Song sung by aunt of Wuhan Tieqiao Square Dance

Tibetans can sing and dance well. There are many kinds and forms of Tibetan songs and dances, and their names are different in different regions. The folk song and dance Harmony is a group dance with songs as the main body and a combination of song and dance. Generally, men and women stand on one side, hand in hand in a circle, singing and dancing. Folk dances include Zhuo, Reba and Guozhuang. Qiang Mu is a Tibetan religious dance, accompanied by drums, cymbals, bronze horns and bone horns, and accompanied by lamas chanting. It is spectacular, profound and has a strong artistic appeal.

Reba: Reba is a Tibetan comprehensive performing art mainly inspired by chimes, including Heizi, Guozhuang, tap dancing, rap and acrobatics. According to legend, it was initiated by Milla Reba, a wandering monk in the 1 1 century, with a history of more than 900 years. When dancing, men hold bronze bells and women raise their hands and beat drums, and the dance changes from slow to fast. They often perform stunts such as "tumbling drums", "jumping on the body" and "turning on one leg". Artists engaged in this kind of performance are also called "Reba".

Tap dance: Tibetan tap dance, originally a court dance. When dancing, wear hard shoes, get out of the changing rhythm and express your inner feelings. Tap dancing is accompanied by flute, dulcimer, lyre, bronze bell and Qin Yue. The rhythm changes from slow to fast, and suddenly ends with an ending step at the climax.

Music Association: Music Association is a kind of Tibetan labor song and dance. At the same time of labor, the songs in the mouth cooperate with the tools in the hand and the rhythmic movements of the legs and feet, making labor a form of singing and dancing. When doing strong physical labor such as shoveling, tamping and stacking wheat, the songs in my mouth have a strong flavor of labor songs.

Tibetan opera: a comprehensive art widely popular in Tibetan areas, which expresses the story content in the form of song and dance. Tibetan is called "Ajram", which means "Sister Fairy". According to legend, it was created by Tang Dongjiebu, a Lama of the Kagyu Sect, at the beginning of the 0/5th century A.D./KLOC, to raise funds to build the iron cable bridge on the Yarlung Zangbo River. Traditional dramas are mostly based on folk stories, historical biographies and historical events, such as Princess Wencheng and prince nuosang. Performed on stage, interspersed with songs and dances, and other actors joined the chorus when singing. There are many changes in singing skills, and the dance movements are stretched. A drama is generally divided into three sections: ① the entrance ceremony, which is called "Dun" in Tibetan; (2) Drama, called "bear" in Tibetan; ③ The form of wishing at the end of the performance is called "Tashi" in Tibetan. The accompaniment is mainly drums and cymbals. Makeup and props are very simple, and they used to be performed in the square. After the democratic reform, the status of artists was improved, and the repertoire was reformed and developed.