Zero-based learning singing tutorial video
Learn singing 10 skills from scratch.
First, relax your shoulders and don't be nervous.
When singing and breathing, the singer's shoulders should be natural, relaxed and put down. This not only helps to suck breath into the abdomen, but also makes the vocal organs in a natural, relaxed and down state, which is conducive to correct vocal production. On the other hand, if the singer's shoulders are tense and arched when breathing, this will inevitably form the most superficial "clavicle breathing", and at the same time it will also cause the tension of the vocal organs, thus affecting the normal vocalization.
Second, the chest should be "slightly contained" and don't stand up.
When singing and breathing, the singer's chest should be "slightly contained", so that the chest is in the most natural and relaxed state. This will not only help to inhale the breath into the abdomen, but also make the vocal organs naturally relax, which is conducive to free vocalization. On the contrary, when singing and breathing, if the singer's chest stands up (especially when standing up hard), "chest breathing" will inevitably appear. At the same time, it will also cause tension in the vocal organs, thus affecting normal vocal production.
Third, the back should be "slightly bent" and not straight.
People's chest and back are originally connected back and forth, so "slightly holding" the chest and "slightly bending" the back (don't "protrude" and "stand up") are two aspects of the same action. Therefore, the mechanism that the back should be "slightly curved" but not straight is the same as the mechanism that the chest should be "slightly contained" but not upright.
Fourth, the neck should be "miniature" and not straight.
When singing and breathing, the singer's neck should be "miniature", not straight. It means that the singer's neck should be fully relaxed, and the back of the neck should be slightly shortened, rather than straightened.
The "miniature" of the singer's neck can make the neck in the most natural and relaxed state. In this way, on the one hand, it can make the mouth, throat and pharyngeal cavity unobstructed, which is conducive to "quietly" inhaling breath into the abdomen; At the same time, it can also make the singer's vocal organs in the most natural, relaxed and comfortable state, which is conducive to correct vocalization. On the other hand, the straight neck will cause the infarction of the respiratory tract, forming "clavicle breathing" and making it difficult to make a sound.
Five, the spirit should be exciting, not nervous.
Cheer up and don't be nervous. It means that the singer's psychology should be in a positive, excited and active state; Instead of being in a negative state such as tension, worry, fear, and fear.
When the singer's psychology is in a positive state, the singer's breathing function can be activated. Inhalation becomes smooth and easy to penetrate into the abdomen; At the same time, it also activates the vocal function, thus improving the vocal efficiency of the singer in an all-round way.
Sixth, the abdomen should be outward, not inward.
The abdomen should be outward, not inward, that is to say, after the breath is inhaled into the abdomen, the singer should keep the abdomen slightly bulging outward and not pushing inward.
After the singer inhales, keep her abdomen bulging slightly outward. "In the process of a phrase, he always pushes his stomach and abdomen outward, not inward." . On the one hand, it can effectively reduce the loss of breath, on the other hand, it can also slow down the promotion of breath to the vocal organs.
Seven, to "sing in the air, not in the air"
"Singing by breath, not by breath" means that the singer should put his voice on the breath of "rest" or "riding" after inhaling, while keeping his abdomen slightly raised, instead of pushing, squeezing and pressing the vocal cords with breath.
Eight, breathing should be "life-oriented" and not excessively "artificially controlled"
Breathing should be "life-oriented" rather than "artificial control", which means that breathing is the instinct of human survival. In order to survive, people need to constantly carry out metabolic activities of oxygen and carbon dioxide gas. This metabolic activity cannot be interrupted for a moment. However, in singing activities, excessive artificial control of breath will have a sharp contradiction with the most basic physiological and metabolic needs of human survival.
On the one hand, singing breath should ensure the perfect performance of singing activities, on the other hand, it should also ensure the physiological and metabolic needs of life. And it is not appropriate to artificially control the breath in order to sing.
Nine, breathe as needed, don't accumulate gas.
Breathing should be "on demand" rather than accumulating breath, that is, inhaling and exhaling according to the speed and length of phrases. Don't inhale too much, and don't leave too much breath-inhaling too much or breathing too much will lead to "chest breathing", which will also lead to difficulty in singing (starting) because of the excessive opening of the mouth, throat and pharynx and the rebound of too much breath, and will also accelerate the loss of breath. "If you inhale too much, you are already in trouble. You have created a tense atmosphere. " When the phrase ends, if there is too much breath left, it will be difficult to inhale again.
Ten, use gas to control, don't waste your breath.
"The inhaled breath should be appropriate and moderate, not too much". Pay attention to moderation when breathing (exhaling), and don't waste your breath. The best way to control gas consumption: on the one hand, we should pay attention to keeping "the abdomen should be outward, not inward", which can effectively reduce the loss of breath; On the other hand, we should control the breath consumed by each word in the whole phrase. In addition, enunciation is also an effective means to control rapid loss of qi.