The article is very long and is naturally divided into three parts in chronological order.
The first part is about the situation of watching social drama at the first night, and the writer's preference for drama roles. It can be divided into four levels: 1? The fourth paragraph is the first floor, where the screenwriter hurried to see the social drama after dinner; The fifth paragraph is the second layer, writing about the changes in my understanding of social drama; 6? Paragraph 8 is the third floor, introducing the situation of the theater; 9? 13 is the fourth floor, and write your own preferences for drama roles.
Does the screenwriter start with the landlord? Go upstairs in winter? Go, yourself? Grab it? Eat my son's leftover corn porridge. People who walked into four townships and eight villages to watch dramas? . Here, I not only wrote my own enthusiasm, but also showed the people's strong interest in social drama in four townships and eight villages.
The second layer, write about the changes in my understanding of social drama. As far as objective conditions are concerned, such social drama is simple and poor, with a strong rural vulgarity. ? Broken curtains, simple wood, uneven countertops? Is it true?/You don't say. Cao Taiye's drama? In the eyes of some city people, it is not elegant; In essence, when you shout, it seems that you have a bag of explosives in your mouth. Out of the cavity, you can shake clouds and stars, and three mountains and five mountains shake. Am I right? Up to no good? . But then because? Listening to it day after day? The understanding of social drama has actually changed. Listen smoothly, get started, feel its good, its folk charm? . Here, the writer truly tells his own emotional cognition and aesthetic level? Vulgar? With what? Huh? Cognitive standard of. ? Huh? It does not depend on its existing conditions, nor on the means and forms of artistic expression. What is so-called vulgarity? Low-end acrobatics? , before getting started? Look at each other coldly and disdainfully? That's superficial.
The third layer introduces the situation of the theater, and the screenwriter arranges two places to take care of it, and one place is compared. ? When we arrived, the gongs and drums were already loud and the audience was crowded? 、? There is no place near the platform, so you are anxious to hold your son up and down the arch? , and the beginning? People from four townships and eight villages go to the theatre? Taking care of the audience shows that the vulgar Henan opera has won the love of the masses and also reflects their strong demand for cultural life. What's the second place? Looking forward to this beautiful day? Looking forward to it? Social drama? Long time no see? Take care of each other with the eagerness at the beginning. ? Beautiful day? And I have been looking forward to it for a long time. Grab it? An urgent move to eat porridge bowls. I hope, obviously not because of the temple fair? Businessmen are dense, accompanied by hundreds of plays, and it is very lively? I went to join in the fun myself, but it was because the screenwriter had a sincere love for Henan Opera. One contrast is that there are many food stalls next to the sixth stage. There is one in the booth? Colorful? Our food is not cheap, but many people buy it. The writer also bought a baked sweet potato for his son. This is meaningful. In connection with the actor's shabby dinner in the background below, we will find that the seemingly idle description here is not empty. The use of dark ratio, rather than bright ratio, reflects the artist's difficult life situation and places their infinite sympathy on the writer. Take the writer's son as an example. He left without drinking half a bowl of porridge. The author bought it not because his son was hungry, but as a way to satisfy his hunger and relax himself. Give people a kind of? Warm, young and poor? Feeling? ; What about artists? Are you online? High-power physical exertion? Next, you can only eat? Noodles and vegetables are not hungry? .
