Mongolian traditional folk song and dance is the evolution and development of the ancient group dance forms such as "Tap Song and Dance", "Dance with Arms", "Dance around the Tree", etc. The performance form of Andai is a big circle with dozens or hundreds of people in the middle of the field. The performance form, in the middle of the field dozens of people, hundreds of people, the same into a large circle, the circle by two song and dance masters of the song and dance, the crowd echoed foot stamping, flap lapel dancing and singing, the formation of a warm, joyful scene. After the liberation of the majority of dance workers through the collection, collation, adaptation, innovation, so that the ancient An Dai development for the reflection of life, performance of the times of the new art form. There are basically two forms: one is in the square self-indulgent collective dance, one is on the stage to perform ah.
Two, Sa'ualdeng
is the main folk dance of the Mongolian people of Xinjiang, Mongolia in various parts of the region is widely spread, by the majority of the people's favorite, the Mongolian people of Xinjiang, regardless of men and women, young and old, almost everyone will be jumping Sa'ualdeng. Saerdon is both the name of the Xinjiang Mongolian folk dance and song and dance song, but also the general name of the folk dance. Saerdon often in the festival celebrations, men and women get married, welcome guests to send guests to the family feast and other entertainment activities jump. Activity site and the number of people - limit, generally in the felt room and felt room near the grass. Sagurdon unarmed jumping, jumping with tools, singing and dancing to dance jumping and singing and dancing to jump in several forms.
Three, top bowl dance
Ordos Mongolian traditional folk dance inherited from the Yuan Dynasty. The form of novelty, elegance, unique style, beautiful movements, with a strong ethnic characteristics. It occupies an important position in the development history of Mongolian folk dance. Ordos Mongolians who can sing and dance well dance in the party of festivals with one or two people holding a teacup or a bowl of small oil lamp on their heads, with a bowl full of water or milk wine; and holding two wine cups or a bunch of bamboo chopsticks with each hand and dancing in the sound of songs. Top lamp, Shun bowl dance action is not a fixed number of sets, master the basic movements and hit the cup, hit the chopsticks after the law, the dancers improvise on the spot, the more exciting the mood, the more colorful movements, dance changes, fully demonstrating the skills of the dancers, wisdom, and folk dance is rich, flexible, and changeable characteristics.
Four, Chopstick Dance
One of the representative traditional folk dance forms. The performer holds a chopstick in each hand, holds the thin end of the chopstick, and strikes the thick end of the chopstick. The movements are: cross the chopsticks in front of the chest with both hands, or hit both shoulders; cross the chopsticks in front of the abdomen with both hands; and hit the chopsticks in front of the chest with both hands. The movements include hitting the chopsticks with one hand on the shoulder and one hand on the leg; hitting the shoulder with one hand and turning to hit the ground in a squatting turn; hitting the chopsticks with both hands on the chest and hitting the leg with one hand, then hitting the chopsticks with both hands on the chest and hitting the shoulder with one hand, and so on. The footsteps of the dance have a flat cloth marching and backward, but also a bit of ground marching and backward, or a variety of turns and jumping movements with the dancers improvised, slow dance is steady and deep, fast dance is dashing and athletic. The slow dance is steady and deep, while the fast dance is elegant and vigorous. When the mood is high, the chopsticks fly around the body, hitting the various positions of the body in various movements with ease and enthusiasm. Chopsticks Dance condenses the Mongolian people's love of life and the wisdom of beautifying life. It is a part of the spiritual life of the Mongolian people.
Fifth, the cups dance
A kind of dance circulated in Ordos. On the occasion of festivals, celebrations and banquets, when people are full of wine and food, they pick up the wine goblets on the table and dance to express their joy, each holding two goblets, striking a variety of fast, slow, broken, state, etc., with the music of the hands of the dance with a compulsion to strike a variety of rhythms. The movements are: hands horizontal around the eight points, the upper body with the left and right eight points (Arabic characters) also left swing; hands up, down, left, right cross hit the compulsion, the body with the hands up and down; hands from inside to outside or from outside to inside the circle; hands to the stage position of the two-point or eight-point shaking cups, the body with the hands to rise and fall, the face and eyesight and the hands were in the opposite direction, the compulsion to the side, the side of the ear to listen to compulsion with the probe over the sound: around the circle movements --Hands above the head, the other hand in front of the body from inside to outside around the circle; hands from behind to the side slowly swing out, the range of action in the crotch for the small, in the body of the side for the middle, a hand to the head, a hand in the back of the waist for the big, and so on, left to right to do that is called the horizontal swing twisting law. At the end of some movements or two movements often have beautiful colorful movements at the time of articulation, can be described as wonderful, the lower body movements with both legs kneeling, there are also a variety of dance steps such as roundabout step with it. The head can top the bowl, can also top the lamp, the dance is dignified and simple, the flavor of holding stable and majestic, just and soft Tongji.
