Word: parting
Note: lí bié
Interpretation: to separate from a familiar person or place for a longer period of time
In the course of one's life, one has to face a lot of parting, parting of friends, parting of loved ones, parting of lovers, and, as the saying goes, "there is no such thing as a banquet without dispersal", and "there is a parting of the world", and "there is a gathering and there is a parting of the world", and this is something that can not be avoided. This is unavoidable and inevitable, but it is so helpless! Each time the parting is so gloomy and despairing, heartbreaking!
In all the emotions, parting, should be considered a kind of poignant feelings! Whether it is "advise you to drink a cup of wine, the west out of the Yangguan no old man" frustration, or "Lanzhou rush, hands look at each other's tears, and even speechless choking" of the realm of the first flow of tears, none of them do not confirm that: parting, is helpless, is sad, is the literati recite not tired of! The first thing you need to do is to get your hands on a new one, and you'll be able to do that!
The ancient dragon warrior has a weapon called the parting hook. What kind of weapon is that? Hook hand - hand broken; hook foot - foot folded; if you let it hooked to your head, then if you are fast-mouthed, you can still say a sentence: "Twenty years later, another good man!" and so on. And so on and so forth only! Anyway, it's just a parting hook! That's why it's called a parting hook!
After many years, I can't help but think that the parting hook can make all things parting, so what about feelings? There is a saying that "the knife breaks the water flow, raise a cup of sadness more sadness", this parting, can let the parting hook broken? I am afraid that the ancient warrior has not thought of this point!
In fact, what's wrong with parting? There is no parting of the sentimental, and how come the reunion of the happy face it? The next time we meet, we are preparing for the next time we meet! If the two love is long time, and not in the morning and evening? The first thing you need to do is to get a good deal of money to pay for the services you need, and then you have to pay for the services you need.
After the parting, you can be in the sun dyed sky, guarding the window, accompanied by the lily quietly open; can also be in the rainy days, a cup of tea, a few sheets of paper, tell the details of the love. It turns out that your figure is so familiar, it turns out that your smile is so moving, this is what a good feeling ah! If you are together, how can you experience it? People always have when they will not cherish, and once lost to understand the original has missed that, is so worth recalling! When you know the truth, that is when you are reborn!
What's wrong with parting? Distance produces beauty, this is a sentence too old to be old. If there is no parting, how can there be "a kind of love, two idle sadness" of the heart? If there is no parting, how can there be "only on the eyebrows, but on the heart" feelings? If there is no parting, how will there be ......
If the world really have parting hooks this weapon, then let her gently hooked on my neck, let me in the parting like the phoenix, set incense wood and self-immolation, to be nirvana!
Standing at the intersection of the road, the traffic lights over one after another, finally in the nth green light - parting, perhaps from now on, walking in the intersection of the line, there will be a day of meeting, perhaps walking on both ends of the parallel line, there will never be the intersection of the day, but no matter what, I am grateful to those who have accompanied me all the way through. I'm grateful to those who have accompanied me all the way through, because with them, there is a world of joy and anger, there is a colorful life!
Hurt parting, parting is always in front of the eyes, can only be a long time to think about each other, and can not be long time to keep each other, empty leave drops of tears in the pillow ~~~~~~~~
Parting poetry small discussion
This morning I woke up in a dream, the dream is not remember, is always so a few lines in the chest hovering: "You should have a language, muyi million miles of layered clouds, a thousand mountains of twilight snow, only shadow to whom to go? Only shadow to whom to go?" The first time I saw it, I thought about it for a long time. After thinking about it for half a day, it seems to be seen in the Jin Yong martial arts. Hurriedly before going to work, I went to look up the book of Leaning Heaven and Slaughtering Dragon, but I couldn't find it. I went to work and searched for it, only to find that it was written in the Divine Eagle. Hey, by the way, I saw a comment or two on the parting poem. Think it's very beautiful, just move and everyone **** enjoy.
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Yulou Chun
Ouyang Xiu
The bottle in front of the intention to put the date of return to say, not yet said the spring face of the first miserable swallow, life is since the love of stupidity, this hate is not related to the wind and the moon. This hatred has nothing to do with the wind and the moon.
There is no need to renovate the song, because it is a song that can teach you to be sad. I'm not sure if I'm going to be able to get a good look at it, but I'm sure I'm going to be able to get a good look at it," he said.
