Fun Dequan was born in May, 1958 in Ganggai Village, Mengyang Town, Lianghe County, Dehong Dai and Jingpo Autonomous Prefecture. Since childhood, by the Dai culture, funny Dequan, at the age of 10 years old, began to follow his grandfather, uncle to learn hulusi playing and production. Every day to go out to ride horses and cattle, will always carry his gourd silk, as long as there is a free time, a song after a song to play the music just learned. When he grew up, Li Dequan became a worker in the pump room of Lianghe Sugar Factory. At that time, the air of the sugar factory was always filled with beautiful hulusi music. The funny Dequan put his heart all on the hulusi, he constantly traveled in the folk, learning all kinds of folk musical instruments manufacturing and playing skills, his hands of hulusi and blowing out the music is always better than the average person's to listen to.
With all the skills, in the 80s of last century, the funny Dequan out of the mountains, came to Kunming, founded the "funny Dequan hulusi art studio". With the love of hulusi and practiced since childhood solid foundation, innovative hulusi playing skills, and ingenuity in the production of hulusi to take a new approach, expanding the range of hulusi, so that the Dai people this traditional instrument has a richer expression and space, manufactured to "funny Dequan" as the trademark of the instrument. He created one new song after another and recorded and released one album after another. Has served as a dance drama "Water Festival", the first International Tourism Arts Festival opening ceremony party "River Song" and other programs of the gourd silk performance and lead singer, there are albums "sentimental gourd silk" tape. He and Yang Zhiyu, Li Chunhua *** with the compilation of the first set of domestic hulusi, baowu audio tutorials and supporting VCD CD-ROM "Dai Feng Shen Yun".
September 16, 2008 at 10:10 pm, the famous national folk artists, hulusi baowu production and performance masters, China National Orchestral Music Society hulusi baowu professional committee vice president of Mr.哏德全, due to a sudden cerebral hemorrhage rescue, unfortunately passed away in Kunming, for his short 50 years of spring and autumn drew a regrettable conclusion. Reporters yesterday morning came to the comic Dequan is located in Kunming Kaiyuan district home. With the news from all sides of the family and friends to come together to remember the Chinese "gourd silk king". It is reported that Mr. Gui Dequan's body farewell ceremony is scheduled to be held at 9:00 a.m. on the 20th in Kunming Oil Pipe Bridge Funeral Hall.
Wang Tongxian: male, born in 1955 in Henan Dancheng. College degree, now for the Chinese national orchestral music society bamboo flute professional committee director, hulusi professional committee director, Henan provincial national orchestral music society director, the national social art examination committee examiner, Henan bamboo flute and hulusi professional committee vice president, Zhengzhou Zhongyuan bamboo flute and hulusi professional art school principal. He is currently a visiting professor at the University of Elderly Cadres of Henan Province and the Zhengzhou University of Elderly Cadres. In 2004, he founded Zhengzhou Zhongyuan Bamboo Flute and Gourd Silk Professional Art School. In many years of artistic practice, the four sides of the search, careful study, in the national wind music performance and education has accumulated a wealth of experience, the formation of a delicate and profound style of playing. Mr. Li Zhongpei was born in February 1955 in a Dai village in Na Menghuang, Mangdong Township, Lianghe County, Dehong Prefecture, Yunnan Province. From a young age love of music, childhood by local celebrities, folk artists and Gong national influence, learned erhu, bamboo flute, hulusi and other instrumental music. In September 1972 to work, more than 30 years, has been engaged in cultural and artistic work - player. 1980 State Song and Dance Troupe player Gong National by the State of the four major ministries of the Dai young hulusi player, the funny Dequan learned, wrote to Gong National to ask him to teach to learn to play hulusi. Gong National received the letter, wrote back and said: you in Lianghe to Mangshi is too far, I introduce you to my brother - Li Zhongpei in the county cultural team, he systematically learned to play the wind music, at that time, the funny Dequan in the Lianghe Sugar Factory as a laborer, through the Gong National introduced - with me to learn hulusi I then systematically taught him how to play the bamboo wire. I systematically taught him to learn the breath skills of the bamboo flute and the basics of music and folk music theory. Breath of the bamboo flute, skills, advantages and hulusi characteristics, style, every week to a few lessons, up to more than three years, in the folk playing hulusi based on a period of time to learn, his playing skills, music theory, etc., and formed a unique style, and finally in the early 90's appeared in the funny Dequan's hulusi, bawu performance album, his unique style of letting the hulusi, bawu into the Thousands of households, domestic and foreign praise.
