The basic features of the body: emphasize the Pleiades head and chest ` stand waist ` pull back and produce a sense of standing to give a person a kind of proud and upright, extroverted feeling. The formation of this posture was standardized by Kumba Khan, the outstanding dancer-educator, who was the first dancer of Uyghur.
The basic characteristics of the Uyghur dance jieqin: more syncopations are used to attach points to the jieqin and weak beats are given a strong artistic treatment. Such as the dance movement of the wrist head of the pick footsteps in the three steps of a lift in the back kick step are weak beat to do so to highlight the charm of the dance and national characteristics.
The basic features: regular continuous trembling of the knee and change of action in a moment of micro-flutter, so that the movement of the natural articulation of the dashing and soft. "Good use of the head, eyes and wrists"
The basic features of dance technique waist work and fast rotation. {The waist work includes plate waist, side flash waist, fast soft waist and slow waist control, of which the side flash waist is more common in the dance is also unique. The rotation emphasizes the "first movement at first rest", both start to be fast and strong, and stop to be Ma Juran, steady and different from the rotation of other hair dance.
Uyghur folk dance inherited the ancient Orkhon River Basin and Tianshan Hui migratory birds cultural traditions, and absorbed the essence of the ancient Western music and dance, a variety of forms, unique style is the use of all parts of the body movements and facial expressions with the exchange of feelings. The dancer's head `shoulder `waist `back `arms `legs and toes have complex movements, often with the combination of static and static and the contrast between large and small movements, as well as moving the neck, flipping the wrist and other ornamental movements embellishment, the formation of warm `steady, delicate style characteristics.
When you are practicing, you can lift your chin a little bit to the direction you are looking at, and maybe you can solve this problem. I think it is more important to learn the Wei dance is its rhythm, to grasp the rhythm of the fast and slow and distribution can reflect the combination of the feeling of rhythm and staccato. Then there is the grasp of the Viennese dance posture and demeanor. Many times I feel that a person actually jumped not good, medium is attractive, this is that he captured a lot of details on the demeanor, as long as to do these, any dance you learn will not feel strenuous.
To understand the meaning of the song, if it is sad can not be too eyes. Cheerful, celebratory or about love depends on the meaning to express. The easiest way is to follow the hands in the eyes not far from the head on the manual.
The Xinjiang dance is lively and beautiful, the pace is light and dexterous, the use of various parts of the body is more detailed, what you call "swinging" the neck, in their view is "twisting". Just like we think twisting the waist is very sexy and good-looking, they think twisting the neck is good-looking. They feel that the twisting of the neck looks good, the person looks very vivid, this action as their national skills movement, but also the characteristics of the action.
The Uyghur people, located in Xinjiang, introduced a lot of dances to China during the Tang Dynasty. The common neck-swinging maneuver evolved from the natural swinging of the Uyghur people's bodies when they rode horses, where the body was swung to create the illusion that the head was swinging back and forth and side to side.