This is a hymn of life, a hymn of power.
In the article, Ansai Waist Drum is not simply a carrier and a symbol of the power of human life; it is the cohesion of the power of human life, the fullest and the most thorough performance. In this way, the author naturally wants to pour down all the enthusiasm and penpower to sing and praise, a song and two praise is difficult to exhaust, then there are three songs, three praise.
In the author's writing, it is almost impossible to distinguish which is the form and content, which is the object and the subject, and the two have truly gained the unity of the interminable.
The author does not take the long and cumbersome, dull and weak sentences, but more concise and powerful, crisp and loud short sentences; there are no long and complicated paragraphs, a word or two that is self-contained.
Large use of prose, the form of prose and strive for variety: both within the sentence prose, more sentences and sentences, paragraphs and paragraphs between the prose, and can be linked to the next paragraph, staggered each other.
Not only directly depicting the waist drum release of the majestic energy, but also from the human feelings, human associations and mountains, the earth and other surroundings of the reverberation, multi-directional rendering of its peculiar effect.
From the beginning to the end of the use of marching, dynamic description, do not make a static description, and make that the movement of the human body and the sound of the drum, in the *** tense mutual excitement and mutual dissolution, merge into one, from the art of a performance of the source of life and the fountain of power as a whole.
-The pursuit of all these forms creates a rapid rhythm in the article, a hot and burning atmosphere, and a mountainous momentum, which is complementary to the power of human life that the author wants to sing about.
The Ansai drums belong to the Loess Plateau. Only the people who live on this land can create such wonders, and can also unleash their stored power by virtue of it. The author is a native of Shaanxi, and from his description, we can see his infinite fascination and love for the Loess Plateau and the Ansai waist drums. Only in this way can he also write soundly and with great skill.
This article is similar to Qiao Liang's "Plateau, My Chinese Color". If Qiao Liang's work is a general grasp of the character traits of the Chinese nation, then Liu Chengzhang's "Ansai Waist Drums" is to objectify and concretize it. Readers can read the two works together and compare them with each other, they will be more y aware of the true color of our national character and its expression of life force.
(Jin Mei, from Chinese Prose Appreciation Library? Contemporary Volume", Hundred Flowers Literary Publishing House, 1993 edition)
Two, "Ansai Waist Drums" Appreciation
Musical instruments are often used to create momentum, rendering the atmosphere, expression of feelings, and it is due to the region and ethnicity of the different "Western" and "ethnic" classifications, but also due to the region and ethnicity of the classification of the "Western" and "ethnic".
Musical instruments are often used to create atmosphere and to express feelings, and they are categorized as "Western" and "ethnic" because of different regions and nationalities, and they are also known as "wind instruments", "strings" and "percussion" because of the different ways of constructing and "playing" them.
The Ansai waist drum is a "masterpiece" of the Loess Plateau, and its rugged, majestic and powerful style is inseparable from the local natural environment, geography and folklore. Another point is also quite meaningful: it is a person, drums in one, there is not a musical instrument can be like it requires the combination of people and instruments must reach such a high level. The performance of the human and the instrument "performance" complete blended together, the two complement each other, complement each other. Therefore, a successful performance is a person borrowing the drum, the drum borrowing the power of people, sound, essence, gas, God without obstacles, a vein through.
The essay "Ansai waist drums" is to seize the "Ansai waist drums" of this feature, the description of people and drums on the same position and dish out.
At the beginning, people are quiet, quiet like a simple sorghum. The wind is blowing the leaves are set off by their stillness. The drums are the same, "dull" and "never seem to ring". This Loess Plateau of one hundred and ten drummers with sorghum as the background is destined to have an extraordinary performance!
Suddenly it erupted and exploded. The author uses metaphorical prose to create this "magnificent," "bold," "fiery" gesture: "sudden rain" "whirlwind", "chaotic frogs", "sparks", "fighting tigers". The waist drum changes people's feelings, triggers associations, and the culmination of all this is to "break free" - "bound", "break through" - "bound", "break through" - "bound". "breaks through" - "ties", "breaks through" - "closure". "closed".
True poetry requires repetition, as has been the tradition since the Book of Songs. Repetition and prose are necessary to create rhythm, render atmosphere, and express emotion. It should be reminded that "repetition" is not "repetition", it is not the simple appearance of the same word, sentence or paragraph more than twice. In "Ansei Waist Drums", each phrase "Good Ansei Waist Drums" has a new feeling, a new connotation and a new scene.
"A good Ansai drum" defines the basic pitch, color, atmosphere and the main spiritual direction for the whole piece, no matter how the upper and lower parts of the piece sway, develop, and fly, they will not go too far, which is one of the conventions of composition, and the reason why the article is "like this" instead of "like this". This is one of the conventions of essay writing, and the reason why the article is "this way" rather than "that way" at all. This article's "spiritual connotation" is also here: "Can't be bound, can't be detained, can't be closed. It is a force that breaks free, breaks through, and crashes through!" These two closely connected passages are the unchanging soul that flows through all the actions, scenes, chapters and sentences, and every subsequent exclamation and discourse never leaves it.
Please note the following places: in the paragraph "rumbling rumbling rumbling magnificent passion ......", the "paroxysm of occurrence and detoxification ...... "The sentence expresses the exhilaration and pride of the motherland coming into a new era after the reform and opening up; "Except for the Loess Plateau, where is such a thick, thick layer of soil!" Can be understood as a metaphor for the thousands of years of brilliant history of the Chinese nation, is the nation based on the local, and then create a solid premise and foundation of glory; four "more and more intense" led by the short paragraph and the short paragraph of the short sentence played a deepening theme, warming feelings, and enhance the role of strength.
The beginning is quiet, the end is also quiet into "another planet", this sudden outburst and the abrupt end of the arrangement is obviously a unique craftsmanship. The immediate effect is that the main body becomes more red, lively and powerful because of the quietness of the beginning and the end.
"Ansai waist drums" is rich in connotations, but "poetry is not exhaustive", different people can have different understandings. It's okay to just feel the rhythm, the momentum, the colors, the vitality of the latter, the sheer pleasure of reading.