Li Chunhua: Born in Yunnan, Li Chunhua learned to play ethnic instruments from his grandfather and father when he was young. When he was studying at Kunming Normal School, he studied music theory and hulusi and bawu performance under Mr. Wang Shao Lu, and then enrolled in the Yunnan Arts Institute for further study, collected folk music materials, and has been engaged in the study and performance of hulusi and bawu for more than ten years. 2000 March by the Yuanfang Publishing House published his personal monograph, "Hulusi and Bawu Practical Tutorials". In September of the same year, he recorded a solo album "Festival of Deangshan", and in April 2002, he published a personal teaching program "How to play good hulusi, baowu" by Yunnan National Culture Audio and Video Publishing House.
Wei Shijian: a composer and educator, a native of Linqing, Shandong Province, a member of the Chinese Artists Association, a member of the Hulusi and Bawu Committee of the Chinese Society of Ethnic Orchestral Music, and editor-in-chief of the Hulusi Forum. He has published more than 200 vocal works and 23 academic papers in more than 20 music journals and radio stations in China, and has won nearly 30 national and provincial awards. He has been a columnist of Xiangjiang Song, a special reporter of Primary and Secondary School Music Newspaper, a special editor and reporter of Workers' Music Newspaper, and his biography has been included in the Dictionary of Famous People in the Chinese Art World. He has published "Wei Shijian's Excellent School Songs" (Jinan Publishing House), "Hulusi Big Teaching Book" (Huaxia Publishing House), "Chinese Hulusi Playing Program" (New World Publishing House), and "Silk Rhythm" CD album (in cooperation with others) (Qilu Electronic Audio and Video Publishing House). 2009, his solo performance in the national "Binhu Cup" Hulusi Original Work Competition was recognized as one of the most important works of the "Binhu Cup" Hulusi Original Work Competition. In 2009, in the National "Binhu Cup" Hulusi Original Works Competition, his Hulusi solo piece "Red Leaves" was ranked sixth overall.
Wang Houchen was born on March 22, 1956 in Jixi City, Heilongjiang Province, and is originally from Laiyang, Shandong Province. He is a national level performer. He is currently a member of the Chinese Musicians Association, a director of the Chinese Society of Ethnic Orchestral Music, the vice president of the Chinese Hulusi Bawu Artistic Committee, a senior examiner of the Chinese Ethnic Orchestral Music Examination Expert Committee, the president of the Hulusi Bawu Committee of the Shaanxi Ethnic Orchestral Music Society, the deputy secretary-general of the Shaanxi Ethnic Orchestral Music Society, and the Ethnic Orchestral Musician of the Shaanxi Opera and Dance Drama Theatre. In 1973, he was admitted to Xi'an Conservatory of Music, where he studied bamboo flute, percussion, sheng and ocarina under Mr. Yuan Xiuhe, Mr. Zhang Zhiliang, and Mr. Chen Chong, and obtained the certificate of double professional education. Since he started his career, he has successfully completed more than 8,000 solo performances with his unique basic skills, skillful technique, deep understanding of the works and rigorous stage style. His performance is both enthusiastic and bold, both profound and delicate and easy to use; both explosive force and artistic infectivity, so that he gradually formed his own unique artistic style and artistic characteristics in the long-term artistic practice, coupled with a solid and good bamboo flute foundation and playing foundation, after many years of hard work and study, so that he in the long-term artistic