How long is the history of the mukam in "Knife Lang Maxi Lai Pu"?

The Kerang Makkam in the program is one kind of Makkam, and there are other Makkams such as Hami Makkam, Turpan Makkam, Ili Makkam and so on.

Muqam covers a wide range, time is too wide, the details can be said to Iran, Iraq and Turkey Muqam, time can also be traced back to the 16th century. So here only talk about the knife Lang Mukam.

Muqam twelve, twelve muqam is twelve sets of classical music, specific which twelve sets can be their own Baidu.

Muqam in Chinese means "classical music", the program said, Xinjiang people have a proverb: learning knowledge to the school, learning to be a man to go to the Maxi Lai Pu. In 1950, the state sent several musicians to save the endangered Mukam, and they used an old tape recorder to record all the music of the twelve Mukams, and through organizing and editing, they completed the compositions and lyrics of the Mukams. tunes and lyrics were organized, and a book, "Twelve Mukams," was published, before the music of the mukams was saved.

In 2006, the mokam passed the United Nations declaration of intangible cultural heritage, and all the information has been preserved.

In fact, the musical form of Muqam is very spontaneous, which comes from the nature of the people of Xinjiang, who live in deserts, forests, rivers and marshes where people are rare, and are not subject to social constraints, so they sing and dance, and the rhythm and lyrics are not fixed, and they sing as they are made up, and the people of Dolan are bold and unrestrained, and the dances are bold, rhythmic and passionate.

The "Dolang Maisilaipu" in "The Inheritors of Chinese Imagery" combines the music and dance of Dolang Mukam and the tradition of Xinjiang Maisilaipu, showing the simple and refreshing true nature of Xinjiang people.

Searching for information, I found that music like muqam is still widely circulated, at least in Central Asia, and West Asia - Turkey, Iran, Iraq.

In fact, the Dolan people seldom use the word "mukam," but rather "Bayawan," which refers to the wilderness of the Gobi Desert. The dance of Dolan Maishilaipu is mainly used to express hunting scenes and the excitement of hunting, with rugged movements, retaining the image of many grassland peoples bending their bows and shooting arrows.

The musical instruments in the program are the aijiek, kalongqin, dafu drum and zhevapu (the phonetic translation of "pu" and "fu" is common). The kalongqin, known as the 72-stringed lute in the Qing Dynasty, has a tone similar to the guzheng, but brighter than the guzheng, and is an indispensable instrument for playing the twelve mukhams.

There are three kinds of dafu drums, a small tambourine used by folk singers, a medium tambourine used to accompany stage songs and dances, and the last is a large tambourine used by the folk to exorcise ghosts, and the one in the program is a medium tambourine.

The Dolang Ajek, also known as the Dorang Ajek, is a bowed string instrument of the Uyghur, Tajik and Uzbek ethnic groups. The earliest Ajeks, with strings and bowed strings made of horse tails, have a very melodious sound.

The Rewap is also divided into many kinds, much the same, there is also the Dolang Rewap, is the main accompaniment to play Dorang Mukam.