Ancient dance movement description

Dance , a very characteristic art, in ancient times there are a lot of dance movement description, do you know what are there? Below I have compiled for you the knowledge related to the description of ancient dance movements, I hope it will be useful to you.

Ancient Dance Movement Description

Palm Dance

It is said to be created by Zhao Feiyan, the queen of Emperor Chengdi of Han Dynasty. Zhao Feiyan, known as Yizhu, the empress of Emperor Cheng of Han Dynasty, was good at singing and dancing, and because of her thin and lithe body, she was said to be able to ? Palm dance? and so she was called Feiyan. Feiyan was so called because of her thin and light body that she was said to be able to dance on her palm. She is light and soft, dancing to the wind, the emperor made a crystal plate for her to dance, and special production of seven treasures to avoid the wind for fear that she was the wind to go? It is estimated that Zhao Feiyan is also a folk martial artist with excellent lightness, not only? Not only could she fly on the grass? and can? and could also walk on the wind. Later people called her The thin and fat swallows. of the "Swallow". Yan? is Zhao Feiyan, which is a metaphor for a beautiful woman with a thin and lithe body.

Zhao Feiyan biography of this description:? Zhao after the waist bone is particularly slender, good walk alone, if the person holding a flower branch trembling, others can not be learned. Walking alone? Is Zhao Feiyan original technique, see its dance skills, and can control breathing. Ming Dynasty Yan Yan Sheng's novel "Zhaoyang interesting story" has a woodcut "Zhao Feiyan palm dance", is Zhao Feiyan stood in the hands of a courtier, to make a variety of dance movements, raise the sleeves fluttering dance, just like a flying swallow. Emperor Cheng of the Han Dynasty made a crystal disk for her, called the palace will disk on the support. Zhao Feiyan in the disk undulation in and out, the lower back light, rotating and flying, like a fairy in the sky in the wind and dance as beautiful and free. There is a Taiyi Pond in the palace of Han Dynasty, Emperor Cheng built a big boat made of Shatang wood, and used purple wengui wood to make the rudder and oar. Once, Zhao Feiyan wore a purple skirt and a light silk dress, and performed the song and dance "Returning to the Wind and Sending Far Away" on top of the boat. The more Feiyan danced, the more she danced, and the more she fluttered, wanting to return to the wind, and when the boat reached the mid-stream, the gust of wind suddenly came, and Feiyan danced with the wind with her sleeves up and down like she was going to fly away in the wind. The palace staff held Fei Yan's shoes with both hands. So Zhao Feiyan flew with the wind in her hands. So the legend goes that she was as light as a swallow. She was as light as a swallow and could dance on her palm. Later, Emperor Cheng of Han Dynasty was afraid that Zhao Feiyan would be blown away by the gale, so he built a magnificent platform for her, which cost a lot of money. Seven Treasures Wind Shelter Terrace? The first is the "Seven Treasures Windbreak Terrace", which was built for her to live in.

Neishang Dance

That is, "Neishang Feiyi Dance", the song created by Li Longji, Yang Yuhuan main dance, according to legend, Li Longji once dreamed of traveling to the Moon Palace, heard the heavenly music played, wearing neishang Feiyi fairy dance. The song of the fairies was subtle and beautiful, and the dancing fairies danced. When Li Longji woke up, he still remembered the scene in his dream clearly. He wanted very much to record the music in his dream, let the musicians play it, and let the singing nymphs dance. He kept thinking ah think ah think, think of a little on the record, even during the day when the court, he still carries a jade flute in his arms, while listening to the minister read the book, while secretly pressing the holes on the jade flute underneath the flute, looking for tunes, he was mesmerized by the immortal song, but not all of the song. Very agonizing. Once, Li Longji came to Sanxiang translation, he looked toward the distant daughter of the mountains, rolling hills, smoke and clouds. At once produced many beautiful fantasies. He remembered all the immortal music he heard in his dream. Immediately recorded it on the score. He composed a great piece of palace music suitable for playing in the palace. Li Longji Ordered the musicians to rehearse the Neishang Yuyi Song, and made his beloved concubine Yang Yuhuan design the dance. In order to let them have a good place for rehearsal, Li Longji established a Pear Garden (which was later generalized to refer to the place where the opera was sung) in the palace. Yang Yuhuan and the court rushed to rehearse day and night. Finally, a large-scale song and dance, "Neishang Yuyi Qu", was practiced and performed at a grand festival. The delicate and beautiful "Nishang Yuyi Song" fairy music played, Yang Yuhuan with the court ladies singing and dancing, one like a fairy down to earth, let a person amazing.

