How to evaluate two works directed by Jiang Wen, Let Bullets Fly and Evil Does Not Suppress Right?

Jiang Wen directed many famous films, among which Let Bullets Fly and Evil Does Not Suppress Right have many similar story backgrounds. How should we evaluate these two excellent film and television works?

Let the Bullets Fly is a new force after the revolutionaries overthrew the old forces shortly after the Revolution of 1911. The film adopts a very absurd shooting technique, and many plots can be reflected, such as replacing the county magistrate and the six sons for caesarean section. The film also satirizes the basic situation of the Republic of China. The revolutionaries didn't really leave, but Zhang Mazi, who represents the new forces, appeared. For the sake of profit, people seem to be unable to distinguish between true and false, so they accompany Huang. Wan Hu is a running dog of Huang Shilang, and he can also do evil in the local area. As an old force, they did not completely withdraw from the historical stage, but changed their identity and continued to do evil. Let the Bullets Fly exposes the essential life of the Republic of China and satirizes the dream of the bourgeoisie!

"Evil Does Not Suppress Righteousness" is a film dedicated to young people, and Zhu Ganlong has always said that Black Lee killed Master, which planted the seeds of doubt in the hearts of the audience. Which of the two disciples is lying? This problem has never been eliminated in the audience's mind, so that many viewers turned their backs and thought that Black Lee had killed Master.

Master's death was just a stunt. The two brothers and sisters hold their own words, so it is difficult for the audience to tell them apart from their different performances. This is the effect that the director wants. The audience's ideas will change with the hero's performance, and will be mobilized with the hero's ideas. Like many things in history, we don't know what happened, just follow the clues.

"Let the Bullets Fly" and "Evil Does Not Suppress Righteousness" are both very ironic movies, both of which contain many thought-provoking implications.