(May)
The whole song is about the parting of friends, one is reluctant to part and the other is eager to stay. My favorite line is "life is a love affair", a "since" to write out no regrets. Sister Lin is happy to part but not happy to get together, that always have to part, parting will have pain, why get together. However, the higher realm is "the golden wind and jade dew a meeting, will be better than, the world countless", in order to meet, what is worth it.
Although it is a soft knot, or inevitable parting, then wait until you have seen all the colors of spring in the city of Luoyang and then go, as if
is a wave of the hand, reluctantly revitalized the spirit. I think it's a good idea to have a good time in the middle of the song, but I think it's a good idea to have a good time in the middle of the song.
(Moonlight Meteor Shower) Talk about other poems and other words
"The only thing that makes you sad is that you're not going anywhere." This word also did not jump out of the circle of gloomy soul. The so-called bold, but also not too early and late to part with the difference between ......
Don't poems don't words, I personally think the most bold than Cen Sen's poems, perhaps he was far away from the border of the reason, but also every national affairs at the moment, the heart is very wide open. The poem "Sending Feng Daifu on a Western Expedition" is a change of his previous handwriting, emphasizing the danger of nature and the bravery of the "generals of the Han family" who defied nature when they were marching, with a great momentum. Sending Judge Wu back to the capital" is a familiar poem, the big brush strokes rendering the beautiful scenery outside the city, combining the reluctance of parting with the scenery outside the city, although parting, there is a "no knowledge of the road ahead, who in the world does not know the king" momentum, so it is a magnificent parting. "Cui service to the capital" with the first technique is more or less the same, but more of a reluctance to part, I prefer to "send a drunken Tianshan Guo, is to see the setting sun fell by the sea", although it is a parting, but do not talk about "*** stained with scarves" of the scene, look at the setting sun from the hot seashore fall, sadness The first thing I want to say is that I'm not sure what I'm talking about.
Oh, perhaps I am the reason for the West, I prefer such a majestic parting work, little heard of the humble opinion, all in the brick to attract jade. I'm not sure how much I'm going to be able to do this, but I'm sure I'll be able to.
(Peng Peng)
"Life is a love affair, and this hate is not about the wind and the moon." In fact, the word "love" is not enough to describe it! The first time I saw this, I was in the middle of a conversation with a man who had been in the middle of a conversation with a woman. It is the promise of life and death." can reveal this message. It also reminds me of a line in Fou Zhouyi's "Raccoon Stream Veil": "Don't be a sentimental fool in another life." This life is already over, obsessed by love, trapped by love, only wishing for another life, do not be a love-struck. "The only thing that saddens the soul is parting." What else is more heartbreaking than separation, and what other scenes are more poignant and moving than parting! "Holding hands with his son to grow old with him", the beauty is beautiful, but whenever I think of holding hands after the inevitable breakup, after meeting destined to be separated, each and every so I dare not make the reunion of the reverie, can be described as bleak to the point of. "If two love is a long time, and not in the morning and evening!" How many people in the world can do this? Not to mention the fact that this kind of true love full of childlike innocence was already dead in the Middle Ages. Therefore, the "golden wind and jade dew" type of meeting love, can only exist in literary works, and how can we imagine?
The song mentioned at the beginning of this article is from Yuan Zhuishan's "Mai Peitang", which is mainly about love.
Mai Peitang
Yuan Zuishan
What is love in this world that leads to the promise of life and death? The two flyers from the south of the sky and the north of the country, the old wing a few times in the summer and the winter. The joy of pleasure, the pain of parting, in which there are even more foolish children. The first thing you should say is that you have to be able to see the clouds, the snow, and the shadows of the mountains, and you have to be able to see them.
Horizontal Fen Road, lonesome year xiao drums, deserted smoke is still flat Chu. The soul of the Chu some why contempt and, mountain ghosts cry darkly wind and rain. The sky is also jealous, I do not believe that with the warblers and swallows all yellow earth. A thousand years of history, for the stay of the scholars, singing and drinking, to visit the geese hill.
Brief comment
The words are about geese. One goose was killed, and the other one died on its own. The author bought the geese and buried them in a place called "Yanqiu", and wrote this poem.
The author's first words were: "What is love in this world that makes you want to live and die together? The opening of the mouth with a crying voice, down really word blood, sound tears. The writing is a pair of North and South Guanshan, through the summer and winter, sweet and bitter and **** the old geese. "Misty clouds, a thousand mountains and twilight snow, to whom is the shadow going?" Miles of clouds, thousands of mountains, twilight snow, can not tolerate the shape of a single shadow, but only to die in return.