practice, has accumulated a wealth of experience and stage He has accumulated a wealth of stage experience and artistic qualities in his long-term artistic practice, and has stood out in the music and art circles, becoming a proud son of the music world. In the creative aspect also has a unique, his works of extraordinary intention, melodious and smooth, distinctive style, profound meaning, the creation of hulusi solo "Ba Liu love", "tea song", "marriage", "Prairie Love Song", "Yao Dance", "wind gourd", "the fragrance of flowers in the Miao language", "tea song", "the beautiful rice plantation", "the night of the tower of fire "[[Tianle]] The Princess of the Legend," the "Race South" and other pieces of work! The pieces are set for national examination and have won prizes in various competitions in China. Four of his sheng compositions and his biography were published by Chinese Taipei Academic Arts Publishing House in the "Collection of Famous Songs of Chinese Sheng Performers". The compilations of "Sheng Song Collection" and "Ocarina Song Collection" have been published by World Book Publishing Company. At the same time, he has edited "Hulusi Bawu Tutorial", "Hulusi Bawu Examination Auxiliary Tutorial" published by Shaanxi Tourism Publishing House, and the latest edited "Hulusi Bawu Examination Repertoire Selection", and "Album of Wang Houchen's Works" supervised by Mr. Zhao Jiping, Chairman of Chinese Musicians Association, have been published by Shaanxi Publishing Group. In April 2002, with the delegation of the Chinese ****production party headed by Vice President Zeng Qinghong, he went to Oita, Japan to visit and perform, and played the solo piece of hulusi "Tea Song" In October 2009, he was invited by the Shanxi Musicians Association and Shanxi Folk Orchestra Society to hold a personal concert in Taiyuan, and in November, he was invited by the Tianjin Hulusi Club to hold a seminar on the art of hulusi. 2010 In February, she was invited by Shenzhen Hulusi Baru Committee to hold a lecture on the Northwest style of Hulusi. In April 2010, she participated in the China Tourism Year and Expo Tourism Promotion Week organized by the Chinese Embassy in South Korea and the China National Tourism Administration, and performed as soloist in Hulusi's "Dajangjin" and "Night of the Fire Pagoda". Everywhere she went, she was highly praised and warmly welcomed by audiences at home and abroad. The performance has been included in the "Chinese musicians directory", "Chinese local art talent yearbook", "Chinese musicians dictionary".
Qu Wa Ha Wen (stage name), Han name: Shi Xi Wen. Yunnan nationality. Yunnan national orchestral music society hulusi baowu professional committee executive director. Executive Director of the Hainan Branch of the Chinese Society of Ethnic Orchestral Music. Executive Director of the Guangxi Provincial Hulusi and Bawu Specialized Committee.
August 2007, Qu Wa Harwin was invited to be the teacher of the famous hulusi-bawu player and composer Mr. Lin Rongchang. Between 2007 and 2012, Mr. Qu Wa Ha Wen composed Buddhist music "Wu Xiang", Sichuan Daliang Mountain Yi Ethnic Hulusi piece "De Ma Ge Nie", "Gratitude" for thanking parents, "Li Wave Love Silk" with the background of Li River, adapted the TV series <Jinggang Mountain>s theme song for high and low pitch hulusi ensemble "Red Army Brother You Walk Slowly", and created Yunnan Yunnan Dai Ethnic Music piece "Dai Ethnic Music". Dai style music "Happy Dai Township", high bass hulusi ensemble song "Peacock's Dream", Mongolian hulusi song "Grassland Shepherd's Song" and Tibetan style hulusi song "Gombo Dance" and so on more than a dozen hulusi works.
