, attracting intellectuals from all over the world, and, at the same time, bringing folk songs with various characteristics. Due to historical reasons, the folk songs of different places in northern Shaanxi have obvious differences: some are high and majestic, passionate and unrestrained, such as "The East is Red" is a soprano song full of revolutionary fervor; some are deep and tragic, mournful and touching, such as "Letters to the Gods"; and some are cheerful and smooth, beautiful and melodious. Cheerful and smooth, beautiful and moving, such as the "two-man stage" is a representative of the popular folk song theater in northern Shaanxi Province.
Shanghai folk song notes
1, Shaanxi folk song is a very important form of folk music and culture in Shaanxi, to respect the local traditional customs and mores.
2. When singing, you should pay attention to the sound of the rhythm and rhythmic changes, and maintain a good sense of pitch and rhythm.
3. Pay attention to the emotional expression and depiction of the mood of the song, and strive to integrate the lyrics with the tune to convey the theme and emotion expressed in the song.
4. In the process of performance, we should pay attention to the cooperation of body language and the performance of stage image, in order to enhance the artistic effect and ornamental.
5. The historical origin and regional characteristics of Shaanxi folk songs should be fully understood and grasped in order to better understand their connotations and values.