Tang Bai Juyi "Neishang Yuyi Song": ? In the Han Dynasty, there was the Bayu Women's Dance; in the Jin Dynasty, there was the lacquer dance, the streamer dance, and the shoulder dance; and in the Tang Dynasty, there was the Nishang Dance, and the dance tunes of the Tsuge Dance are all very important and superior to each other.

"Neishang Yuyi Qu" is "Neishang Yuyi Dance". It was composed by Emperor Xuanzong of the Tang Dynasty, and was lost after the Anshi Rebellion. During the Southern Song Dynasty, Jiang Kui found eighteen pieces of sheet music for the Nishang Qu in Shangtiao. These fragments are still preserved in his Songs of the White Stone Taoist. It is a masterpiece of Tang Dynasty songs and dances, and still deserves to be a bright pearl in the history of music and dance. The Neishang Yuyi Song depicts the myth of Emperor Xuanzong of the Tang Dynasty, who aspired to be immortal and went to the Moon Palace to meet the fairies. The dance, the music, and the costumes all depict the ethereal realm of immortality and the image of the dancing fairies, which gives people an immersive artistic feeling. Bai Juyi's poem "Neishang Yuyi Dance Song and Weizhi" paints a detailed picture of the structure and dance of this piece: the whole piece has 36 sections, including the preface (six sections), the middle preface (eighteen sections), and the song (twelve sections), which integrates song, dance, and instrumental music. The whole piece has 36 sections, which expresses the story of Chinese Taoism.

The Nishang Yuyi Song was favored in the Tang court and played an important role in the music and dance of the Tang Dynasty. Emperor Xuanzong himself taught the Pear Garden disciples to play it, and it was sung by palace maidens, using 30 female artists, 10 at a time. The performance scene of this song is wonderfully depicted by Bai Juyi and Yuan Zhen in their poems. The whole song *** 36 paragraphs, the whole song scattered prelude (six paragraphs), in the prelude (eighteen paragraphs) and broken (twelve paragraphs) three parts: scattered prelude for the prelude, all free-rhythm loose board, by the chime, xiao, zheng, flute, and other musical instruments solo or rounds, do not dance, not song; in the prelude, also known as the beat of the prelude or the song is a slow lyrical section, there are a few changes in the middle of a slow change from slow to fast, according to the music of the song beat side of the song and dance; broken and also known as the dance all over the song, the climax of the whole song, mainly dance, the dance of the whole piece of music, is a song, the dance is the main song, and the dance is the main dance. The climax of the whole song, mainly dance, complex sound rapid section, the music is resounding, the speed from the scattered plate to slow plate and then gradually accelerate to the rapid beat, the end of the turn slow, dance but not song. Bai Juyi praised the beauty of this dance, saying: ?

The Dance of the Shocking Hung

The famous dance of Mei Fei, an early favorite of Emperor Xuanzong of the Tang Dynasty. It has been lost. The Dance of the Flying Geese may have depicted the movements and postures of the flying geese, a dance that simulated flying birds and was widely popular at the time. The "Dance" focuses on the use of imagery, through the dance movements to show the beautiful image of geese soaring in the air, very beautiful dance, dance light, airy, soft, comfortable.

Tang Xuanzong Kaiyuan (713?741 years), the eunuch Gao Li Shi mission to Fujian, Guangdong area, to see the rich God Chu Chu, show bone Shan Jiang Caiyin, collected her into the palace to serve the Tang Xuanzong, greatly favored, the Tang Xuanzong since the Jiang Caiyin, depending on the Palace of the powder such as dust. Jiang CaiPing love plum blossom, where they live all over the plum tree, when the plum blossom, enjoy the flowers, stay and forget, Tang XuanZong play name is Mei Fei. Mei Fei is not only favored by the beauty, but also to perform the "dance" to get the music and dance connoisseur Tang Xuanzong's exclusive favor. Tang Xuanzong once praised Princess Mei in front of the kings. He said, "I'm so happy to see you," and he said, "I'm so happy to see you.

Tang Dynasty poet Li Qunyu has a poem "Changsha on the ninth day to climb the East Building to watch the dance" praise said: South of the country's beautiful people, light green waist dance.

The Chinese banquet nine fall, flying sleeves brush the clouds and rain. The first time I saw this was when I was a young man, and the second time I saw it was when I was a young woman.

The Vietnamese women are not in front of the river, and the Wu women have no Boehmeria nivea. The first thing you need to do is to get your hands dirty.

The lotus breaks the waves, and the snow haunts the wind. The first thing I want to do is to glare at them, and then I'm going to go back to the sky with my train.

The only thing I can't do is to worry about it, but I'm not sure if I can catch it.