There are five sections on the fourth floor. The first paragraph is ingenious. What was the writer's strange name that night? Can't you estimate it? There is no need to beat around the bush on this issue. Naturally, the following pen and ink have been skillfully and unobtrusively transformed, and instead of being entangled in the content of the play, I wrote my own preferences and feelings about the role. Screenwriters prefer Hua Dan in Tsing Yi, but what about Tsing Yi? Phoenix embroidered shoes? 、? The red lining in the green skirt? , Hua Dan? Orchid finger? 、? Swing your sleeves? 、? Small steps? And then what? A tearful voice that is not stuffy or hot? . Write down your son's and your own preferences in the paragraph 1 1? Heart palpitations? 、? Worried? Worried about Wu Chou tumbling down the table. Write yourself in 12? Tired of staring at an old student on the stage? When Wu Dan played? Force the old man to curse, and let it go? I feel very gratified, but I have a little regret: Wu Dan's Orchid Finger? It's half as thick as a cattail leaf fan, especially when it's a cloud hand. Can it really cover it for half a day? . 13 paragraph writes that the audience's aesthetic enthusiasm focuses on drama, excitement and? Colorful clothes and singing crafts? Let's go Each of the three paragraphs has its own emphasis, and there is no detailed description of Hua Dan in Tsing Yi. It can be seen that the writer uses a kind of writing skill with obscure meaning here, hiding the profound meaning he wants to express behind the words of preferences and feelings, so that readers can clearly see the superb skills of artists, the regrettable thick orchid finger is actually the epitome of their hard life, and see the real psychological desire and simple aesthetic taste of the public! This article is original.
The second part is about going to the theatre the next day. It can be divided into three layers.
On the first floor 14, it is written that people behind the queue in front of the village are not in a hurry to catch up with the play. The content is relatively simple, inheriting the meaning of the first part, but emphasizing one point in time. Good morning. Words. First, the gongs and drums of the troupe rang early and the atmosphere was rendered early; Second, people who go to the theatre go early. Is the sun still hanging in the west, burning peacefully? . This explains at least two things. First, the performance of the troupe the day before was very successful, which made everyone interested in watching it again. Second, the local people really have a strong interest in Henan Opera.
Second floor, 15? 17, explaining the reasons why Henan Opera, a local drama, has great vitality. Writers are good at adjusting pen and ink in the process of writing, infiltrating cultural factors, and making articles have the flavor of cultural prose. Start with the title of the play. Does the screenwriter doubt the performance of "Lao Bao sitting in prison" that night? This is by no means a true biography of Bao Gong's drama. Come out early? Five clothes? Is it? , not for this? How about making it up? I don't agree. 16 is written from the perspective of audience enthusiasm, which shows that although it is? How about making it up? Although the supporting actor's performance is not perfect, but because the protagonist is old? I worked very hard, my blood was boiling, and my voice penetrated my abdomen, including that trick and that style, which was extremely mature. It has been recognized by the audience. This recognition determines the living space of this drama. 17 further explains this problem. Including these reasons: first, has a long history? Four big bangzi? First, it has the largest number of troupes in China; Second, its geographical advantage enables it to? Not stick to one pattern? 、? No putting on airs, no telling the truth? ,? Regardless of the name, there is no serious problem, right? Zheng Sheng is the best. The latter is the most important, which shows that it is the most popular and can cater to and be accepted by the audience. Live a delicious life? Only then has the most vigorous vitality. This analysis of cultural origin makes the article get rid of the shallowness of practical matters, return to the cultural and historical origin from a single phenomenon, and examine cultural phenomena with lofty eyes, which is commendable for a female writer, Rainbow Qiying, and shows that she has abandoned the limitations of female writers' usual little women's prose and forged her amazing courage and boldness.
Third floor, 18? Paragraph 37, write what you saw backstage. In paragraph 18, the author said that he was actually more interested in the local cultural environment. This is because in the past, I only felt the rich and simple local flavor in literary works, but now I am related to? A countryman who smells like mud and garlic? Get along day and night and feel the real local flavor. The more you think, the more delicious it is? . This passage plays a transitional role in structure, in order to write about the life of the following artists. The following paragraphs, from the perspective of what the author has seen, talked about and thought, fully and truly reflect the living conditions of artists. First, focus on two typical characters. Cat face girl? The rough skin on the neck and behind the ears, and the old dirt over the years are all clear. It is not necessarily wrong to say that she has not taken a bath for two months. Take a closer look at that guy with BLACKPINK makeup, even the fake one is not as good as it is. Especially rouge, looks like a cheap advertising color. ? The description here does not mean any disdain, but objectively reflects their difficult living situation. For a living, they? Eating in the east and living in the west, sometimes you can't sing for a month at home? She used cheap advertising colors regardless of the harm to her skin, so that the writer's son actually doubted whether she was a real person. It is about a young woman in Tsing Yi. The author learned from her conversation that she entered the theatrical troupe at the age of five, and the burden of family fell on her alone, running around dragging a nursing child. In order to make money, we have to leave the yellow, thin and sick children on the court. These two figures are the representatives of all artists and have certain typicality. The second is to write about the diet of artists. Dinner at night is just noodles and vegetables, and it is really difficult to make up for the high-power physical consumption of one night. Faced with this situation, the writer can't help but sigh: these musicians performed all the courtiers on the stage and told people about their love for their children, which was unexpected, but behind them were the ups and downs of their lives and the hardships of the world. It's hard to make a living! ? Send infinite sympathy.