The second half of the piece tries its best to manage the atmosphere of condolence, the ghosts of the mountains cry in the dark, and the wind and rain beckon the soul. The author is not willing to let this pair of "love geese" "with the warblers and swallows all yellow earth" to build a goose hill for posterity.
Li Yu
"Happiness of Meeting Each Other"
Without words, I went up to the west tower alone, and the moon was like a hook, and the lonely sycamore tree was locked in the deep courtyard in the early autumn.
Cutting and cutting, but also messy, is the separation of sadness, and other general taste in the heart.
"Wave Taosha"
The rain is falling outside the curtain, and the spring is ending. The coverlet does not resist the cold of the fifth night. In my dreams, I don't know I'm a guest, but I want to be happy for a long time.
It's easy to say goodbye, but it's hard to say goodbye. The water is flowing and the flowers are falling, and the spring is gone, in heaven and on earth.
The poems of the Southern Tang Dynasty's later masters have always been very poignant, and their literary attainments are very high. Above this "see each other happy", made this word has been in the return to the Song Dynasty after. The old palace corn, feeling of nostalgia, honestly have the sadness of not being able to look back, so it is also known as the "memory of the real princess".
The "sadness" of the lyrics, heavy and sad, will not be a simple separation between men and women, but should contain the deep and complex pain of life. Song Huang Sheng, "Tang and Song scholars wonderful word selection" Volume 1, said "this word is the most poignant, the so-called 'lost the country this sound of grief to think'", is to understand this word for the pain of the lost country. After the latter was captured into the Song Dynasty, there was the death threat of being killed at any time, the pain of losing the country that it was hard to return to, the shame of watching his wife being insulted, and the strong contrast of being a ruler in the past and a prisoner today, all these feelings were intertwined in his chest, and the pain was so painful that it was almost numb, and it was hard to tell what was actually sad and troublesome at this moment, except for the words "Cutting and cutting, and still messy! "The first thing I'd like to say is that I'm not sure what I'm talking about, but I'd like to say that I'm not sure what I'm talking about.
The main character of this word is a silent person, the deep courtyard "lock" is not only the coldness of the late fall, but also the deep sadness and pain that can not be talked about in the heart. The mood revealed in the poem is basically the same as in the previous one. Li Houzhu's ability to form a picture is particularly strong, sketching out a realm in just a few words, just like a skillful painter, sketching out a picture with just a few lines. The words "without words" and "alone" on the west tower, from the heart to the situation of the double write an unusually heavy sense of loneliness. The two lines of "the moon is like a hook", from the line of sight, is to look down on heaven and earth, there is a call to heaven and earth; from the mood, the sky like a hook of the waning moon, the ground of the deep courtyard of the sycamore in the autumn, constituting a three-dimensional realm of space and time. The use of the word "lock" is alert and meaningful, not only to see the harshness of the closed environment, but also to write a high degree of internal repression. Boundless sorrow and pain have long been accumulated and closed in the heart, so then said "cut and cut, but also messy", it seems particularly true and natural. Like Li Qingzhao "sound of slow" word ending sentence "this time, how a word of sadness," the same, direct expression of the burden of Chen feel infinite twists and turns. This is the concentrated outburst of sorrow that has been suppressed for too long and too much depression, and thus has a shocking artistic power.
Another song of his, "Looking at the South of the River,"
Looking at the South of the River
Li Yu
Idle dreams are far away,
South of the country in the clear autumn.
Thousands of miles of rivers and mountains are cold and blue,
and a lonely boat is moored in the depths of the reed blossoms.
The flute is in the moonlight building.
Some comments are as follows:
The words of the later master have a very high power of artistic generalization. In just a few words, it depicts the autumnal scenery of Jiangnan and the state of mind of a parasite. In the first line, only three words, "Idle dreams are far away," are already breathtaking. Being a lowly guest, he wants to return to his hometown, but he can only realize it by dreaming. It's not a good idea to be a good friend, but it's a good idea to be a good friend.
The last few lines are magnificent, write the wide range of rivers and mountains, the richness of autumn. The writing is extremely powerful, the mood is very beautiful. Around the center of the autumn, the word everywhere in the scene, but in the scene of the feelings of the distant flute and the lonely moon, a long time.
