Aiyale Aiyale
Wherever there are Hakka people
Wherever there are Hakka people, there are Hakka songs
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Hakka people love to sing songs since ancient times...
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Wherever there is sun, there are Hakka people, and wherever there are Hakka people, there are Hakka songs...<
Wherever there is sun, there are Hakka people, and wherever there are Hakka people, there are Hakka songs... When Hakka people from all over the country sing the same song in the same language, there is always a little touching in the heart.
The beautiful landscape, ecological beauty of the world Hakka capital, the country's top ten livable cities, the hometown of longevity ~ Meizhou is not only the Hakka people's southern migration of the last landing point, but also since the Ming and Qing Dynasties Hakka diffusion of the main starting point, with a thousand years of Hakka's profound humanistic precipitation, is the experimental area of China's Hakka culture and ecological protection. In particular, the Hakka dragon house, Guangdong Han music, Hakka songs and other Hakka ancestor's legacy of the local scenery, uncontaminated by the world, as simple as the original. The song incorporates elements of Hakka songs, but also reflects the cultural confidence of the Hakka people.
Today, the "Hakka Kiss? Red love" Tai Po County Qingxi Town riverside held a mountain song contest. I hold a learning attitude, together with the famous vocal expert Mr. Zhang Weidong, plum, mountain sister, Li Renhuan, loud ancient, Chen Hongying, Yang Xiaoping and from Jiangxi Ganzhou, Shaoguan, Guangzhou, Shenzhen and other music celebrities, all in one place, lively and extraordinary. The so-called improvised mountain song, both need to have a good song talent, but also need to have a quick mind and improvised text organization ability.
Hakka songs as a very Chinese characteristics of folk art, a city's charm, culture is both a soul and a brand. So to properly develop cultural tourism resources, in addition to promoting its cultural development, but also to inspire the Hakka people to take the initiative to learn the almost extinct Hakka songs, but also to stimulate the relevant people to create and develop the awareness of the responsibility of the songs, to promote the protection and development of the culture of Hakka songs. The organizer, Mr. Yu Naili, has put a lot of thought into organizing a large-scale Shan Song Tournament. The organizer, Mr. Yu Naili, has put a lot of effort into organizing a large-scale mountain song contest. I would like to pay tribute to him and the organizers of the Riverside Family. You have worked hard!
The Hakka people love to sing, and like many peoples who use song as part of their lives, live in a sea of song. Hakka mountain songs have their own unique Hakka cultural connotations, and the Hakka people are accustomed to singing their lives and culture into their folk songs. It connects the emotions of Hakka people all over the world with its unique regional culture and dialectal features.
The Hakka folk songs, including the new Hakka folk songs, should be inherited and developed from generation to generation. It is one of the branches of the Chinese folk songs, and it is one of the first batch of intangible cultural heritages, which should be sung by the young people and the young children in the next generation, and the Hakka people are an important folk line in China, and they are influential both at home and abroad.
One side of the water and soil to feed the people, but also nourished the distinctive regional culture, it is because of these distinctive regional culture, which constitutes the richness and colorfulness of Chinese culture. The Hakka region is dominated by hilly terrain, singing on the mountain has an echo, the Hakka people who work hard on the mountain greetings, usually with "Heh Hi ~" "Hey also le" at the beginning. The Hakka mountain songs are characterized by a distinctive style of singing.
Meizhou Hakka mountain songs are songs sung by people in the field when they are working to express their emotions. It is one of the mountain songs in the genre of Chinese folk songs, and it is a kind of song sung by Hakka people in the Hakka language, which is popular among the Hakka people and is passed down by mouth.
If you ask where the mountain songs come from, the folk songs of the Central Plains are the mother's children,
Jianghuai was nurtured for six hundred years, and flowers bloomed along the border of Fujian, Guangdong and Gan.
From these four sentences, we learn that Hakka songs originated in the Central Plains, were nurtured in Jianghuai, and developed in Fujian, Guangdong and Gan, and were widely distributed. As far as our Guangdong Province is concerned, in addition to Meizhou, there are Hakka songs in Heyuan, Huizhou, Dongguan, Shenzhen, Shanwei and Jieyang, while other provinces include Sichuan, Jiangxi, Fujian, Taiwan and Guangxi. Therefore, Hakka mountain songs not only have a long history, but are also widely distributed.
Meizhou Hakka songs not only have a long history, but also it is a loud business card for foreign exchange.
With the development and progress of the times, the role of Meizhou Hakka songs is also more and more large, foreign cultural exchanges (abroad) as the so-called "millennium banyan tree * * * * strip of stems, the world Hakka family, the Yanhuang children and grandchildren of pro flesh and blood, across the mountains and across the water from the heart to the heart."
Hakka music in the Chinese national music, distinctive, popular and widespread national music. The origin of Hakka music lies in the inheritance of the culture of the Central Plains and the development of the Hakka people's experience of migration. Especially the Hakka songs, the tunes are a blend of the elements of the inheritance of the culture of the Central Plains, the nostalgia for the homeland, the cultivation culture formed by the cultivation of the living environment, and the scenery of the mountainous areas, flowers and birds, etc. In terms of emotion, it is mainly about the nostalgia for the homeland. In terms of emotion, it is mainly about nostalgia and the hope for a better future. In terms of sound color, music and voice, it has a close relationship with the "cuckoo bird" and the wind blowing in the mountainous area, which are the characteristics of the mountainous area, and the sound source of the creeks, such as "heh-hei", "aiya-li", "aiya-li", "aiya-li", "aiyah-li", and so on. "Aiya Li", so the Hakka songs sound deeper and more mournful, such as "Ten send the Red Army", "Red Army brother walk slowly".
The inheritance of Hakka songs requires cultural innovation Artistic creation is to take people's cultural needs as the basis for development, in the process of completing the collection and protection of the work, we must continue to adapt to the development of the new era, so as to make the Hakka songs have vitality. In the process of creating new Hakka songs, not only to retain the Hakka people should be the national characteristics, historical precipitation and temperament and other connotations but also with modern culture and Hakka culture fusion, to reduce the differences between tradition and modernity, so that the Hakka songs can be inherited and preserved in the new era.
Culture is the bloodline, the soul of a city and the link between the past, present and future. It still carries the Hakka people's remembrance of their ancestors, and their identity and confidence in their own culture.
I would like to dedicate this to all friends who like to sing and love to sing mountain songs.