Sixth, Topsyulle Dance
Balat Mongolia in Mongolian called dancing folk dance "Bei, Beile", the Chinese meaning of the body's rhythm. Live in the Xinjiang Uygur Autonomous Region and Inner Mongolia since the metallurgical region of Alxa League of Bharat Mongolia four tribes: Jungar, Turks, Durbeyt, and Shuot, each tribe has an extremely rich folk dance, they have an ancient two-stringed plucked instrument named Tophuuer, according to the custom of Bharat Mongolia, the Tophuuer will be accompanied by a sound of Bei, Bei anonymous, Bei Bei Ieil must be in the sound of the music of the Tophuuer Therefore, the Bharat Mongolian folk dance is also known as Topshur music dance Topshur music more complete preserved 12-17 songs, according to the content, each song has its own name and different actions and jumping, such as the black Jima, Yuk old man, slow withdrawal of the Batla Mongolian folk dance reflecting the life of the contents of the performance of labor, such as shearing, felt, milking, etc.; there is a performance of daily life, such as combing, looking in the mirror, the Batla Mongolian folk dance, and so on. There are some performances of daily life, such as combing hair, looking in the mirror, wearing headdresses, etc.; there are some imitations of birds and animals, such as eagles spreading their wings, goats running and jumping, walking horses, camels, etc.; there are some simulations of natural scenery, such as water, water waves, grass waves, etc., and the form of the unarmed and props with two kinds of props with props and the top of the bowl and both hands holding a pair of chopsticks jumping with a hand holding a Topthol bouncing and jumping, and the action of the dance, except for the hard shoulder, shrugs, turning around in addition to the dance of the rebound Topthol and the action of the dance. The dance of the Dahlleth Bey is a very popular one. The dancing methods include Daleles Beyil (beckoning, referring to the movement of lifting and squeezing the wrist), Fandeleon Beyil (twisting and jumping, referring to the movement of wrapping the arm), Acha Beyil (supporting and jumping, the nail is holding B's waist with both legs, and B is supporting A, and the two of them are facing each other and jumping), and the whole dance is carried out with the rhythm of wrapping around the circle and the knees are slightly trembling, and the typical movements consist of the hard shoulder, the shrugging of the shoulders, the squeezing and lifting of the wrist, shaking of the hand and the wrapping of the arm, and the movements can be improvised and randomly carried out in the pair dance between the two persons, the three persons and the many persons. In the two-, three- and multi-player dances, the movements are improvised and randomly varied.
Seven, jousting
The autonomous region known as the hometown of wrestling Xilingol Grasslands, a simulation of the dance. By a person to perform two people wrestling the dynamic of the dragon and tiger-like struggle, and performance than the life of the wrestling but also cattle movement, dexterity, humor, comedy, so loved by the masses. Performers should wear special costumes, dressed in Mongolian robes of two small dummies in a good wrestling position (holding waist) sewn together, so that the two robes are cylindrical set on the body to tie a good belt, the upper body bowed forward one hundred and eighty degrees, the two stick together with the fake head right on the top of the waist and back, with the hands of the boots as one of the feet, in the song or drums, do a wrestling of all kinds of holding, kicking, limping, hooking and other skills.
Eight, circle dance
Mongolian folk dance. It consists of several kinds of movements such as the alternating footsteps, the bold and unrestrained jumping step, and the bright and elegant running and jumping step of the lower body or the side body. The dancers shake their hands, hold hands with others behind their backs, hold hands with others, and dance in a circle, so it is usually called Buryat folk dance as circle dance. The slow dance is soft and lyrical, and the fast dance is cheerful and agile, with strong jumps, reflecting the simplicity of the folk style and the warmth and boldness of feelings.