Peng Peng:
I like the words of the late lord, but I have not seen much of this "Looking at the South of the River". The latter's later lyrics pushed the word to the peak of its time, enabling it to serve as a literary genre separate from poetry. Wang Guowei's "Words on Earth" said, "The word to the later lord, and the vision began to be bigger, so changed the words of the eloquent officials for the words of the scholarly men." This is a true insight.
When we read the later words of the lord, we often find that this naive middle-aged children like to use the word "dream" in their works, and it is true that, in addition to the dream, what else is his support? Indeed, apart from dreams, what else could he rely on? How can he endure the cruelty and ruthlessness of reality when he is so happy in the memories and imagination of "not knowing that he is a guest in the dream"?
The words of the later lord, as Wang Guowei said, is with "the heart of a child", that is to say, he has a naive heart of a child, which is inseparable from the fact that he was "born in the deep palace and grew up in the hands of women". In my opinion, among all the lyricists, there are only two who have this kind of "heart of a child", one of them is the master and the other one is Nalan Rongruo. Other than this, there is no third party. This is precisely "the shortcoming of the Later Master as a ruler, and also the strength of the Later Master as a lyricist." The later commented, "as a lyricist really great, poor thin life as a king." The first is to make sure that you have a good idea of what you're doing.
Ruyi: (the latter has another song, "Song of the Night", which I like very much)
How can we avoid the sorrows of life, and how can we limit our feelings?
The dream of returning to my homeland has come to me in tears.
Who will go up to the high building, and long remember the autumn sunshine look.
The past has become empty, but also like a dream.
It is also a dream, the upper and lower parts are written around the dream. It is difficult to return to the old country, the past has become empty, only to return to the dream, but the dream of a long time of pleasure, wake up full of sadness and hate how to play? Alone on a tall building, looking at the end of the world, but "the old country three thousand miles", and then associated with the prison career, how can not make people gloomy soul? The last four lines of the melancholy and sad, the dream and the reality of the huge contrast, it is a lot of feelings.
The latter's talent, the thin life of the king, fortunate or unfortunate, it is difficult to comment.
The Wave of Sand ------
This is one of Li Yu's most famous works, and it makes one's heart tremble when reading it. As a subject and captive, Li Yu's late days were too bleak and despairing, suffering all day long in humiliation and sadness, with not the slightest joy or pleasure in his life. Only in the dream can he forget his own prisoner "guest" identity, and temporarily indulge his emotions. The dream of pleasure, contrasting the reality of extreme helplessness and pain. In the late Qing Dynasty, Duanmu Jie once said that Li Houzhu was greedy for pleasure in his dream, which was "the whole heart of Chen Shubao, the dead king of a thousand years" (Zhang Huiyin's "Selected Words"), which was really a harsh "cool comment", and completely failed to appreciate the ancient people's intention and situation.
This piece uses the technique of flashback to first write about the environment and feelings after waking up from a dream, and then write about the dream. But we can regard the above piece as two sets of indoor and outdoor shots superimposed on the same time and space. Outside, the spring rain is drizzling, and the short-lived spring light is about to be lost under the ravages of the wind and rain. The dimly lit scene further accentuates the sadness and coldness of "the end of spring". Inside, at the fifth hour, the main character wakes up from a dream, listens to the spring rain outside the curtain, and realizes that the coldness is pressing down on him. The words "not warm" and "cold" seem to be repetitive, but in fact they have their own emphasis. "Not warm", is to write the thinness of the coverlet, reflecting the pitiful situation of life. The word "cold" focuses on the expression of psychological desolation and misery. In real life, always in a high degree of repression, confinement, fear, humiliation, sadness, can only be in the dream of the morning, how can he not despair, not disheartened!
The next piece is written after dawn. The next piece is about the scene after the daybreak. The first part of the story is about a man who has been under house arrest for many years and wants to climb the stairs and look out over the horizon to get his mind off of it. "Alone" against the fence, there is no year when the tour of the Garden, "cars like running water, horses like dragons" of the clamor and bustle, there is no "flowers and the moon is the spring breeze" of the good times, and can not see the infinite good The country's rivers and mountains can only add to the loneliness. The word "mo" is used firmly and sadly. The light language of "It is easy to say goodbye, but hard to see you" contains a wealth of life feelings, and is far more complex than Li Shangyin's "Untitled" poem, "It is hard to say goodbye when you see each other". Li's poem refers to the difficulty of seeing each other at any time due to the constraints of external forces between male and female lovers; he is resentful, but not disappointed. Li Yu's poem refers to the loss of the country and the separation of his homeland. The loss of the river and the mountain will never be able to return, which contains remorse, helplessness and despair.