The dance was featured in the 13th episode of The Legend of Concubine Zhen Huan. Later, when concubine An did a dance of ice play, it was also slightly mentioned. At that time, the play said that the stunning dance was rumored to be made by Princess Mei, and then choreographed by Empress Junyuan, who had been with the ? The Dance of the Frightful Dancers? A dance to move the world, now for the Guan Guiren Zhen Huan dance.

In the play, Zhen Huan (Guan Guiren) with Shen Meizhuang (Hui Guiren) the sound of the piano, Anling Rong (An promised) song dance, but unexpectedly was said to be? Beauty is beautiful, nothing new. Is Zhen Huan due to? Dance? And pondering, Yunli (King of the fruit County) melodious flute came, to Zhen Huan has brought inspiration. Zhen Huan with the fruit king's song continued to dance, the end of the dance, the emperor was pleased. Later, Zhen Huan was injured because of the death of the King of Fruit County, Zhen Huan's heart is cold, and can no longer for the beloved ? A stunning dance?

? Shocking dance? is a major attraction of the show, but also the beginning of the love between Zhen Huan and Yunli. The Legend of Concubine Zhen Huan episode

Performed by: Yao Beina Fluttering like a stunning dance, Wan like a swimming dragon,

Glory Yao autumn chrysanthemum, Hua Mao spring pine. Outpatient, if the light clouds of the moon,

floating in the air, if the flow of the wind of the back of the snow. The sun rises in the morning, and the sky is bright as the sun.

Forced to inspect, burning as lotus flowers out of the strain (l?) wave. Note: The lyrics of the dance in Legend of Concubine Zhen Huan come from Cao Zhi's Luoshen Fu

Boehmeria nivea (Boehmeria nivea) dance

The Boehmeria nivea dance has both solo and group dances. In the Tang Dynasty, Li Bai's "Boehmeria nivea" has the following words. The Boehmeria nivea is a kind of ramie dance that has been used for many years to promote the development of the Boehmeria nivea. The sentence, since it is? The first is the "independent" dance. It must be a single person dancing. In the southern dynasty, Liang Shen Yao, once by the order of Emperor Wu of Liang, wrote the Four Seasons Boehmerie Song, divided into Spring Boehmerie, Summer Boehmerie, Autumn Boehmerie, Winter Boehmerie, Night Boehmerie, five chapters. When performing the Four Seasons Boehmerie Song, five dancers usually dance collectively, and at the end of the performance, the dancers also offer wine to the princes and nobles who watch the performance. The Boehmeria Boehmeria is a dance that originated at the end of the Han Dynasty, in which the dancers wear white dresses with delicate texture and white color, just like the white clouds floating gently in the blue sky, and have long sleeves. The movements of the Boehmeria Boehmeria Dance are characterized by the work of the hands and sleeves, and the steps are divided into gentle and fast rhythms. When the rhythm starts, the dancer starts gently, with both hands raised as if a white swan is flying. Sometimes the dancer bends and turns around, sometimes she moves her feet lightly, and her dancing posture is flowing, and her dancing clothes are white and radiant. The dancers are also good at using their eyes, smiling and looking forward, as if complaining, creating a soul-stirring charm. When the Boehmeria Boehmeria Dance developed later, the dancing clothes were no longer limited to white.

According to ancient records, the Boehmeria Boehmeria first appeared in the Three Kingdoms period in the state of Wu. The state of Wu ruled the middle and lower reaches of the Yangtze River, where some areas produced ramie cloth, especially Yihuang in Jiangxi Province, where ramie hemp was abundant, and ramie hemp weaving was widely practiced. The women weaving ramie used some very simple dance movements to praise the fruits of their labor, creating the initial form of the ramie dance, which was spread among the people. In the Jin Dynasty, Boehmeria Boehmeria Dance was gradually favored by the feudal aristocracy, and since the Qi and Liang Dynasties of the North and South Dynasties, it has become a regular entertainment program for the court's powerful families, and has been performed very frequently.

