What is the name of the song that Matsuko sings in ecstasy after falling in love with the barber in The Life of Matsuko the Disliked!

1. "トゥリル トゥリル" by リカー The song at the beginning of the movie. I thought I had misplaced something because it was the singer's PV at the beginning ==, but then I watched it and realized that there was no such thing... The song itself is about dreams, and although I don't personally like it, it's generally quite appropriate for this place, with the noisy but empty streets of Shibuya, and people repeating the story of the collision of beautiful dreams and harsh reality... 2. "faker" by cn feat.B-BANDJ I can't remember exactly where this song appears, but it's most likely the song that follows the opening track of the movie, which describes the lives of young people in Shibuya. It's very stylish and catchy, but the RAP part was played in the movie, so it's nice to hear it on its own now. 3. "Love is bubble" by BONNIE PINK This song made a deep impression on me. The song is about Matsuko's rise and fall as a bathroom girl in three minutes, and it repeatedly sings "love is bubble, love is trouble", "pleasure for you, money for me", expressing Matsuko's disillusionment with love and her feelings about love at that time. The song expresses Matsuko's disillusionment with love, and the life she maintains in the world of glamor and glitz. This song is much more interesting when viewed in a movie than when listened to alone. 4. "Dream Train" by Rin Wakawa Well, this song and the subsequent Candy Tree are among the more dreamy songs in "Matsuko~" (laughs), overflowing with a kind of fairytale song, and it feels a bit strange to have it in an OST full of raps, sultry songs, and ballads (sweaty, like a mix of them), but it feels very natural in the movie. 5. "what is a life" by AI & Oikawa Rin The first song in the movie that I highly recommend. Like love is bubble, this song also covers Matsuko's entire 8-year prison life. AI and Rin Oikawa's collaboration here is fantastic, and the movie itself is also very well handled, with Matsuko's mental transformation from having no faith in her to being strong enough to live for love being brilliantly portrayed through the switching between the song and the movie as she asks, "what is a life? The song itself is very catchy. The song itself is very good, I like AI SAN's voice, it's very black, and her cameo as the prison boss (I'm not making this up > <) is also very flavorful. Oikawa instead of Matsuko sings with a confident voice, and to be honest, when I saw this, I was still quite passionate ==, but unfortunately, although Matsuko is released from prison with a radiant look, but the only thing that greets her is a long time of loneliness and waiting... 6. "Endless" by Joe Himeji feat. J. Ishi's background music when his girlfriend dumped him. It's pure hiphop, nothing to write home about. It's the three loud "SEX! SEX! SEX!" at the end of the song that made a big impression on me == Don't tell me that's when I bought the "Undead~Super Sex" album. .... 7. "Candy Tree" by Rin Oikawa is the second song in the Fairy Tale series. 7 year old Matsuko and her father went to see a show upstairs in a department store together and this song was played. Listening to the lyrics of this song now, it makes me feel very sad. All her life, Matsuko wanted to be like the lyrics "nobody hates the smile of my face, and every word I say turns into music", but in the end, she became "the annoying Matsuko". Dreams and fairy tales are always happy and sweet, but reality is always cruel. 8. "Happy Wednesday" by Miki Nakatani is a very, very light-hearted song, sung by Matsuko herself (Nakatani's sister, in fact), and aims to express that Matsuko, who is someone else's mistress, waits happily for her life every single day, sweating. As you can tell from the title, Wednesday is supposed to be the date day of the week, but that's not the point of the song. The movie uses the song in an old-fashioned song-and-dance format, which is cute, and Matsuko herself is dressed up in a very pink outfit as she cooks and waits for her lover to return. This is one of the rare happy moments in Matsuko's unfortunate life, when she thought she was loved and had a goal to live for every day, and often, it's better not to know the truth. The most memorable line in the song is "Please eat soup, please eat me", which I laughed out loud the first time I heard it == 9 ." まげてのばして" by 湯浅亜美 The song that Matsuko hums throughout the movie is the second song I highly recommend. It's the theme song of the movie. 