The end of the poem is characterized by the images of running water, falling flowers, and spring, which further show Li Yu's despair of life. The two worlds of "heaven" and "earth" are the two extremes of heaven and hell, joy and pain, and they are also a reflection of Li Yu's past and present living conditions, mentality and emotions.
The whole poem begins with spring rain and ends with flowers falling in the spring rain, the beginning and the end of the poem follow each other, the structure is complete, and the mood is all-encompassing. Mr. Tang Guizhang, a master of contemporary lyricism, once said in his Commentary on Li Houzhu that this song is "a piece of flesh and blood of the words, bleak to the extreme. I am afraid that the cries of the cuckoo in the deep night and the whistles of the apes on both sides of the Wu Gorge are not as mournful as this". "The later lyricists, or intentional meter, or show allusions, or pile up colors, like the Lord of the rear of the pure spirit of the work, is really one in a million".
The Tang culture is interpreted by the Tang parting poems
The Tang poets roamed the world, and the parting poems flourished as never before. Among the more prominent 2,000 poets of the Tang Dynasty, almost every one of them wrote farewell poems. In those Tang poems that have been sung endlessly, many of them are farewell poems. Yan Yu of the Southern Song Dynasty said in Canglang Poetry, "The good poems of the Tang people were mostly works of conquests, country trips, relocations, and farewells, which often moved and inspired people's hearts." I have found some interesting cultural phenomena of Tang people in my research and exploration of Tang parting poems.
I. Unique ways of sending off
1. Folding willow to send off
Folding willow to send off this ancient custom was first seen in the Han Dynasty, the Han Lefu has an ancient song, "Folding the Willow Songs and Ceremonies," which reads, "Getting on the horse is not catching the whip, and folding the willow branch instead. The flute is played on the seat of the horse, which kills the travelers with sorrow." In the parting poems of the Tang Dynasty, there are a large number of arias of farewells with broken willows.
"The spring breeze knows the bitterness of parting, but does not send the willow green" (Li Bai's "Song of the Laolao Pavilion")
"The willow is a tree of the east wind, and it is green and sandwiched between the royal rivers. Recently, it is hard to climb and fold them, but it is because there are many partings" (Wang Zhilu, "Farewell")
"The willow by the water is curved with dusty threads, and it is annoying for you to fold a branch immediately. The spring breeze is the only thing that we cherish the most, and we blow it into our hands even more attentively." (Yang Juyuan's "Folding the Willow")
The above quoted poem vividly shows the sad parting scene of the poets in the face of the green willow, reflecting that the custom of folding the willow to send off the departed prevailed for a while in the Tang Dynasty. Not only that, when the departed person did not see the willow, as long as he heard the tune of "folding willow", it would evoke infinite feelings of parting, such as "this night song heard the folding willow, who can't afford the love of the old garden" (Li Bai's "Hearing the flute on the night of spring in Luocheng"), "Qiang flute, why do you complain about the willow, the wind of spring does not pass through the Jade Gate Gate? " (Wang Zhilu "Liangzhou Lyrics").
The willows dancing in the wind are very similar to the sorrows of the departed, and "willow" harmonizes with "stay", so there is a sense of retention, farewell and reluctance to part with the willow. Willow branches have the habit of being born anywhere, "unintentional", therefore, I think, the willows are also wishing friends in a foreign country to live a smooth life, the meaning of thriving.
All in all, "willow" in the eyes of the Tang people, has far exceeded its nature as a plant, and evolved into a symbol of separation, with a strong human flavor and deep cultural connotations.
2, drinking farewell
The Tang Dynasty saw the emergence of "where to send more wine to will mean to write a moment of the scene of the Xinghuai, the words of mutual encouragement to mean" (Yuan-Yang Zai "Poetry Law"), the dashing and romantic Tang poets to the wine and poetry and the parting of the fusion of the formation of the unique charm of the "farewell poems".
The Tang poets blended wine with poetry and parting to form the unique and charming "poem of farewell".
Wang Wei's "Sending Yuan Er to Envoy Anxi" spread throughout the northern and southern rivers and mountains of the Tang Dynasty as soon as it was released, and "persuading the king to finish a glass of wine, and leaving the Yangguan Pass in the west without an old man" touched generations of descendants. Li Bai, the immortal of poetry, even put his parting thoughts in a glass of wine, "People are thousands of miles away from each other, but the Xing is in a cup", "I can't bear to see each other, and even more into the cup in my hand", "The flypaper is far away from each other, and finish the cup in my hand! ".