In the performance of ramie dance, often accompanied by vocal and instrumental music. Zhang Hua's "Boehmeria Boehmeria Dance Poem" in the Jin Dynasty has? The poem "Boehmeria Boehmeria Song" by Zhang Hua of the Jin Dynasty has the line "Qi Chiang presents the dance of Zhao female song". The lines of the poem are about the dance accompanied by singing. Baozhao's "Boehmeria Boehmeria Song" of the Qi Dynasty of the Southern Dynasties has the line "Qin zheng zhao se hosts the sheng". The song "Boehmeria nivea" by Bao Zhao of the Southern Qi Dynasty has the following lines The sentence shows that the musical accompaniment of this dance is sometimes very rich, using zheng, serpent, sheng, yu and other instruments. It is at the time of the symphony of the pipes and the singing of the songs that the dancers dance and show their skills. Because the Boehmeria Boehmeria Dance was created in labor and first spread among the people, the early style was fresh and healthy. After the Jin Dynasty, Boehmeria Boehmeria Dance entered the court, and was influenced by the luxurious aristocratic fashion, which made it more colorful, just as Yang Hengbai's Boehmeria Boehmeria Dance of the Tang Dynasty said: "The Boehmeria Boehmeria Dance has a colorful appearance, and it's not only colorful, but it is also very beautiful. As Yang Hengbai's "Boehmeria" said in the Tang Dynasty, "the beautiful and colorful style of Boehmeria is demonic and elegant". In the mansion, the dancers, *** with the luxury banquet scene. At this time, the dancers have not worn elegant ramie dance clothes, and wear a variety of patterns with the silk dance costumes, the whole body is also decorated with beads and emeralds, and even dance shoes are decorated with beads. Under the light of red candle, they were glittering and flickering. Their sultry dance made the princes and lords of the four seats joy, but in their hearts, but buried in the prime of life passed, for the joy of the sadness of the emotions. Their low wandering sighs were captured by many sensitive poets, and there was ? The qin and se have not tuned the heart has been sad, any Luo Shengqi strong self-control, bear the thought of a dance to look at the thought, will turn not turn constant as doubt? The first thing you need to do is to get your hands dirty.

Describing the ancient dance movements of the sentence

1, dance turn back to the red sleeve, song worry convergence Cui Dian. The whole hall is open to the light, and the seat is just like a cindy.

2, the flute gradually anxious, her posture also danced faster and faster, such as jade hand flowing, skirt flying, a pair of smoke water eyes want to talk, stream of light dancing, the whole person as if the fog of flowers, hazy and misty, flashing beautiful colors, but also so far out of reach.

3, colorful sleeve earnestly hold jade bell. I'm not sure if I'm going to be able to do that, but I think I'm going to be able to do it. I'm not sure if I'm going to be able to do that, but I'm going to be able to do it, and I'm going to be able to do it. I'm not sure if I'm going to be able to do that, but I'm going to be able to do it," he said. I have dreamed of being with you several times. I have been in the same boat with you for a long time, but I still have to keep the bowl of silver lamp in the light tonight.

4, green flute, white clothes, Lin Feng quietly playing the flute, the light wind brought up the sleeve fluttering, and in front of him Ling Ning is more like a fairy, the two with a beautiful picture, never thought that the two stood together can be so harmonious, so perfect.

5, vegetarian muscle is not dirty naive, Xiao Lai jade standing in the Yao Chi. Pavilion Jade cover, surplus dimple, when makeup clean wash. The wave of the liquid is turned over, the neon dance, broken souls running water. I still have the old fragrance and light powder, but the flower is not like that, and the people are emaciated. I want to call the Fairy of the Waves. I want to call the Fairy of the Waves. When I look back, the ice curtain is half-covered, and the dannabe dangles are falling all over the place. The moon's shadow, the dew is falling, who is leaning on the small appendage. ***fang alliance, there are still two perched snow heron, night cold startled up.

6, you dance lightly, light like a swallow, body soft as clouds, arms soft as boneless, step by step lotus-like dance, such as butterflies fluttering in the flowers, such as gurgling water, such as the moon in the mountains, such as the morning sun in the alleys, such as the tip of the lotus leaf round dew, so that I like to drink wine, drunkenness can not be suppressed.

7, beads tassel rotating star shaking, flowers and vines jittery dragon snake moving. Dance low willow building heart of the moon, song all peach blossom fan bottom wind coating incense Mo cherish lotus bearing step, long worry Luo stockings Lingbo go. (www.lz13.cn) I only see the dance back to the wind, there is no trace of the line. Stealing through the palace kind of stability, and stand double instep sleepy. The delicate and delicate said it should be difficult, must be seen from the palm of the hand.

8, Luo sleeve moving incense incense, red lotus curls in the autumn smoke. The light clouds on the ridge at first shook the wind, tender willow poolside first brush water Yang Guifei's.

9.

9, such as between the water sleeve will be thrown open, sleeve dance, there seem to be countless petals fluttering in the air and down, fluttering, a petal, holding a wisp of incense.

10, listen to Jun Tian Di music, know him a few times. The new song "Cailian" is similar to the one on earth. Willow waist light, warbler tongue twitter. The first time I saw this, I was in the middle of the night, and I was in the middle of the night. I can't help it, but the heavenly steps have long been urging the class to turn. But driving the colored luan, hibiscus oblique hope. I would like to accompany this feast every year.