Yue Xiaobu: One of the few female hulusi producers in China, she has a Bachelor's degree in musicology and is the founder of the brand "Led Hulusi". She was born in Xiangtan, Hunan Province, the hometown of the great man. With twenty-one years of experience in the musical instrument industry, she has made achievements in the production and performance of hulusi, the creation of children's instrumental works, and the study of educational theories. She has created popular hulusi songs such as "Olympic News from Jinwan" and "Fisherman's Music". In recent years, she has been a teacher of Xiangtan Radio and TV University, a director of Guangdong Hulusi Baowu Professional Committee, and a researcher of New Classroom Teaching of China Education Association. Now he is a member of China Education Association, a member of China National Orchestral Music Association, and has contributed to the inheritance and development of hulusi baowu.
Zhao also: Hunan University of Science and Technology, Bachelor of Music, majoring in bamboo flute, member of China National Orchestral Music Association, member of China Musicians Association. He has been practicing the bamboo flute since childhood and has mastered many bamboo flute and hulusi techniques. She has a deep research on the study and education of bamboo flute and hulusi. Through the accumulation of experience and daily study, he has selected and integrated a set of more concise and practical "Linxuan Music Zhao also teaches you to learn musical instruments series" bamboo flute, hulusi teaching materials "bamboo flute and hulusi basic instrumental learning compilation tutorial".
Wu Yi: Hebei Normal University bachelor's degree, bachelor's degree. He is the executive director of the Hulusi and Bawu Art Committee of the Chinese National Orchestral Music Society, and the vice president and secretary general of the Hulusi and Bawu Committee of the Hebei Provincial National Orchestral Music Society. Senior judge of Hebei Province Hulusi Examination. He is also the senior judge of Hebei Provincial Hulusi Examination, an excellent instructor of the National Excellent Instructor, and an excellent instructor of the Examination. 2002, he founded the "Celestial Music Folk Music Workshop", which is engaged in the teaching and promotion of Hulusi and Bawu. 2008, he published the collection of Hulusi songs called "Songs of the Xishuang Mengniu", and 2013, he wrote the solo piece of Hulusi, "Train Randomization" and so on.
Li Huigang: Male, Ethnicity: Han, Xingtai City, Hebei Province, member of the Chinese Society of Folk Orchestral Music, executive director and secretary of the Hebei Society of Folk Orchestral Music, Hulusi, Bawu Specialized Committee, Flute Specialized Committee (referred to as: Hebei Society of Hulusi and Bawu).
Zheng Shiping
Zheng Wenping 1. Phoenix-tailed Bamboo in the Moonlight
2. Wedding Vow
3. Sentimental Bawu
4. Deep in the Bamboo Grove
5. Love Song of the Walled Village
6. Night of the Dong Countryside
7. Dance Song of the Yao Ethnic Minority
8. Joyful Daixiang
9. Bamboo Mansion Love Song
10. Horse-herding Song
11. Beautiful Golden Peacock
12. Night at the Military Harbor
13. Dreaming of Jingpo Mountain
14. By the Mengyang River
15. Ancient Song
16. Golden Peacock
17. Catching the Pendulum
18. Charming Huluan Xiao
19. Jingpo Mountain
20. Banna Night
21. Golden Peacock and Phoenix-tailed Bamboo
21. South of the Clouds
22. Moonrise
23. Wu Xiang
24. Liu Sanjie
25. Spring in the Wa Mountains
26. Singing Maiden of the End of the World
27. >27. Fishermen's Music
28. Olympic Good News from Jinwan
29. Beat and Dance Song
30. Blue Shambhala
31. By the Butterfly Spring
32. Hunting and Returning
33. Kampot Dance
34. Cavalry March
35. Fortune and Fortune Welcome New Year
36. Dai Zhai Love Song
37 Chrysanthemum Flower Terrace
38 West Border
Song Description:
1. Phoenix-tailed Bamboo in the Moonlight Composer: Famous Composer Shi Guangnan Lyricist: Lyricist and Poet Ni Weide Singer: Guan Mucun
2. Wedding Vow Theme Song of the 1957 Movie "Love Song of the Lusheng"
The hulusi interpreted these two songs very perfectly. You can "hear" the couples talking about their love through the hulusi, and you're right in the middle of it.