Reading the parting poems of other poets in the Tang Dynasty, there is always the aroma of tea. "Drunkenness is not enough to make a happy parting; the moon is drenched in the river at the time of parting" (Bai Juyi), "I am drunken in sending you off today, but the road to remembering you tomorrow is long" (Jia Zhi), "Hatred of parting is like the wine of the will, and all men of the past and present are drunk" (Guan Xiu), "The wine of parting is like the wine of the will." (Guan Xiu), "Drunken Farewell to the Orange and Pomelo in the River Tower" (Wang Changling).
In the Tang poets, no matter when and where they parted, the party who was going to leave and the party who was seeing them off mostly had to "bottle wine to comfort the departing face" (Wen Tingyun) and "send off the king to be as drunk as possible" (Jia Zhi), and "wine" has become a symbol of their love for each other. wine" has become one of the main images on which they rely to express their feelings of parting.
3. Singing Farewell
Singing farewells were prevalent in Tang Dynasty, and the most famous one is Li Bai's "Gift to Wang Lun", which reads: "Li Bai is going to walk in his boat, and suddenly he heard the sound of treading songs on the shore. The Peach Blossom Pond is a thousand feet deep, not as deep as Wang Lun's sending me off." "Tap Song" is a folk song, in which the foot treads on the ground to make the beat. Li Bai's other poem "Farewell at Ba Ling" has the line "Just when I am breaking my heart this evening, I can't bear to listen to the song of a black stallion." According to the Dictionary of Tang Poetry Appreciation, "The Song of the Yeo" is a song sung at the time of parting. Wang Wei's "Send Yuan Er to make Anxi" is also a parting song that has been passed down for a long time in the Tang Dynasty, and the so-called "this speech, a moment of recitation is not enough, to three times the song", and later on, even "Yangguan three times" as a synonym for sending off. In the works of other poets in the Tang Dynasty, it is not difficult to find the verses of singing to send off, such as "I heard the son of a traveler sing a song of separation" (Li Xin), "I sing a song to solve the boat" (Xu Hun) and so on. According to the Dictionary of Tang Poetry Appreciation, "Laogai" originally referred to the song sung at Laolao Pavilion to send off a guest, and later became a synonym for farewell song.
4, write a poem for farewell
The Tang Dynasty, where to send a person out on a trip, back to the hidden, out of the capital, to return to the Hajj, under the friends, farewell, often endowed with poems to give to the strong line, the Tang Dynasty was sent to someone to give poems for the honor of no one to give poems for the shame of the Qian Yi, "the south of the new book," contained in the cloud: "the Great Calendar, since the prime minister, following the envoys for the pastoral, no money to rise, Lang Shiyuan poetry favoritism sender, the time the argument that the person who is sent, the poem is a good idea, but not the person who is sent. The poem of favoritism to send off the person, the current theory of contempt." The prevalence of the poem-giving culture in the Tang Dynasty can be seen. Wang Bo's Sending Du Shaofu to Shuzhou, Gao Shi's Farewell to Dong Da, and Wang Wei's Sending Yuan Er to Envoy Anxi are all popular poems of farewell, and Li Bai was the one who gave the most poems of farewell in the Tang Dynasty. Li Bai traveled widely and had many friends. In his farewell poems, he mentioned more than 400 people by name. The most popular ones are "The Yellow Crane Tower Sends Meng Haoran to Guangling" and "Farewell to Wang Lun". The two small mountain Zhai collection of essays - words Li Bai" evaluation of Li Bai's gift of poetry "to friends do not seek to understand, so with the feelings of floating", which is also from another side of the Tang Dynasty to give poems to send off is a very common and very common behavior.
Two, the Tang parting poems in the time and space background
1, Tang parting poems in the evening and moonlit night and other time imagery.
Many poets in Tang Dynasty like to combine parting with evening. For example, in Wang Wei's poem "Farewell in the mountains", there is a poem that reads "We have left each other in the mountains, and we are covering the wood at sunset", and in Liu Changqing's poem "Sending Ling Che", there is a poem that reads: "With a hat and a slanting sun, the green mountains are far away from the home". Cen Sen has the lines "The twilight snow comes down at the Regulator Gate" and "Sending you off at the East Gate of Luntai", and Wei Yingwu has the lines "In the drizzle of the Chu River, at the twilight bells of Jianye"....... The sentiments of the infinite, staining the lapel than the scattered silk". ......