The third part is about sending medicine and clothes to young women in Tsing Yi on the third night. This part is not long, only three paragraphs, mainly to express feelings. In paragraph 38, the north wind blows hard, but it can't stop the people's enthusiasm for watching the play. Is the theater crowded again? . Why are people so fascinated by opera? Is it because of the local Bangzi opera? It is not only entertainment after work, but also a kind of cultural provision and a symbol of spiritual sublimation? . For writers? Seems to understand? 、? Seems to suddenly understand? 、? Seems to finally understand? , expressing the feeling and understanding of the true meaning of art, namely? It is the most primitive, essential and immortal to engage in art from the perspective of life and the bottom people? . In paragraph 39, the author stops appreciating and thinking about the actress? Those words are not a reward for me, but a dignified and unbearable sadness? . With their enthusiasm, these performers carry forward traditional arts and send cultural goods and spiritual food to the people, while they themselves are still struggling on the poverty line. They are very grateful for a little help from others. Such thanks make the writers feel dignified and unbearable, and the audience should thank them. The last paragraph summarizes the full text. She has played fifteen social dramas, and she has performed fifteen, which shows that the screenwriter has a special liking for this kind of local bangzi drama. Although not all the fifteen plays have been seen or recorded, the writers have seen the hard life of the artists, their piety and persistence in art, the cultural needs of the audience, and the true meaning of art. The plot can be forgotten, but these will definitely be remembered in the writers' minds. All this makes the writer in the cold and snowy winter? Is your heart still full? However, when I think about their hard life, I feel disappointed. Whenever I see the vegetable fields and sweet potato porridge holding hot corn outside the window, the writer will always miss it.
To sum up, it can be seen that although the article is long, the three parts have their own emphasis. The first part focuses on writing my own understanding from the perspective of the writer's preference for drama roles. The second part focuses on cultural factors and what the writer saw, talked about and thought to explain why Henan Opera has tenacious vitality and truly reflects the artist's living conditions. The third part focuses on expressing sympathy for artists from the perspective of interaction between artists. Different emphases are of great significance to the profound revelation of the theme.
Artistic techniques, the highlights of this article can be summarized as the following three aspects:
First, the combination of group image scanning and typical focusing. In the first part, through the description of Wu Chou, Wu Dan and Lao Sheng, and the method of group image scanning, it shows that although these artists are not fastidious in costumes and unskilled in performances, they practice their skills hard and are deeply loved by the people. The second part focuses on two typical characters, reflecting their living conditions. The combination of the two is comprehensive, objective and more convincing.
Second, emotional expression is combined with rational thinking. In the narrative of the story, the writer integrates his subjective feelings from time to time, and narrative, discussion and lyricism are in harmony with each other, which narrows the distance between himself and artists and readers. The first part, the change of understanding of social drama, the second part, the description of the tenacious vitality of local drama, from the rational level of cultural exploratory thinking, broaden the boundaries of the theme, deepen the connotation of the theme.
Third, the combination of comparison and reference. The first part, "Two Cares", not only shows people's love for social drama, but also prepares for the following description of the tenacious vitality of social drama. A contrast reflects the writer's sympathy for the artist's living conditions. The comprehensive application of the two techniques makes the article interlocking and become an organic whole.