7-year-old Matsuko sings it as she stands by the river with a vision of the future; 53-year-old Matsuko sings it again late at night in the meadow, alone, and passes away. The song in the middle of the OST is a child's version, and it's a beautiful, carefree song. 10. "Furui Diary" by Akiko Wada This song doesn't appear in the movie for long, but it seems to be the song that appears with Onodera (the lover who is later killed by Matsuko). It was released by Akiko Wada in 1974, so it's no wonder that it's so old-fashioned. However, there are a lot of such songs in the movie Matsuko, and some of them are not included, so it's a pity. 11. "USO" by Ai Risa Although it's very contemporary, USO isn't a product of the era, but rather an artifact of the era to fit the plot of the movie. I also recommend it a little bit, because it's really rare to hear songs like this nowadays, and it's a bit nostalgic (actually, it reminds me of the songs in "I have a date with spring" ^ ^). The movie's use of the phrase "USO, USO, USO" is also quite clever, as every time Matsuko lies, the singer on stage sings "USO" at the right time, and then the movie cuts to the so-called truth, which is a very interesting arrangement as well. 12. "In the Heart of Anata" by Chika Nakayama 1969 period piece... The soundtrack to Matsuko's reminiscences of the first 24 years of her life to Mr. Saeki, a classic song with a catchy melody, nothing to write home about. I found the lyrics when I looked it up. Interested can be dragged down to see that ^ ^ 13. "feeling good" by Michael Buble highly recommended third song. It appears twice in the movie, once when Sho is trying to watch a porno ==, and once when the grown-up Ryu appears in front of Matsuko for the first time. This song is so much like Nakajima's movie. The man who can sing such a song is also very handsome > <, the man hums "It's a new life ,For me ,And I'm feeling good", as if the whole world's business has nothing to do with him, I just like this tone, a little bit bad, but let a person love it. It's mature, uninhibited and very contemporary, but it's only last year's work. I've got the lyrics to this song, so if you're interested, you can scroll down, but I highly recommend it, either in the movie or on its own, it's fantastic. By the way, the singer himself is also very handsome Oh > < 14. "Walking on Springtime" by Barbara Borra finally came to this song > <, this is the whole movie in my favorite song, in fact, it is also throughout the plot, just the most impressive or appeared Matsuko after the death of the time, with the time back. As time goes by, memories are made, and the song's soothing melody passes by like a stream of water. Unlike the sadness of the theme music in a tragic story, although Matsuko's life has ups and downs, with intense love and sorrow, walking on springtime is just like its name, as if walking on the grass in springtime is generally calm and cozy, very plain, but with a bit of sadness. Maybe this way of expression is more apt, after all, people in the end will be turned into dust, whether it is a happy life, or unfortunate life, as the song sings that "Life is a crazy wonderland", many times life is a dream. 15. "Candy Tree-Blossom ver." by Oikawa Rin Another version of candy tree, which appeared in President Sawamura's lament." Every girl longs for the fairy tale of Cinderella and Snow White, but in the end, she is pulled by fate and turned into a black raven." Although the candy tree still sounds dreamy, it adds a lot of helplessness to the world, and Sawamura is not only lamenting Matsuko's fate, but also pitying his own life. The carefree childhood is gone, but the future is as unpredictable as a black hole. Candy tree only exists in fairy tales, just like you and I will never be a prince or princess. 16. "Here,Always" by Tommy Snyder & YOSHIKA The only male/female duet in the show,it shows the conflicting feelings of Ryu and Matsuko,one of them decides to leave her in order not to hurt his beloved,and the other one waits for his beloved to come back with the hope of the future. A very tender song. I especially like the scene when Matsuko is standing in the snow with a white coat and red roses when Ryu gets out of prison. It's so beautiful, and Nakatani is really, really pretty at this time. 17. "she's what I want to be" by ch I think it's in President Sawamura's memories, but I don't have much of an opinion on it. 18. "まげてのばして" by Nakatani Miki The last song before the end of the movie, and the one with the children's voices, is the one that makes me think about it. The last song before the end of the movie. Unlike the children's version, Nakatani sings it in a very calm way, but with an inexpressible sadness and joy of return. I think it's wise to let Nakatani, as Matsuko, do the talking here. The child's voice of hope for the future is now transformed into the sorrow and happiness of a woman who has been away for a long time and has been bruised and battered by her return. In the movie, when Matsuko walks up the steps step by step and sings the song, many people who have accompanied her through a period of her life also sing the song with her, no matter how many times I watch this scene, I feel like crying, especially Matsuko's last look at her sister's eyes when the tears flashed, here is really good (sweat, far from the point) In any case, compared to the children's version, I prefer this one, right. Above, is the OST in all the tracks (the last one skewer will not be said to repeat), almost all the songs, not only the current very fashionable RAP style, retro elements are also indispensable to the movie OST things, but my personal favorite is still those who are bland, but can be straight to the heart of the song. I've seen the movie students must go down to listen to said, have not seen the words, as ordinary an album to listen to actually good Oh > <

Baidu encyclopedia to find.