The above quoted poem in the "sunset", "slanting sun", "twilight snow", "the twilight bell", etc. all indicate the evening time. Tang poems of parting like to choose evening as an imagery. This is a strange phenomenon. The reason for this is that the author believes that the sad emotion of parting is harmonized with the hazy twilight. In terms of the beauty party, both are cold colors. For the wanderer away from home, the evening means the advent of night, when the birds return to the forest, the fish sink to the bottom of the pool, the twilight gradually gradually to the pallor, this scene, especially to evoke the feelings of separation of the wandering people.
Another parting image that appears more frequently in the Tang Dynasty is the moonlit night. Turning to the Tang poems, we can see that the moon is used to express parting chants, stretching into a moonlit landscape. In Tang poetry, the moon is full of spirituality and life. Such as Xue Tao "send a friend" poem: "water country reed night frost, moon color mountain color *** pale. Who said thousands of miles from this evening, the dream of the long as Guansai", Bai Juyi's poem "Jialing River, the bright moon, although the same people parting", Li Bai's poem: "If you see the end of the world, think of the old man, Raccoon River stone peeping moon" and so on. In these poems, because of the moon's triggering, baking, and the mood and atmosphere created by the moon, the abstract feelings of parting appear to be moving and deep.
Tang poets often chose the moon as an image to express their feelings of farewell, and the author recognizes that this is because in people's aesthetic consciousness, the moon and the feelings of farewell have a corresponding aesthetic relationship. In the concept of the ancients, the moon belongs to the feminine things. "Zhou Yi" said: "Kan is the moon, Yin essence." The Shuowen also says, "The moon is the essence of the yin." Moonlight covers the earth, giving people the feeling is hazy, disorientation, cool, this intuition after a long period of precipitation, it will be in people's psychological level to form a kind of aesthetic stereotypes, that is, the moon is soft and beautiful. Once the formation of this aesthetic stereotypes, when people perceive things, will have the feminine characteristics of the things associated with the composition of the corresponding relationship to people's emotional world, the parting is a deep and long emotion, it is euphemistic sadness. This characteristic is consistent with the character of the moon, and thus the Tang people often use the moon to express their feelings.
2. In the parting poems of the Tang Dynasty, there are a lot of spatial images such as long pavilion, ferry, and Nanpu.
The famous places of separation in Tang poems are Laolao Pavilion, Xie Pavilion, and Ba Ling Pavilion.
Laolao Pavilion, also known as Xin Pavilion, is about fifteen miles or so from the old city of Jiankang, and is a must-visit place along the Yangtze River as it flows downstream. If you get on a boat from the city during the day, you will come to Xinting around evening. Farewellers often stop here to see off pedestrians as they walk away, making Laolao Pavilion, an ordinary pavilion, shrouded in a layer of sentimental feelings of parting. Li Bai wrote a famous song "Song of Laolao Pavilion": "The sad place in the world is Laolao Pavilion. The spring breeze knows the bitterness of parting, and does not send the willows green."
The Xie Pavilion is also known as Xie Gong Pavilion. In the north of Xuancheng, it was built by the poet Xie Yuezhao of Southern Qi Dynasty when he was the governor of Xuancheng, and he used to send off his friend Fan Yun here, and Xieting became a famous place for sending off guests in Xuancheng later on. Li Bai wrote a poem entitled "Xieting": "After the departure of Xieting, the scenery is full of sadness. After the departure of Xieting, the scenery is always full of sadness. The guests are scattered beyond the blue sky, and the mountains are empty of blue water." Xu Hun wrote "Farewell at Xieting": "A song is sung to ease the boat's journey, and the water of the red leaves and green mountains flows rapidly. At sunset, the wine wakes up and the people are already far away, and the wind and rain fall from the west tower." Repeated partings are staged in Xieting, making the beautiful scenery of Xieting also colored with a layer of sadness.
Thirty miles southeast of Chang'an is the Ba River, where Emperor Wen of the Han Dynasty was buried, known as the Ba Mausoleum, with the Ba Mausoleum Pavilion at the water's edge. In the Tang Dynasty, people often parted here to see off friends and relatives at the east gate of Chang'an. Therefore, Ba Ling Pavilion was often associated with parting in Tang poems. Li Bai wrote a poem called "Farewell at Ba Ling Xing": "I am sending you off to Ba Ling Pavilion, but the water of Ba Ling is flowing. Above there are ancient trees without flowers, and below there are sad spring grasses." Luo Yin's "The Willow" also describes the scene of the Tang people seeing off the king at Ba Pavilion, "The sunny shore of the Ba River is busy with farewells, and it's not better than spring to be snuggled up with each other."