3. South of the clouds has a profound meaning, the tune is gentle, and the heavenly music will bring you to an incomparably beautiful realm and make you forget.
4. "Fisherman's Music" Hulusi Repertoire.
Composition: Yue Xiaobu, Yongdan. Recording and arranging: Xiangtan Led Gourd Art Studio.
The main theme of this piece of music comes from the Zhuhai folk song "Light Boat Under the Moon Fishing Song". The melodious melody at the beginning gives people a kind of affectionate and familiar feeling, so that the melodic characteristics of our Zhuhai folk songs soon echo in the listener's ears. After a lilting melody, the piece enters an allegro section, which mainly uses material from Zhuhai's salty water songs, still unfolding in the levistic mode, fully reflecting the characteristics of Shatian folk songs. The next section is a transitive section, where the mood suddenly becomes long and lyrical, in sharp contrast to the second section. However, the tonality also changes, from the levistic mode to the palatial mode, and the colors of the whole music become brighter. The fourth section of the piece is a reprise of the first section, returning to the levistic mode, which is a recapitulation of the thematic section again, emphasizing and reinforcing the theme and the tonality of the whole piece.
The main body of this piece consists of an introductory section for solo hulusi in the key of F, which introduces the general mood and main ideas of the piece. The first section consists of a compound phrase, with the first section ending on a shang tone and the second section ending on a zheng tone, echoing the previous section. This section mainly expresses the hopeful mood of the fishermen before they go fishing. The second section begins with a small introduction, and then consists of a repeating four phrase section. The tempo is increased, and the beat becomes 6|8, a danceable rhythm, so the accompaniment weave of this section adopts a danceable weave. The main theme is still predominant. This section reflects the fishermen's pleasure in catching fish and the joy of a good harvest.
The third section begins to change key, the music thus enters the key of F. The low, thick auditory feeling easily reminds people of a picture of the old fishermen, or smoking a dry cigarette, sitting on the bow of the boat, or gazing at the fish basket, looking into the water, so people have an infinite vicissitude of the feeling of suddenly being able to realize the fishermen's hard work behind the fishing harvest. Then this section is repeated once, the music into the key of C, the music bright up, fresh breath spread out, the picture of the music turned to an innocent child, but also a symbol of the continuation of life, the child's heart of the fisherman's joy to let a person experience another kind of joy of fishing harvest. The two short phrases at the beginning and the long phrase at the end express the various moods of the fishermen at the end of their fishing trip. The listener can clearly feel the auditory effect brought about by the transposition treatment.
The syntactic structure of the recapitulation section is the same as that of the first section, but there is a change in the weave, which is polyphonic, echoing the first section.
The coda echoes the introduction. Introduced by water music, it is serene and far-reaching, showing an evocative picture of a fishing boat drifting away in the humid air after the sound of rain.
Shatin folk songs include salty water songs, Gaotang songs and Gumui songs. There are more than 5,000 songs that have been sung so far. Shatian folk songs are of great significance to the study of the labor practices and living conditions of "boat-dwelling people" in the Pearl River Delta. The intention of this piece of music is to better convey this kind of folk songs in different forms, transcending the limitations of songs, so that they can be more widely circulated. For the musical composition of "Fisherman's Music", Xiangtan Led Gourd Art Studio's penning is very open. We would like to try to eventually find the best state of Zhuhai folk songs and children's instrumental performance with the best state, we hope that you can listen to the music at the same time to feel the dedication to hard work in the contemporary Chinese rural elementary school, the teaching of the first line of the music teachers in the children's music composition and organization of the painstaking and our trajectory of the development of the art of folk songs, protection.
5. "Olympic good news spread Jinwan", Xiangtan Led gourd art studio Yue Xiaobu teacher composition, the Central Conservatory of Music, Professor Fang Jian take charge of the MIDI production, by the Central Conservatory of Music, Professor Yao Henglu, director of the Department of Composition, a set of China's Yunnan characteristics of the musical instrument (hulusi) and the spirit of the Olympic Games, Zhuhai, Jinwan, the people of patriotic fervor for a large-scale original instrumental dance theme, is the largest in the history of Jinwan It is the largest instrumental dance in the history of Jinwan, with the Olympic Games as the protagonist of a 100-people Hulusi instrumental dance art chapter. The song's simple and melodious melody expresses the happy and joyful experience of the people of Jinwan at the moment of China's successful bid to host the Olympic Games. The Good News of the Olympics Spreads to Jinwan has cultivated the sentiments of the people of Jinwan, strengthened their will, inspired their spirit, enlivened their lives, and strengthened the cohesion of the nation.
The structure of this piece is a single two-part form, led by a 12-bar free introduction.
The structure of the piece is as follows:
Introduction A Connection B
12 a b cd e f g h i
4. 4 44 6 4 4 4 4 6
First of all, in the first half of the introduction, with the national anthem playing, we realize that a great event is going to be held on this fertile land of China! This historical moment that countless children and grandchildren of the Chinese nation have been waiting for has finally arrived! Then, the pure, melodious and elegant Hulusi solo began, the first eight bars of long notes were changed in turn, vividly displaying a picture of tranquility and peace in the rural area of Jinwan, the green mountains and blue water of Jinwan seemed to be accumulating some kind of strength for the arrival of this happy news. This is followed by a series of low-to-high scale-like progressions fused with four-beat long tones, pushing the accumulation of this power to its highest point, thus opening the prelude to the people of Jinwan welcoming the Olympic Games!
The first section, consisting of four lines that start and end in the key of bB, shows the children of Jinwan's Olympic Games. It shows the children of Jinwan crossing their little feet and jumping away with silver bells of joy, bringing the glad tidings of the motherland to their parents and siblings.
The connecting section, which consists of a meandering melody moving rapidly upward to the plagal note. A series of rapid, staccato and powerful scales proceed, heralding the news of the success of the Olympic bid spread throughout the whole of Jinwan in an instant. The last long note shows a distant shot of every household in Jinwan looking forward to the Olympic Games, with gazing eyes full of expectations and blessings!
The second section is the climax of the whole song. Written in five lines, the first two lines are the relationship between the beginning and the beginning. The third sentence in the rhythm and melodic form has certain changes, the fourth sentence head and the third sentence is basically the same , but the end of the landing sound is different, the first sentence fell on the horn, the second sentence fell on the commercial sound, the last sentence is a concluding sentence, and finally back to the bB Gong sound. The square in Jinwan was filled with crowds of people who had learned of the success of the Olympic bid and came in droves to celebrate the success of their country! Everyone sang and danced and cheered! The whole Jinwan became a sea of joy! At one time, ten million pairs of wings from the Xiaolin Mountain rise up to meet the sunrise of the new century; ten million pieces of sails in Jinwan, sailing to the temple of the Olympic Games ......
Note: Mr. Yue Xiaobu said: "I hope that this song can become a platform for everyone to further away from the Olympic Games, and also to let the spirit of the Olympics away from the Olympic Games! everyone further!"
6. "Fortune and Luck Welcomes the New Year", composed and arranged by the young Zhuang composer Mr. Huang Shengjie (Ah Anghun), is included in the Hulusi solo album "Open Door". The tune is celebratory with a melodious tone, warm with softness. Whether you turn on the stereo to enliven the atmosphere, or listen to it in the quiet of the night with headphones, it will give you a wonderful enjoyment and make you forget all your worries and linger in the song... As its name suggests, "Fulu" and "Gourd" are harmonized, so it is the most appropriate to play it with Gourd Silk, which has a profound meaning. "Welcome the new" is to welcome all the beautiful new things, welcome the New Year's Eve can play "Fortune and Luck", welcome the new marriage, welcome the newborn can play "Fortune and Luck", welcome the new house, welcome the new store can play "Fortune and Luck" ......