Ferry and waterfront were also common places for farewells in the Tang Dynasty, and famous waterfront farewells included "Nanpu," which is the waterfront to the south. Nanpu, like Changting, became synonymous with the place of farewell in Tang Dynasty. Famous poems include Bai Juyi's "Farewell at Nanpu": "Farewell at Nanpu, the west wind curls up in the fall. One look at the intestines is broken, good clouds do not turn back."
The Tang Dynasty had developed water transportation, with the Grand Canal and numerous rivers and lakes forming a well-connected water network. Most of the travelers and merchants went out by boat. Therefore, it is not surprising that the waterfront and other places became common images in parting poems.
The Tang parting poems are a picture of social life showing the customs and feelings of the Tang people. Although it does not become the focus of academic attention like the Tang landscape idylls and border poems, it reflects a wider range of life than the landscape idylls and border poems, reveals more profound social problems, and reflects a richer cultural connotation. Only through in-depth study of Tang parting poems can we touch the core of Tang culture more truly and recognize Tang poetry correctly and comprehensively.
My favorite poem is "The Night Cry" by Li Yu, the Southern Lord of the House of Lords: The forest flowers have thanked the spring red, too hasty, and there is no way to help the cold rain coming from the morning and the wind coming from the evening. Rouge tears, each other stay drunk, a few times heavy, since people grow to hate the water long east.
Impressions of a TV series reflecting the Southern Tang Dynasty, the theme song is this song, the music, good sound tight ^_^
This tune was originally the Tang Church Hall song, also known as "meet each other happy", "Autumn Moon", "on the West Tower. It has thirty-six words, with flat rhymes in the upper part and two oblique rhymes and two flat rhymes in the lower part. This poem is a model work of expressing emotions in a scene, in which the infinite frustration of life's disillusionment is implied in the depiction of the remnants of twilight spring. The first line, "The forest flowers have given up the red of spring", is a reference to the author's feelings of sadness and pity for the flowers; and the continuation of "too hasty" strengthens this feeling of sadness and pity for the flowers. Wolvish remnants of red, spring to go in a hurry; and the author of the spring of life has also long gone in a hurry, leaving only the broken heart of spring and broken spring dream. Therefore, "too hasty" feelings, of course, for the forest flowers withered quickly, but which is not also a combination of life is short, the sigh of the days to come, encompassing the author of the rational thinking about the flow of life? "Can't help the cold rain towards the evening wind" line points out that the forest flowers hastily thank the reason is the wind and rain invasion Gong, and the author of the spring of life is not also because of too much pectin and rain? Therefore, this sentence is the same both sigh flower, is also self-sigh. "helpless" clouds, full of unwillingness to listen to the destruction of external forces and self-hate unable to change the ecological environment of pathos. Change the head of the "rouge tears" three sentences, turn to anthropomorphize the ink, showing the author and the forest flowers between the feeling of farewell. Here, on the one hand, born in the last days, luck to the disillusioned people, on the one hand, is no longer in full bloom, the red fragrance of the flower, the two are indistinctly opposite, can not win the love. "Rouge Tears", remotely according to the above "forest flowers thanked the spring red" sentence, from Du Fu's "Qujiang River to the rain" poem "forest flowers in the rain rouge wet" change from. Forest flowers for the wind invasion, moist red shark Xiao (left should be added next to the fish), like rouge. This is what is meant by "rouge tears". But the flower has no tears, in fact, is accustomed to "I see things" of the author empathy in his, make it personified -- the author body through the world changes, sobbing blood without tears, is not also the color if the rouge? "Staying drunk with each other" is written as "staying drunk with people", the flowers are compassionate and people also cherish the flowers; it is hard to tell whether it is the people who stay with the flowers or the flowers who stay with the people when they are tearfully facing each other. With a "drunk" word, write out each other as drunkenness, change the mood, extremely evocative, and "when heavy" is appealed to the people and flowers *** with the same hope and know that hope can not be realized the disappointment and confusion. The last line "since people grow to hate the water long east", a breath of fresh air to see the sadness. "People grow to hate" seems to be not only the expression of a has been disillusioned feelings, and covers the whole of mankind **** all the shortcomings of life, is a kind of integration and condensed countless painful life experience of the sigh.